Sunday, June 16, 2013
Low Rider chords
War
G F C G F C
All my friends know the Low Rider
G F C G F C
The Low Rider is a little higher
G F C G 2x
F F/G
G F C G F C
Low Rider drives a little slower
G F C
G F C
Low Rider, he's a real go'er
G F C G 2x
F F/G
G F C G F C
Low Rider knows every street, yeah
G F C G F C
Low Rider he's the one
to meet, yeah
G F C G 2x
F F/G
G F C G F C
Low Rider don't use no gas now
G F C G F C
The Low Rider don't drive too fast
G F C G 2x
F F/G
F
Take a little trip
Take a little trip G
Take a little trip to see
F
Take a little trip
Take a little trip G
Take a little trip with me
G F C G 2x
F F/G
D F#7 Bm Gadd9
e|-------0-------0------0--------0------|
B|-------1-------0------1--------1------|
G|-------0-------1------2--------2------|
D|-------2-------0------2--------3------|
A|-------3-------2------0--------3------|
E|-------x-------x------x--------x------|
Intro
D F#7 Bm Gadd9
D
Hey, hey, hey
F#7
Hey, hey, hey
Bm Gadd9
Hey, hey, hey
[Verse 1: Robin Thicke]
D F#7
If you can't hear what I'm trying to say
Bm Gadd9
If you can't read from the same page
D F#7
Maybe I'm going deaf, maybe I'm going blind
Bm Gadd9
Maybe I'm out of my mind
[Pre-chorus: Robin Thicke]
D F#7
OK now he was close, tried to domesticate you
Bm Gadd9
But you're an animal, baby it's in your nature
D
Just let me liberate you
F#7
You don't need no papers
Bm
That man is not your maker
Gadd9
And that's why I'm
gon' take a
Chorus
D
Good girl
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
You're a good girl
F#7
Can't let it get past me
Bm
You're far from plastic
Gadd9
Talk about getting blasted
D
I hate these blurred lines
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
But you're a good girl
F#7
The way you grab me
Bm
Must wanna get nasty
Gadd9
Go ahead, get at me
Follow Same Chord Structure Throughout
[Verse 2: Robin Thicke]
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I hate them lines
I know you want
it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Verse 3: T.I.]
One thing I ask of you
Let me be the one you back that ass to
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's not almost
unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
But I'm a nice guy, but you get it if you get with me
[Bridge: Robin Thicke]
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you doing like word
[Pre-chorus: Robin Thicke]
Baby can you breathe? I got this from Jamaica
It always works for me Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
[Chorus: Robin Thicke]
I always wanted a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Outro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
C E Am Gm C
Why can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
I seen you round for a
E Long long time, yeah
Am I remembered you when you
G Drank my wine
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I seen you walkin' down in
E
Chinatown
Am
I called you but you could not
G
Look around
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be
friends
F
I bring my money to the
E
Welfare line
Am
I see you standing in it
G
Every time
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
The color of your skin don't
E
Matter to me
Am
As long as we can live in
G
Harmony
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I'd kinda like to be the
E
President
Am
So I can show you how your
G
Money's spent
C E Am Gm C
Why
can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
Sometimes I don't
E Speak right
Am But yet I know what I'm
G Talking about
Why can't we be friends Why can't we be friends
Why can't we be friends Why can't we be friends
F
I know you're workin' for the
E CIA
Am They wouldn't have you in the
G Ma-fi-A
C
Why can't we be friends Why can't we be friends
Why can't we be friends
Why can't we be friends
ong: Spanish Flea
Band: Herb Alpert And The Tijuana Brass
The chords for this song are very simple and it only has two parts.
The song is 4/4.
Part 1:
|Bb D7|G|C|F|Bb Eb|Db Gb|F|
Part 2:
|Eb|Eb|Ab|Ab|Db|Db|Gb|F|F|
This is how it goes.
Part 1
Part 1
Part 2
Part 1
Part 2
Part 1
Part 2
Part 1
http://www.herbalpert.com/
Standard Tuning.
|----------------------------|------------------------------|
|--------------3----3--1--0--|-----------------1---1--------|
|----------------------------|-----0------------------3--2--|
|--0--1--2--3----------------|--------4--3--2---------------|
|----------------------------|------------------------------|
|----------------------------|------------------------------|
|---------------------------|--------------------1--|
|------------------------1--|--------2-----2--4-----|
|---------------3--0--3-----|-----1-----3-----------|
|---3-2-1-0--3--------------|--3--------------------|
|---------------------------|-----------------------|
|---------------------------|-----------------------|
|--1--1--3--1-----------|------------------|
|-------------2--1------|--3----3--1--0----|
|-------------------3---|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-------------------------|---------------------------|
|--------------1-1--------|------------------------1--|
|--0----------------3--2--|---------------3--0--3-----|
|-----4--3--2-------------|---3-2-1-0--3--------------|
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|--------------------1--|--1--1--3--1------------|
|--------2-----2--4-----|--------------2--1------|
|-----1-----3-----------|--------------------3---|
|--3--------------------|------------------------|
|-----------------------|------------------------|
|-----------------------|------------------------|
his is my first tab I've every did...so go easy on it. I listened to the song sounded
the chord as best as i can...I hope you like...enjoy
Am F
Tonight we dance
G F Am
I leave my life in your hands
Am F
We take the floor
G F E
Nothing is forbidden anymore
Am
Don't let the world in outside
F
Don't let a moment
go by
C G E
Nothing can stop us to--night
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio – Bailamo
G F Am
Wanna live this night forever - bailamos
G F E
Te quiero amor mio - Te quiero
Am F
Tonight I'm yours
G F Am
We can make it happen I'm so sure
Am F
I won't let it go
G F E
There is something I think you should know
Am
I won't be leaving your side
F
We're going to dance through the night
C G E
I want to reach for the stars.
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio - Bailamos
G F Am
Wanna live this night forever – Bailamos
G F E
Te quiero amor mio - Te quiero
Am
oooooh
G F
Tonight we dance
Am
oooooh
G F
Like no tomorrow
Am
oooooh
G F Am
If you will stay with me
Te quiero mi amor
ALL STAR
F#m/D
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
E6
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
Capo 2
F# C# G#m B
Somebody once told me the world is gonna roll me
I ain't the sharpest tool in the shed
She was looking kind of dumb with
her finger and her thumb
In the shape of an "L" on her forehead
F# C#
Well, the years start coming and they don't
stop coming
G#m B
Fed to the rules and I hit the ground running
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do much to see
So what's wrong with taking the back streets
You'll never know if you don't go
You'll never shine if you don't glow
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
It's a cool place and they say it gets colder
This message has been truncated
Show Full Message
pop music 2-3-4 chords lyrics
Low Rider chords
War
G F C G F C
All my friends know the Low Rider
G F C G F C
The Low Rider is a little higher
G F C G 2x
F F/G
G F C G F C
Low Rider drives a little slower
G F C G F C
Low Rider, he's a real go'er
G F C G 2x
F F/G
G F C G F C
Low Rider knows every street, yeah
G F C G F C
Low Rider he's the one to meet, yeah
G F C G 2x
F F/G
G F C G F C
Low Rider don't use no gas now
G F C G F C
The Low Rider don't drive too fast
G F C G 2x
F F/G
F
Take a little trip
Take a little trip G
Take a little trip to see
F
Take a little trip
Take a little trip G
Take a little trip with me
G F C G 2x
F F/G
D F#7 Bm Gadd9
e|-------0-------0------0--------0------|
B|-------1-------0------1--------1------|
G|-------0-------1------2--------2------|
D|-------2-------0------2--------3------|
A|-------3-------2------0--------3------|
E|-------x-------x------x--------x------|
Intro
D F#7 Bm Gadd9
D
Hey, hey, hey
F#7
Hey, hey, hey
Bm Gadd9
Hey, hey, hey
[Verse 1: Robin Thicke]
D F#7
If you can't hear what I'm trying to say
Bm Gadd9
If you can't read from the same page
D F#7
Maybe I'm going deaf, maybe I'm going blind
Bm Gadd9
Maybe I'm out of my mind
[Pre-chorus: Robin Thicke]
D F#7
OK now he was close, tried to domesticate you
Bm Gadd9
But you're an animal, baby it's in your nature
D
Just let me liberate you
F#7
You don't need no papers
Bm
That man is not your maker
Gadd9
And that's why I'm gon' take a
Chorus
D
Good girl
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
You're a good girl
F#7
Can't let it get past me
Bm
You're far from plastic
Gadd9
Talk about getting blasted
D
I hate these blurred lines
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
But you're a good girl
F#7
The way you grab me
Bm
Must wanna get nasty
Gadd9
Go ahead, get at me
Follow Same Chord Structure Throughout
[Verse 2: Robin Thicke]
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I hate them lines
I know you want it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Verse 3: T.I.]
One thing I ask of you
Let me be the one you back that ass to
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's not almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
But I'm a nice guy, but you get it if you get with me
[Bridge: Robin Thicke]
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you doing like word
[Pre-chorus: Robin Thicke]
Baby can you breathe? I got this from Jamaica
It always works for me Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
[Chorus: Robin Thicke]
I always wanted a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Outro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
C E Am Gm C
Why can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
I seen you round for a
E Long long time, yeah
Am I remembered you when you
G Drank my wine
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I seen you walkin' down in
E
Chinatown
Am
I called you but you could not
G
Look around
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I bring my money to the
E
Welfare line
Am
I see you standing in it
G
Every time
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
The color of your skin don't
E
Matter to me
Am
As long as we can live in
G
Harmony
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I'd kinda like to be the
E
President
Am
So I can show you how your
G
Money's spent
C E Am Gm C
Why can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
Sometimes I don't
E Speak right
Am But yet I know what I'm
G Talking about
Why can't we be friends Why can't we be friends
Why can't we be friends Why can't we be friends
F
I know you're workin' for the
E CIA
Am They wouldn't have you in the
G Ma-fi-A
C
Why can't we be friends Why can't we be friends
Why can't we be friends
Why can't we be friends
ong: Spanish Flea
Band: Herb Alpert And The Tijuana Brass
The chords for this song are very simple and it only has two parts.
The song is 4/4.
Part 1:
|Bb D7|G|C|F|Bb Eb|Db Gb|F|
Part 2:
|Eb|Eb|Ab|Ab|Db|Db|Gb|F|F|
This is how it goes.
Part 1
Part 1
Part 2
Part 1
Part 2
Part 1
Part 2
Part 1
http://www.herbalpert.com/
Standard Tuning.
|----------------------------|------------------------------|
|--------------3----3--1--0--|-----------------1---1--------|
|----------------------------|-----0------------------3--2--|
|--0--1--2--3----------------|--------4--3--2---------------|
|----------------------------|------------------------------|
|----------------------------|------------------------------|
|---------------------------|--------------------1--|
|------------------------1--|--------2-----2--4-----|
|---------------3--0--3-----|-----1-----3-----------|
|---3-2-1-0--3--------------|--3--------------------|
|---------------------------|-----------------------|
|---------------------------|-----------------------|
|--1--1--3--1-----------|------------------|
|-------------2--1------|--3----3--1--0----|
|-------------------3---|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-------------------------|---------------------------|
|--------------1-1--------|------------------------1--|
|--0----------------3--2--|---------------3--0--3-----|
|-----4--3--2-------------|---3-2-1-0--3--------------|
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|--------------------1--|--1--1--3--1------------|
|--------2-----2--4-----|--------------2--1------|
|-----1-----3-----------|--------------------3---|
|--3--------------------|------------------------|
|-----------------------|------------------------|
|-----------------------|------------------------|
his is my first tab I've every did...so go easy on it. I listened to the song sounded
the chord as best as i can...I hope you like...enjoy
Am F
Tonight we dance
G F Am
I leave my life in your hands
Am F
We take the floor
G F E
Nothing is forbidden anymore
Am
Don't let the world in outside
F
Don't let a moment go by
C G E
Nothing can stop us to--night
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio – Bailamo
G F Am
Wanna live this night forever - bailamos
G F E
Te quiero amor mio - Te quiero
Am F
Tonight I'm yours
G F Am
We can make it happen I'm so sure
Am F
I won't let it go
G F E
There is something I think you should know
Am
I won't be leaving your side
F
We're going to dance through the night
C G E
I want to reach for the stars.
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio - Bailamos
G F Am
Wanna live this night forever – Bailamos
G F E
Te quiero amor mio - Te quiero
Am
oooooh
G F
Tonight we dance
Am
oooooh
G F
Like no tomorrow
Am
oooooh
G F Am
If you will stay with me
Te quiero mi amor
ALL STAR
F#m/D
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
E6
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
Capo 2
F# C# G#m B
Somebody once told me the world is gonna roll me
I ain't the sharpest tool in the shed
She was looking kind of dumb with her finger and her thumb
In the shape of an "L" on her forehead
F# C#
Well, the years start coming and they don't stop coming
G#m B
Fed to the rules and I hit the ground running
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do much to see
So what's wrong with taking the back streets
You'll never know if you don't go
You'll never shine if you don't glow
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
It's a cool place and they say it gets colder
You're bundled up now, wait 'til you get older
But the meteor men beg to differ
Judging by the hole in the satellite picture
The ice we skate is getting pretty thin
The waters gettin' warm so you might as well swim
My world's on fire, how about yours
That's the way I like it and I never get bored
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
F# B F#m/D B (w/ A little hip-hop turntable action)
Go for the moon
Go for the moon
Go for the moon
Go for the moon
Hey now you're an all-star, get your game on, go play
Hey now you're a rock star, get the show on, get paid
And all that glitters is gold
B F# E6
Only shooting stars...
Somebody once asked could I spare some change for gas
I need to get myself away from this place
I said yep what a concept I could use a little fuel myself
And we could all use a little change
F# B
Well, the years start coming and they don't stop coming
F#m/D B
Fed to the rules and I hit the ground running
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do much to see
So what's wrong with taking the back streets
You'll never know if you don't go
You'll never shine if you don't glow
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
F# B F#m/D
And all that glitters is gold
B F# E6 B
Only shooting stars break the mold...
VERSE
G D D7 G
I thought love was only true in fairy tales
G D D7 G G7
Meant for someone else but not for me
C7 G C G
Love was out to get to me, that's the way it seems,
C G D
Disappointment haunted all my dreams
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
VERSE
G D D7 G
I thought love was more or less a given thing
G D D7 G G7
But the more I gave the less I got, oh yeah
C7 G C G
What's the use in trying, all you get is pain
C G D
When I wanted sunshine I got rain.
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
INTERLUDE
C7 G C G
What's the use in trying, all you get is pain
C G D
When I wanted sunshine I got rain.
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
--
apo 2nd Fret (or wherever best suits your voice)
C E7 Am Fadd9
e|-------0-------0------0--------0------|
B|-------1-------0------1--------1------|
G|-------0-------1------2--------2------|
D|-------2-------0------2--------3------|
A|-------3-------2------0--------3------|
E|-------x-------x------x--------x------|
Intro
C E7 Am Fadd9
C
Hey, hey, hey
E7
Hey, hey, hey
Am Fadd9
Hey, hey, hey
[Verse 1: Robin Thicke]
C E7
If you can't hear what I'm trying to say
Am Fadd9
If you can't read from the same page
C E7
Maybe I'm going deaf, maybe I'm going blind
Am Fadd9
Maybe I'm out of my mind
[Pre-chorus: Robin Thicke]
C E7
OK now he was close, tried to domesticate you
Am Fadd9
But you're an animal, baby it's in your nature
C
Just let me liberate you
E7
You don't need no papers
Am
That man is not your maker
Fadd9
And that's why I'm gon' take a
Chorus
C
Good girl
E7
I know you want it
Am
I know you want it
Fadd9
I know you want it
C
You're a good girl
E7
Can't let it get past me
Am
You're far from plastic
Fadd9
Talk about getting blasted
C
I hate these blurred lines
E7
I know you want it
Am
I know you want it
Fadd9
I know you want it
C
But you're a good girl
E7
The way you grab me
Am
Must wanna get nasty
Fadd9
Go ahead, get at me
Follow Same Chord Structure Throughout
[Verse 2: Robin Thicke]
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I hate them lines
I know you want it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Verse 3: T.I.]
One thing I ask of you
Let me be the one you back that ass to
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's not almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
But I'm a nice guy, but you get it if you get with me
[Bridge: Robin Thicke]
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you doing like word
[Pre-chorus: Robin Thicke]
Baby can you breathe? I got this from Jamaica
It always works for me Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
[Chorus: Robin Thicke]
I always wanted a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Outro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Enjoy:)
BLURRED LINES
Only has two chords with an picking bit (*P*) in between
G D *P*
1 0 e|--------------------------|
1 1 B|--------------------------|
2 0 G|--------------------------|
3 2 D |--------------------------|
0 3 A |--3-3---1-1---0-0---------|
X X E |--------------------3-3---|
Intro G
G D
Everybody get a, Everybody get a
Hey, Hey, Hey
Hey, Hey, Hey
Hey, Hey, Hey
Tell you what
G G
If you can't hear, What I'm tryin' to say
G G
If you can't read, From the same page
D D
Maybe I'm goin' deaf, Maybe I'm goin' blind
D *P*
Maybe I'm out of my, Mind
G G
OK, Now he was close, Tried to domesticate you
G G
But you're an animal, Baby it's in your nature
D D
Just let me liberate you, You don't need no papers
D *P*
That man is not your maker, And that's why I'm gon' take a
G G
Good girl, I know you want it
G G
I know you want it, I know you want it
D D
You're a good girl, Can't let it get past me
D *P*
You're far from plastic, Talk about getting blasted
G G
I hate these blurred lines, I know you want it
G G
I know you want it, I know you want it
D D
But you're a good girl, The way you grab me
D *P*
Must wanna get nasty, Go ahead get at me
*** REPEATS ALL THE WAY THROUGH ***
ME AND JULIO* *
Intro: E A E B E A E B
* These "A"s are two beats and the others are all one
E
Mama Pajama rolled out of bed
A
and she ran to the police station
B
When the papa found out he began to shout
E A E
and that's what started the investigation
B E
But it's against the law, it was against the law
B E
What the mama saw, was against the law
E
Well the mama looks down and she spit on the ground
A
Every time my name gets mentioned
B
And the papa says "Oy, when I get that boy
E A E
I'm gonna stick him in the house of detention!"
A E
And I'm on my way, I don't know where I'm going
A E F# B
I'm on my way, takin' my time but I don't know where
A E
Goodbye to Rosie, Queen of Corona
E D A B E
E B
See you, me, and Julio down by the schoolyard
E D A B E
See you, me, and Julio down by the schoolyard
break: A A E E A A E
B A A }Whistling part
E E E D A B E
E B E D A B E A
B }
E
In a couple of days they come and take me away
But the press let the story leak
And when the radical priest come and get me released
We's all on the cover of Newsweek.
And I'm on my way, I don't know where I'm going I'm on my way, takin' my time but I don't know where Goodbye to Rosie, Queen of Corona
See you, me, and Julio down by the schoolyard
See you, me, and Julio down by the schoolyard
Intro: C#m, F#, B, E, A, G#m, F#m
E
Right from the start
A C#m
You were a thief you stole my heart
A E
And I your willing victim
E A C#m
I let you see the parts of me that weren't all that pretty
A E
And with every touch you fixed them
C#m F# B E
Now you've been talking in your sleep oh oh
C#m F# B E
Things you never say to me oh oh
C#m F# B
Tell me that you've had enough
E A G#m Bsus4 B
Of our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
It's in the stars, It's been written in the scars on our hearts
G#m
We're not broken just bent
B E
And we can learn to love again
Verse 2
E A C#m
Im sorry I don't understand where all of this is coming from
A E
I thought that we were fine
(Oh we had everything)
E A C#m
Your head is running wild again, my dear we still have everything
A E
And its all in your mind
(Yeah but this is happening)
C#m F# B E
You've been having real bad dreams Oh oh
C#m F# B E
You used to lie so close to me Oh oh
C#m F# B
There's nothing more than empty sheets
E A G#m F#m A E B
Between out love, our love, oh our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
I never stopped, you're still written in the scars on my heart
G#m
You're not broken just bent
B C#m
And we can learn to love again
C#m G#m
Oh tears ducts and rust
A
I'll fix it for us
B
We're collecting dust but our love's enough
C#m G#m
You're holding it in, You're pouring a drink
A F#m G#m A B Bsus4
No nothing is as bad as it seems
We'll come clean
Chorus (no instrumental)
Everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat.
Hey you will raise today, goodbye to yesterday
you will become a women who has much to celebrate.
Go out to the world your young and beautiful
always do your best and you can be invincible
you've come so far thats who you are with all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
Hey shoo your attitude
make it understood your the one who's changing
everybody point of view
Give it all your got
you the carnival this will be a moment you will cherish all your life
you've come so far thats who you are
wit all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera , family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your Dreams WOO-OO
UNO DOS TRES
to the left
UNO DOS TRES
to the right
put your hands up in the air
move your hips everywhere
1, 2, 3
a bailar
1, 2, 3
carnaval
come to us seize the moment
you will be a quinceañera
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
live your dreee-ams
livin your, livin your
dreams
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams
WOO-OOx2
livin your, livin your
Dreams____Like the legend of the phoenix
All ends with beginnings
What keeps the planet spinning (uh)
The force of love beginning
(Look)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
The present has no ribbon
Your gift keeps on giving,
What is this I'm feeling?
If you wanna leave I'm ready (ah)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
(We're up all night to get
We're up all night to get
We're up all night to get
We're up all night to get)
(We're up all night to get (together)
We're up all night to get (let's get funked again)
We're up all night to get funky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
We (we're up all night to get lucky)
I've come too far (we're up all night to get lucky)
To give up (we're up all night to get lucky)
Who we are (we're up all night to get lucky)
So let's (we're up all night to get lucky)
Raise the bar (we're up all night to get lucky)
And our cups (we're up all night to get lucky)
To the stars (we're up all night to get lucky)
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
___Baby you a song
You make me wanna roll my windows down and cruise
Hey baby
Yeah, when I first saw that bikini top on her
She's poppin' right out of the South Georgia water
Thought, "Oh, good lord, she had them long tanned legs"
Couldn't help myself so I walked up and said
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
She was sippin' on southern and singin' Marshall Tucker
We were falling in love in the sweet heart of summer
She hopped right up into the cab of my truck and said
"Fire it up, let's go get this thing stuck"
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
When that summer sun fell to its knees
I looked at her and she looked at me
And I turned on those KC lights and drove all night
Cause it felt so right, her and I, man we felt so right
I put it in park and
Grabbed my guitar
And strummed a couple chords
And sang from the heart
Girl you sure got the beat in my chest bumpin'
Hell I can't get you out of my head
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
Come on
-----
Low Rider chords
War
G F C G F C
All my friends know the Low Rider
G F C G F C
The Low Rider is a little higher
G F C G 2x
F F/G
G F C G F C
Low Rider drives a little slower
G F C G F C
Low Rider, he's a real go'er
G F C G 2x
F F/G
G F C G F C
Low Rider knows every street, yeah
G F C G F C
Low Rider he's the one to meet, yeah
G F C G 2x
F F/G
G F C G F C
Low Rider don't use no gas now
G F C G F C
The Low Rider don't drive too fast
G F C G 2x
F F/G
F
Take a little trip
Take a little trip G
Take a little trip to see
F
Take a little trip
Take a little trip G
Take a little trip with me
G F C G 2x
F F/G
D F#7 Bm Gadd9
e|-------0-------0------0--------0------|
B|-------1-------0------1--------1------|
G|-------0-------1------2--------2------|
D|-------2-------0------2--------3------|
A|-------3-------2------0--------3------|
E|-------x-------x------x--------x------|
Intro
D F#7 Bm Gadd9
D
Hey, hey, hey
F#7
Hey, hey, hey
Bm Gadd9
Hey, hey, hey
[Verse 1: Robin Thicke]
D F#7
If you can't hear what I'm trying to say
Bm Gadd9
If you can't read from the same page
D F#7
Maybe I'm going deaf, maybe I'm going blind
Bm Gadd9
Maybe I'm out of my mind
[Pre-chorus: Robin Thicke]
D F#7
OK now he was close, tried to domesticate you
Bm Gadd9
But you're an animal, baby it's in your nature
D
Just let me liberate you
F#7
You don't need no papers
Bm
That man is not your maker
Gadd9
And that's why I'm gon' take a
Chorus
D
Good girl
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
You're a good girl
F#7
Can't let it get past me
Bm
You're far from plastic
Gadd9
Talk about getting blasted
D
I hate these blurred lines
F#7
I know you want it
Bm
I know you want it
Gadd9
I know you want it
D
But you're a good girl
F#7
The way you grab me
Bm
Must wanna get nasty
Gadd9
Go ahead, get at me
Follow Same Chord Structure Throughout
[Verse 2: Robin Thicke]
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I hate them lines
I know you want it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Verse 3: T.I.]
One thing I ask of you
Let me be the one you back that ass to
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's not almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
But I'm a nice guy, but you get it if you get with me
[Bridge: Robin Thicke]
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you doing like word
[Pre-chorus: Robin Thicke]
Baby can you breathe? I got this from Jamaica
It always works for me Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
[Chorus: Robin Thicke]
I always wanted a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Outro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
C E Am Gm C
Why can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
I seen you round for a
E Long long time, yeah
Am I remembered you when you
G Drank my wine
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I seen you walkin' down in
E
Chinatown
Am
I called you but you could not
G
Look around
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I bring my money to the
E
Welfare line
Am
I see you standing in it
G
Every time
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
The color of your skin don't
E
Matter to me
Am
As long as we can live in
G
Harmony
C
Why can't we be friends
E
Why can't we be friends
Am
Why can't we be friends
Gm C
Why can't we be friends
F
I'd kinda like to be the
E
President
Am
So I can show you how your
G
Money's spent
C E Am Gm C
Why can't we be friends
Why can't we be friends
Why can't we be friends
Why can't we be friends
F
Sometimes I don't
E Speak right
Am But yet I know what I'm
G Talking about
Why can't we be friends Why can't we be friends
Why can't we be friends Why can't we be friends
F
I know you're workin' for the
E CIA
Am They wouldn't have you in the
G Ma-fi-A
C
Why can't we be friends Why can't we be friends
Why can't we be friends
Why can't we be friends
ong: Spanish Flea
Band: Herb Alpert And The Tijuana Brass
The chords for this song are very simple and it only has two parts.
The song is 4/4.
Part 1:
|Bb D7|G|C|F|Bb Eb|Db Gb|F|
Part 2:
|Eb|Eb|Ab|Ab|Db|Db|Gb|F|F|
This is how it goes.
Part 1
Part 1
Part 2
Part 1
Part 2
Part 1
Part 2
Part 1
http://www.herbalpert.com/
Standard Tuning.
|----------------------------|------------------------------|
|--------------3----3--1--0--|-----------------1---1--------|
|----------------------------|-----0------------------3--2--|
|--0--1--2--3----------------|--------4--3--2---------------|
|----------------------------|------------------------------|
|----------------------------|------------------------------|
|---------------------------|--------------------1--|
|------------------------1--|--------2-----2--4-----|
|---------------3--0--3-----|-----1-----3-----------|
|---3-2-1-0--3--------------|--3--------------------|
|---------------------------|-----------------------|
|---------------------------|-----------------------|
|--1--1--3--1-----------|------------------|
|-------------2--1------|--3----3--1--0----|
|-------------------3---|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-----------------------|------------------|
|-------------------------|---------------------------|
|--------------1-1--------|------------------------1--|
|--0----------------3--2--|---------------3--0--3-----|
|-----4--3--2-------------|---3-2-1-0--3--------------|
|-------------------------|---------------------------|
|-------------------------|---------------------------|
|--------------------1--|--1--1--3--1------------|
|--------2-----2--4-----|--------------2--1------|
|-----1-----3-----------|--------------------3---|
|--3--------------------|------------------------|
|-----------------------|------------------------|
|-----------------------|------------------------|
his is my first tab I've every did...so go easy on it. I listened to the song sounded
the chord as best as i can...I hope you like...enjoy
Am F
Tonight we dance
G F Am
I leave my life in your hands
Am F
We take the floor
G F E
Nothing is forbidden anymore
Am
Don't let the world in outside
F
Don't let a moment go by
C G E
Nothing can stop us to--night
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio – Bailamo
G F Am
Wanna live this night forever - bailamos
G F E
Te quiero amor mio - Te quiero
Am F
Tonight I'm yours
G F Am
We can make it happen I'm so sure
Am F
I won't let it go
G F E
There is something I think you should know
Am
I won't be leaving your side
F
We're going to dance through the night
C G E
I want to reach for the stars.
Chorus
Am G F Am
Bailamos - let the rhythm take you over Bailamos
G F Am
Te quiero amor mio - Bailamos
G F Am
Wanna live this night forever – Bailamos
G F E
Te quiero amor mio - Te quiero
Am
oooooh
G F
Tonight we dance
Am
oooooh
G F
Like no tomorrow
Am
oooooh
G F Am
If you will stay with me
Te quiero mi amor
ALL STAR
F#m/D
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
E6
e |---
B |---
G |-3-
D |-2-
A |-1-
E |---
Capo 2
F# C# G#m B
Somebody once told me the world is gonna roll me
I ain't the sharpest tool in the shed
She was looking kind of dumb with her finger and her thumb
In the shape of an "L" on her forehead
F# C#
Well, the years start coming and they don't stop coming
G#m B
Fed to the rules and I hit the ground running
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do much to see
So what's wrong with taking the back streets
You'll never know if you don't go
You'll never shine if you don't glow
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
It's a cool place and they say it gets colder
You're bundled up now, wait 'til you get older
But the meteor men beg to differ
Judging by the hole in the satellite picture
The ice we skate is getting pretty thin
The waters gettin' warm so you might as well swim
My world's on fire, how about yours
That's the way I like it and I never get bored
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
F# B F#m/D B (w/ A little hip-hop turntable action)
Go for the moon
Go for the moon
Go for the moon
Go for the moon
Hey now you're an all-star, get your game on, go play
Hey now you're a rock star, get the show on, get paid
And all that glitters is gold
B F# E6
Only shooting stars...
Somebody once asked could I spare some change for gas
I need to get myself away from this place
I said yep what a concept I could use a little fuel myself
And we could all use a little change
F# B
Well, the years start coming and they don't stop coming
F#m/D B
Fed to the rules and I hit the ground running
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do much to see
So what's wrong with taking the back streets
You'll never know if you don't go
You'll never shine if you don't glow
F# B F#m/D B
Hey now, you're an all-star, get your game on, go play
F# B F#m/D B
Hey now, you're a rock star, get the show on, get paid
F# B F#m/D
All that glitters is gold
B F# E6 B
Only shooting stars break the mold...
F# B F#m/D
And all that glitters is gold
B F# E6 B
Only shooting stars break the mold...
VERSE
G D D7 G
I thought love was only true in fairy tales
G D D7 G G7
Meant for someone else but not for me
C7 G C G
Love was out to get to me, that's the way it seems,
C G D
Disappointment haunted all my dreams
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
VERSE
G D D7 G
I thought love was more or less a given thing
G D D7 G G7
But the more I gave the less I got, oh yeah
C7 G C G
What's the use in trying, all you get is pain
C G D
When I wanted sunshine I got rain.
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
INTERLUDE
C7 G C G
What's the use in trying, all you get is pain
C G D
When I wanted sunshine I got rain.
REFRAIN
G7 C G
And then I saw her face
C G7 C G
Now I'm a believer
C G7 C G
Not a trace
C G7 C G
Of doubt in my mind
C G C
I'm in love (ooooh)
G
I'm a believer
F
I couldn't leave her
D7
If I tried
______________________________________________fun.
Fun
CARRY ON
erse 1:
E A - E A
Well I woke up to the sound of silence and guns
Were cutting like knives in a fist fight
And I found you with a bottle of wine
Your head in the curtains and heart like the 4th of July
E - F#m - G#m A
You swore and said we are not - We are not shining stars - This I know - cause I never said we are
E - A E A
Though I've never been through hell like that - I've closed enough windows to know you can never look back
Chorus:
E A B - E A B
If you're lost and alone, or you're sinkin like a stone - Carry on
E A B - E A B
May your past be the sound of your feet upon the ground
Carry on
E A E A
Carry on carry on
Verse 2:
E A
So I met up with some friends at the edge of the night
E A
At a bar off 75
E A
And we talked and talked about how our parents will die
E A
All our neighbors and wives
Pre-chorus:
E - F#m - G#m A
But I'd like to think - I can cheat it all
To make up for the times I've been cheated on
And it's nice to know
When I was left for dead
I was found and I know not these streets
A B
I am not the ghost you want to be
(This riff plays through the pre-chorus)
E F#m G#m
e|-12----12----12----12----14----14----14----14----16----16----16----16-----|
B|---12----12----12----12----12----12----12----12----12----12----12----12---|
G|-----13----13----13----13----13----13----13----13----13----13----13----13-|
A E F#m
e|-17----17----17----17----12----12----12----12----14----14----14----14-----|
B|---12----12----12----12----12----12----12----12----12----12----12----12---|
G|-----13----13----13----13----13----13----13----13----13----13----13----13-|
G#m A B
e|-16----16----16----16----17----17----19----19~----------------------------|
B|---12----12----12----12----12----12----12---------------------------------|
G|-----13----13----13----13----13----13----13-------------------------------|
Chorus:
E A B
If you're lost and alone, or you're sinkin like a stone - Carry on- May your past be the sound of your feet upon the ground- Carry on
B - Ohhhhh
Bridge:
A E B
My head is on fire, but my legs they're fine
A E B
Cause after all, they are mine
A E B
Lay your clothes down on the floor, close the door, hold the phone
A B
Show me how, no one's ever gonna stop us now
Instrumental:
E F#m G#m A - E F#m G#m A
(This plays during the instrumental)
Pre-chorus:
E F#m - G#m A
Cause we are, we are shining stars We are invincible, we are who we are - On our darkest day, when we're miles away Sun will come, we will find our way home
(This riff plays through the pre-chorus)
E F#m G#m
e|-12----12----12----12----14----14----14----14----16----16----16----16-----|
B|---12----12----12----12----12----12----12----12----12----12----12----12---|
G|-----13----13----13----13----13----13----13----13----13----13----13----13-|
A E F#m
e|-17----17----17----17----12----12----12----12----14----14----14----14-----|
B|---12----12----12----12----12----12----12----12----12----12----12----12---|
G|-----13----13----13----13----13----13----13----13----13----13----13----13-|
A|--------------------------------------------------------------------------|
Chorus:
E A B
If you're lost and alone, or you're sinkin like a stone - Carry on
May your past be the sound of your feet upon the ground - Carry on
E A
Woah ohhhhh - Ohhhhh
Woah ohhhhh =Ohhhhh
E (strum once)
Carry on carry on
SEE THE SUN – CARRY ON –WE ARE YOUNG
F Em Dm C
For once there is nothing up my sleeve
Just some scars from a life that used to trouble me
\I used to run at first sight of the sun
Now I lay here waiting for you to wake up
F Em Dm C
The city outside still sounds like it's on fire
You put on new sheets, the white flag of a Saturday night
I know we stayed up talking in circles
But I like to think the symmetry will keep me close to you
F Em Dm C
For everyone, I'm out to prove wrong, you keep the light on
F Em Dm C
The only one, you now me better than the truth
So despite what I've done I pray to God that we can move on
F Em Dm C
Cause thus far you are the best thing that this life is yet to lose
F Em Dm C
For once there is nothing up my sleeve
Just some scars from a life that used to trouble me
I used to run at first sight of the sun
Now I lay here waiting for you to wake up
F Em Dm C
I lay here waiting for you to wake up
F Em Dm C
So if you're gonna leave, if you're gonna go - I can't bear to sleep without you in my arms - I know we got caught up slipping through a crowd of people and losers
But you must not let them take you, they don't know you like I do
F Em Dm C
For once there is nothing up my sleeve
Just some scars from a life that used to trouble me
I used to run at first sight of the sun
Now I lay here waiting for you to wake up
I lay here waiting for you to wake up
Am G C F
Do you remember when we stayed up till the sun stretched through the room
I used to blame it on the queens walking down 7th Avenue
It's been years now since we moved I've gotten through with an excuse
You know I try not to speak superlatives but it's imá¹—ossible to you
(Instrumental Interlude)
F Em Dm C
The city outside is nothing but a flicker now
You see our friends to bed, you turn out the lights
I start to think you'll make a beautiful mother, I
F Em Dm C
I like to think I have everything I want from this life.
RHYTHM OF MY HEART ROD STEWART
___
Capo 1 – ALL ALONE – WHY AM I THE ONE
C G Am F
I fell in love with a wind-up souvenir
C G Am F
I bought it downtown as I was on my way to meet you
C G Am F
She sounds like the songs you used to sing to put me to sleep but
Am F G
But now that you're gone, she's all that I've left to hold
C F G
And I feel so all alone
C F Am G
No one's gonna fix me when I'm broke
C F
How do you cry with inanimate eyes?
Am G
You're never gonna smile with the way that you are
C F G
And I feel so all alone
C G
I gave her to you
Am F
I thought you might appreciate
C G
The way that she dances
Am F
The painted look upon her face
C G
She must have come from the sun
Am F
I want to take her through the park
Am F
Where she'd tell me I'm all, all that she wants
G
If she could even talk
C F G
And I feel so all alone
C F Am G
No one's gonna fix me when I'm broke
C F
How do you cry with inanimate eyes?
Am G
You're never gonna smile with the way that you are
C F G
And I feel so all alone
C F G
I feel so all alone
B D#m G#m F#
...sleeping on my side
F#
I finish kissing my dad
B
So now I head back up the steps
Thinking about where I've been
I mean it's always never like this
I wanna feel with the season
I guess it makes sense
B D#m G#m
That my life's become as vapid as
B D#m G#m
A night out in Los Angeles
B D#m G#m F#m C#
And I just wanna stay in bed
B F#
I hold you like I used to
B F#
You know that I am home
B F#
So darling if you love me
G#m D#m B C#
Will you let me know?
F#
Or go on, go on, go on
G#m C#
If you've been thinking that the worst is yet to come
B F#
Why am I the one
B C#
Always packing up my stuff?
F#
For once, for once, for once
G# C#
I get the feeling that I'm right where I belong
B F#
Why am I the one
B C#
Always packing up my stuff?
F#
She's got enough on her mind
That she feels no sorrow
I let my faith fill the air
Now she's rolling down the window
Never been one to hold on
But I need a last breath
B D#m G#m
So I ask if she remembers when
B D#m G#m
She used to come and visit
B D#m G#m F# C#
Man, we were fools to think that nothing could go wrong
F#
Or go on, go on, go on
G#m C#
If you've been thinking that the worst is yet to come
B F#
Why am I the one
B C#
Always packing up my stuff?
F#
For once, for once, for once
G# C#
I get the feeling that I'm right where I belong
B F#
Why am I the one
B C#
Always packing up my stuff?
B F#
I think I kind of like it
G#m C#
But I might have had too much
BRIDGE (2.5x)
*F#
I'll move back down
*B
To this western town
*G#m
When they find me out
*B *C#
Make no mistake about it
Why am I the one
D#m C#
Always packing up my stuff?
F#
Go on, go on, go on
G#m C#
If you've been thinking that the worst is yet to come
B F#
Why am I the one
B C#
Always packing up my stuff?
F#
For once, for once, for once
G#m C#
I get the feeling that I'm right where I belong
B F#
Why am I the one
B C#
Always packing up my stuff?
B F#
I think I kind of like it
G#m C#
But I might have had too much
I'll move back down
INTRO (2x)
WE ARE YOUNG
[VERSE 1]
F
Give me a second I, I need to get my story straight,
Dm7
My friends are in the bathroom getting higher than the Empire State,
Gm7
My lover she is waiting for me just across the bar,
A# C
My seat's been taken by some sunglasses asking 'bout a scar, and
F Dm7
I know I gave it to you months ago; I know you're trying to forget.
Gm7
But be-tween the drinks and subtle things, the holes in my apologies, you know,
A# C
I'm trying hard to take it back
[PRE-CHORUS]
Gm Am
so if by the time the bar closes
Dm Am/C A#
and you feel like falling down
A# C
I'll carry you home
[CHORUS x2]
F F Am/E Dm
To-night, we are young
Dm Dm/E A#
So let's set the world on fire;
A#
we can burn brighter
F/C -> C
than the sun
THE GAMBLER
Bb Bb/A Gm F Eb F Bb Bb/A Bb
Bb Bb/A Gm F Eb F Bb Bb/A Bb
Bb Bb/A Gm
Slow down,
F Eb F
we've got time left to be lazy
Bb Bb/A Gm F Eb F
All the kids have bloomed from babies into flowers in our eyes.
Bb Bb/A Gm F Eb F
We've got fifty good years left to spend out in the garden
Eb Dm
I don't care to beg your pardon,
Cm F
We should live
Bb Bb/A Gm F Eb F Bb Bb/A Bb
until we die.
Bb Bb/A Gm Dm Eb F
We were barely eighteen when we'd crossed collective hearts.
Eb Dm Cm F
It was cold, but it got warm when you'd barely crossed my eye.
Bb Bb/A Gm
and then you turned, put out your hand,
F Eb F
and you asked me to dance.
Eb Dm Cm F
I knew nothing of romance, but it was love at second sight.
Eb F Bb Bb/A Gm F
I swear when I grow up, I won't just buy you a rose.
Eb F Bb Bb/A Gm F
I will buy the flower shop, and you will never be lonely.
Eb F
Even if the sun stops waking up over the fields
Bb Bb/A Gm
I will not leave, I will not leave 'till it's our time.
Eb F Bb Bb/A Gm F Eb F Bb Bb/A Bb
So just take my hand, you know that I will never leave your side.
Bb Bb/A Gm F Eb F Bb Bb/A Bb
Bb Bb/A Gm Dm Eb F
It was the winter of '86, and all the fields had frozen over.
Eb Dm Cm F
So we moved to Arizona to save our only son
Bb Bb/A Gm F
and now he's turning to a man,
Eb F
although he thinks just like his mother,
Eb Dm Cm F
he believes we're all just lovers he sees hope in everyone.
Bb Bb/A Gm
And even though she moved away,
F Eb F
we always get calls from our daughter.
Eb Dm
She has eyes just like her father's
Cm F
they are blue when skies are grey
Bb Bb/A Gm F
And just like him, she never stops,
Eb F
Never takes the day for granted,
Eb Dm
works for everything that's handed to her,
Cm F
Never once complains.
SOME NIGHTS
C F C
Some nights I stay up cashing in my bad luck.
F C G
Some nights I call it a draw.
C F C
Some nights I wish that my lips could build a castle.
F C G
Some nights I wish they'd just fall off
F C F C
But I still wake up, I still see your ghost.
F C G
Oh Lord, I'm still not sure what I stand for, oh.
F C F C
What do I stand for? What do I stand for?
Am G (F C F C F C G x2)
Most nights, I don't know anymore
ME AND JULIO
RHYTHM OF MY HEART C#6 - F# - C#6 - G# - C#6 - F# - C#6 - G# - C#6 - Repeat – E- A E –B - - E –A-E- B-E- LIKE CARRY ON
MAGGIE MAY-
To sound correct with the original recording this song should be played with the bar chords indicated... However, it can be played poorly with a Capo on the first fret, using C6/F/C6/G
E6 A
Across the street the river runs
E6 B
Down in the gutter life is slipping away
E6 A
Let me still exist in another place,
E6 B E6
Running down under cover Of a helicopter blade
E6 A
The flames are getting higher, in effigy
E6 B
Burning down the bridges of my memory
E6 A
Love may still alive somewhere someday
E6 B E6
where they're downing only deer, a hundred steel towns away
E6 A
Oh, rhythm of my heart is beating like a drum
E6 B
with the words "I Love you" rolling off my tongue
E6 A
No never will I roam, for I know my place is home
E6 B E6
Where the ocean meets the sky, I'll be sailing
E6 A
Photographs and kerosene
E6 B
light up my darkness,light it up, light it up
E6 A
I can still feel the touch of your thin blue jeans
E6 B E6
Running down the alley, I've got my eyes all over you, baby, Oh, baby
E6 A
Oh, rhythm of my heart is beating like a drum
E6 B
with the words "I Love you" rolling off my tongue
E6 A
No never will I roam, for I know my place is home
E6 B E6 B E6
Where the ocean meets the sky, I'll be sailing (I'll be sailing)
SONG: MAGGIE MAY
E D A
Wake up, Maggie, I think I got some-thing to say to you:
E D A
It's late September and I really should be back at school.
D A D E
I know I keep you amused, but I feel I'm being used.
Bm C#m Bm7
Oh, Maggie, I couldn't have tried any more.
Bm E Bm
You lured me away from home, just to save you from being alone.
E Bm E
You stole my heart and that's what really hurts.
A E D A
The morning sun, when it's in your face really shows your age.
E D A
But that don't worry me none; in my eyes you're everything.
D A D
I laughed at all of your jokes, my love you didn't need to coax,
E Bm C#m
Oh, Maggie I couldn't have tried any more.
Bm E Bm
You lured me away from home, just to save you from being alone.
E Bm E - A E D A
You stole my soul that's a pain I can do without.
All I need was a friend to lend a guiding hand.
E A A
But you turned into a lover and Mother what a lover your wore me out.
D A D
All you did was wreck my bed, and in the morning kick me in the head,
E Bm C#m Bm
Oh, Maggie I couldn't have tried any more.
C#m Bm E
You lured me away from home, 'cause you did'nt want to be alone.
E Bm E
You stole my heart I couldn't leave you if I tried.
A E D A
I suppose I could collect my books and get back to school.
E D A
Or steal my daddy's cue and make a living out of playing pool. Intro: C#m, F#, B, E, A, G#m, F#m
E
Right from the start
A C#m
You were a thief you stole my heart
A E
And I your willing victim
E A C#m
I let you see the parts of me that weren't all that pretty
A E
And with every touch you fixed them
C#m F# B E
Now you've been talking in your sleep oh oh
C#m F# B E
Things you never say to me oh oh
C#m F# B
Tell me that you've had enough
E A G#m Bsus4 B
Of our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
It's in the stars, It's been written in the scars on our hearts
G#m
We're not broken just bent
B E
And we can learn to love again
Verse 2
E A C#m
Im sorry I don't understand where all of this is coming from
A E
I thought that we were fine
(Oh we had everything)
E A C#m
Your head is running wild again, my dear we still have everything
A E
And its all in your mind
(Yeah but this is happening)
C#m F# B E
You've been having real bad dreams Oh oh
C#m F# B E
You used to lie so close to me Oh oh
C#m F# B
There's nothing more than empty sheets
E A G#m F#m A E B
Between out love, our love, oh our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
I never stopped, you're still written in the scars on my heart
G#m
You're not broken just bent
B C#m
And we can learn to love again
C#m G#m
Oh tears ducts and rust
A
I'll fix it for us
B
We're collecting dust but our love's enough
C#m G#m
You're holding it in, You're pouring a drink
A F#m G#m A B Bsus4
No nothing is as bad as it seems
We'll come clean
Chorus (no instrumental)
D A D
Or find myself a rock and roll band that needs a helping hand,
E Bm C#m Bm
Oh, Maggie, I wish I'd never seen your face.
E
You made a first class fool out of me,
Bm E
but I'm as blind as a fool can be.
Bm E D7
You stole my heart, but I love you anyway.
A Bm D
Maggie, I wish I never seen your face.
A Bm D
I'll get on back home one of these days.
ME AND JULIO
* *
Intro: E A E B E A E B
* These "A"s are two beats and the others are all one
E
Mama Pajama rolled out of bed
A
and she ran to the police station
B
When the papa found out he began to shout
E A E
and that's what started the investigation
B E
But it's against the law, it was against the law
B E
What the mama saw, was against the law
E
Well the mama looks down and she spit on the ground
A
Every time my name gets mentioned
B
And the papa says "Oy, when I get that boy
E A E
I'm gonna stick him in the house of detention!"
A E
And I'm on my way, I don't know where I'm going
A E F# B
I'm on my way, takin' my time but I don't know where
A E
Goodbye to Rosie, Queen of Corona
E D A B E
E B
See you, me, and Julio down by the schoolyard
E D A B E
See you, me, and Julio down by the schoolyard
break: A A E E A A E
B A A }Whistling part
E E E D A B E
E B E D A B E A
B }
E
In a couple of days they come and take me away
But the press let the story leak
And when the radical priest come and get me released
We's all on the cover of Newsweek.
And I'm on my way, I don't know where I'm going I'm on my way, takin' my time but I don't know where Goodbye to Rosie, Queen of Corona
See you, me, and Julio down by the schoolyard
See you, me, and Julio down by the schoolyard
Intro: C#m, F#, B, E, A, G#m, F#m
E
Right from the start
A C#m
You were a thief you stole my heart
A E
And I your willing victim
E A C#m
I let you see the parts of me that weren't all that pretty
A E
And with every touch you fixed them
C#m F# B E
Now you've been talking in your sleep oh oh
C#m F# B E
Things you never say to me oh oh
C#m F# B
Tell me that you've had enough
E A G#m Bsus4 B
Of our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
It's in the stars, It's been written in the scars on our hearts
G#m
We're not broken just bent
B E
And we can learn to love again
Verse 2
E A C#m
Im sorry I don't understand where all of this is coming from
A E
I thought that we were fine
(Oh we had everything)
E A C#m
Your head is running wild again, my dear we still have everything
A E
And its all in your mind
(Yeah but this is happening)
C#m F# B E
You've been having real bad dreams Oh oh
C#m F# B E
You used to lie so close to me Oh oh
C#m F# B
There's nothing more than empty sheets
E A G#m F#m A E B
Between out love, our love, oh our love, our love
Chorus
E B/D#
Just give me a reason just a little bit's enough
C#m G#m
Just a second we're not broken just bent
B
And we can learn to love again
E B/D# C#m
I never stopped, you're still written in the scars on my heart
G#m
You're not broken just bent
B C#m
And we can learn to love again
C#m G#m
Oh tears ducts and rust
A
I'll fix it for us
B
We're collecting dust but our love's enough
C#m G#m
You're holding it in, You're pouring a drink
A F#m G#m A B Bsus4
No nothing is as bad as it seems
We'll come clean
Chorus (no instrumental)
Everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat.
Hey you will raise today, goodbye to yesterday
you will become a women who has much to celebrate.
Go out to the world your young and beautiful
always do your best and you can be invincible
you've come so far thats who you are with all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
Hey shoo your attitude
make it understood your the one who's changing
everybody point of view
Give it all your got
you the carnival this will be a moment you will cherish all your life
you've come so far thats who you are
wit all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera , family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your Dreams WOO-OO
UNO DOS TRES
to the left
UNO DOS TRES
to the right
put your hands up in the air
move your hips everywhere
1, 2, 3
a bailar
1, 2, 3
carnaval
come to us seize the moment
you will be a quinceañera
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
live your dreee-ams
livin your, livin your
dreams
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams
WOO-OOx2
livin your, livin your
Dreams
feel the rhythm got to hear the beat.
Hey you will raise today, goodbye to yesterday
you will become a women who has much to celebrate.
Go out to the world your young and beautiful
always do your best and you can be invincible
you've come so far thats who you are with all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
Hey shoo your attitude
make it understood your the one who's changing
everybody point of view
Give it all your got
you the carnival this will be a moment you will cherish all your life
you've come so far thats who you are
wit all of our friends together
we'll take this time all by surprise
CELEBRATING
Fiesta, party quinceañera , family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your Dreams WOO-OO
UNO DOS TRES
to the left
UNO DOS TRES
to the right
put your hands up in the air
move your hips everywhere
1, 2, 3
a bailar
1, 2, 3
carnaval
come to us seize the moment
you will be a quinceañera
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams WOO-OO
live your dreee-ams
livin your, livin your
dreams
Fiesta, party quinceañera, family all together we can be as one
everybody dancing baila move your feet in salsa
feel the rhythm got to hear the beat
Come celebrate with me
WOO-OOx2
livin your, livin your
Dreams
WOO-OOx2
livin your, livin your
Dreams
_____
Like the legend of the phoenix
All ends with beginnings
What keeps the planet spinning (uh)
The force of love beginning
(Look)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
The present has no ribbon
Your gift keeps on giving,
What is this I'm feeling?
If you wanna leave I'm ready (ah)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
(We're up all night to get
We're up all night to get
We're up all night to get
We're up all night to get)
(We're up all night to get (together)
We're up all night to get (let's get funked again)
We're up all night to get funky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
We (we're up all night to get lucky)
I've come too far (we're up all night to get lucky)
To give up (we're up all night to get lucky)
Who we are (we're up all night to get lucky)
So let's (we're up all night to get lucky)
Raise the bar (we're up all night to get lucky)
And our cups (we're up all night to get lucky)
To the stars (we're up all night to get lucky)
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
___
All ends with beginnings
What keeps the planet spinning (uh)
The force of love beginning
(Look)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
The present has no ribbon
Your gift keeps on giving,
What is this I'm feeling?
If you wanna leave I'm ready (ah)
We've come too far to give up who we are
So let's raise the bar and our cups to the stars
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
(We're up all night to get
We're up all night to get
We're up all night to get
We're up all night to get)
(We're up all night to get (together)
We're up all night to get (let's get funked again)
We're up all night to get funky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
(We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky)
We (we're up all night to get lucky)
I've come too far (we're up all night to get lucky)
To give up (we're up all night to get lucky)
Who we are (we're up all night to get lucky)
So let's (we're up all night to get lucky)
Raise the bar (we're up all night to get lucky)
And our cups (we're up all night to get lucky)
To the stars (we're up all night to get lucky)
She's up all night 'til the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night 'til the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
___
Baby you a song
You make me wanna roll my windows down and cruise
Hey baby
Yeah, when I first saw that bikini top on her
She's poppin' right out of the South Georgia water
Thought, "Oh, good lord, she had them long tanned legs"
Couldn't help myself so I walked up and said
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
She was sippin' on southern and singin' Marshall Tucker
We were falling in love in the sweet heart of summer
She hopped right up into the cab of my truck and said
"Fire it up, let's go get this thing stuck"
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
When that summer sun fell to its knees
I looked at her and she looked at me
And I turned on those KC lights and drove all night
Cause it felt so right, her and I, man we felt so right
I put it in park and
Grabbed my guitar
And strummed a couple chords
And sang from the heart
Girl you sure got the beat in my chest bumpin'
Hell I can't get you out of my head
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
Come on
____
You make me wanna roll my windows down and cruise
Hey baby
Yeah, when I first saw that bikini top on her
She's poppin' right out of the South Georgia water
Thought, "Oh, good lord, she had them long tanned legs"
Couldn't help myself so I walked up and said
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
She was sippin' on southern and singin' Marshall Tucker
We were falling in love in the sweet heart of summer
She hopped right up into the cab of my truck and said
"Fire it up, let's go get this thing stuck"
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
So baby you a song
You make me wanna roll my windows down and cruise
When that summer sun fell to its knees
I looked at her and she looked at me
And I turned on those KC lights and drove all night
Cause it felt so right, her and I, man we felt so right
I put it in park and
Grabbed my guitar
And strummed a couple chords
And sang from the heart
Girl you sure got the beat in my chest bumpin'
Hell I can't get you out of my head
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
Baby you a song
You make me wanna roll my windows down and cruise
Down a back road blowin' stop signs through the middle
Every little farm town with you
In this brand new Chevy with a lift kit
It'd look a hell lot better with you up in it
Come on
____
Take On Me- A Ha Capo on 2nd fret
Am D G C C/B D/F# Em Bm F Cadd9
0 2 3 0 0 2 0 2 1 3
1 3 3 1 1 3 0 3 1 3
2 2 0 0 0 2 0 4 2 0
2 0 0 2 2 0 2 4 3 2
0 x 2 3 2 x 2 2 3 3
x x 3 x x 2 0 x 1 x
Intro chords (played over the riff below):
Am D G C C/B x2
Am D Am D
Intro riff (synth, tabbed out for guitar):
*NOT RELATIVE TO THE CAPO*\
e|-14-14-------------------16-16-17-19-17-17-17-------14-14-14-------14----|
B|-------15-------17-17-17----------------------17-15----------17-17----17-|
G|----------16-16----------------------------------------------------------| x2
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
e|-14-14-------------------16-16-17-19-17-17-17----------------------------|
B|-------15-------17-17-17----------------------15----17-17-17-15-15-15----|
G|----------16-16----------------------------------16----------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
Verse:
Am D- G C C/B
We're talking away
Well i dont know what im to say
Am D - G C C/B
Ill say it anyway
Today's another day to find you
Am D
Shying away
Em C
Ill be coming for your love, ok?
Chorus:
G D/F# Em C
Take on me (take on me)
G D/F# Em C
Take me on (take on me)
G D/F# Em C
Ill be gone
G D/F# Em C
In a day or two...
Verse:
Am D _ G C C/B
So needless to say
Im odds and ends, but ill be
Stumbling away - Slowly learning that life is ok
Am D
Say after me
Em C
Its no better to be safe than sorry
Chorus:
G D/F# Em C
Take on me (take on me)
Take me on (take on me)
Ill be gone - In a day or two...
Bridge:
Bm F Bm F Am D
Theres an arpeggio played on the synth over the second Bm. Its quite tricky so if you cant
play it, just play the chords. Here it is in tab:
*NOT RELATIVE TO THE CAPO*
e|-16----------------------16----------------------16----------------------|
B|----17----------------17----17----------------17----17----------------17-|
G|-------18----------18----------18----------18----------18----------18----|
D|----------18----18----------------18----18----------------18----18-------|
A|-------------16----------------------16----------------------16----------|
E|-------------------------------------------------------------------------|
Repeat, and fade out over the second F. Then fade back in over the D, and stop just before
the pre-verse.
Pre-verse chords:
Am D Am D
Am D G C C/B x2
Am D Am D
Pre-verse riff:
*NOT RELATIVE TO THE CAPO*
e|-14-14-------------------16-16-17-19-------------------------16-16-17-19-|
B|-------15-------17-17-17-------------19-19----------17-17-17-------------|
G|----------16-16----------------------------19-16-16----------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
e|-14-14-------------------16-16-17-19-17-17-17-------14-14-14-------14----|
B|-------15-------17-17-17----------------------17-15----------17-17----17-|
G|----------16-16----------------------------------------------------------| x2
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
e|-14-14-------------------16-16-17-19-17-17-17----------------------------|
B|-------15-------17-17-17----------------------15----17-17-17-15-15-15----|
G|----------16-16----------------------------------16----------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|-------------------------------------------------------------------------|
Verse:
Am D
Oh, the things that you say
G C C/B
Yeah, is it life or just to play
Am D
My worries away?
G C C/B
You're all the things ive got to remember
Am D
You're shying away
Em C
Ill be coming for you anyway
Chorus:
G D/F# Em C
Take on me (take on me)
G D/F# Em C
Take me on (take on me)
G D/F# Em C
I'll be gone
G D/F# Em C
In a day...
Outro:
G D/F# Em C
(Take on me) Take on me
G D/F# Em C
(Take me on) Take on me
G D/F# Em C
Ill be gone
G D/F# Em C
In a day...
G D/F# Em Cadd9
*Strum the Cadd9 slowly...*
NO CAPO VERSION
Bm E A D D/C# F#m C#m G D5
2 0 0 2 2 2 4 3 5
3 0 2 3 3 2 5 3 3
4 1 2 2 2 2 6 4 2
4 2 2 0 4 4 6 5 0
2 2 0 x 4 4 4 5 0
x 0 x x x 2 x 3 x
Intro chords:
Bm E A D D/C# x2
Bm E Bm E
Intro riff:
e|-2-2-------------4-4-5-7-5-5-5-----2-2-2-0-0-2-0-|
B|-----3-----5-5-5---------------5-3---------------|
G|-------4-4---------------------------------------| x2
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
e|-2-2-------------4-4-5-7-5-5-5-------------------|
B|-----3-----5-5-5---------------3---5-5-5-3-3-3---|
G|-------4-4-----------------------4---------------|
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
Verse:
Bm E
We're talking away
A D D/C#
Well i dont know what im to say
Bm E
Ill say it anyway
A D D/C#
Today's another day to find you
Bm E - F#m D
Shying away
Ill be coming for your love, ok?
Chorus:
A E F#m D
Take on me (take on me)
Take me on (take on me)
Ill be gone
A E F#m D
In a day or two...
Verse:
Bm E - A D D/C#
So needless to say
Im odds and ends, but ill be
Bm E
Stumbling away
A D D/C#
Slowly learning that life is ok
Bm E
Say after me
F#m D
Its no better to be safe than sorry
Chorus:
A E F#m D
Take on me (take on me)
Take me on (take on me)
Ill be gone
A E F#m D
In a day or two...
Bridge
C#m G C#m G Bm E
Heres a simplified version of that arpeggio (see above for full explanation):
e|-4-------4-------4-------4-------4-------4-------|
B|---2---2---2---2---2---2---2---2---2---2---2---2-|
G|-----1-------1-------1-------1-------1-------1---|
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
Pre-verse chords:
Bm E Bm E
Bm E A D D/C# x2
Bm E Bm E
Pre-verse riff:
e|-2-2-------------4-4-5-7-----------------4-4-5-7-|
B|-----3-----5-5-5---------7-7-------5-5-5---------|
G|-------4-4-------------------7-4-4---------------|
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
e|-2-2-------------4-4-5-7-5-5-5-----2-2-2-0-0-2-0-|
B|-----3-----5-5-5---------------5-3---------------|
G|-------4-4---------------------------------------| x2
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
e|-2-2-------------4-4-5-7-5-5-5-------------------|
B|-----3-----5-5-5---------------3---5-5-5-3-3-3---|
G|-------4-4-----------------------4---------------|
D|-------------------------------------------------|
A|-------------------------------------------------|
E|-------------------------------------------------|
Verse:
Bm E
Oh, the things that you say
A D D/C#
Yeah, is it life or just to play
Bm E
My worries away?
A D D/C#
You're all the things ive got to remember
Bm E
You're shying away
F#m D
Ill be coming for you anyway
Chorus:
A E F#m D
Take on me (take on me)
Take me on (take on me)
I'll be gone
A E F#m D
In a day...
Outro:
A E F#m D
(Take on me) Take on me
A E F#m D
(Take me on) Take on me
A E F#m D
Ill be gone
A E F#m D
In a day...
A E F#m D5
*Strum the D5 slowly...*
********************************************************************************************
Kenny Loggins Medley
Rainbow Connection
G Em C D
Why are there so many songs about rainbows,
G Em C
and what's on the other side?
G Em C D
Rainbows are visions, but only illusions.
G Em C
Rainbows have nothing to hide.
C
So we've been told and some choose to believe it.
D7 D
I know the wrong way to see.
C D G Em
Some day we'll find it, the rainbow connection,
C D G
The lovers, the dreamers, and me.
FOOTLOOSE - ~*~CAPO 1st FRET~*~
InTrO ~ A {A D A)
A D A D A D A
Been working so hard , keep punching my card, eight hours, for what?
D A
Oh, tell me what I got...I got this feelin that times just a holdin me down,
D D#Dm E F# G G#
i'll hit the ceiling...or else i'll tear up this town........\
Tonight I gotta cut
(Chorus)
A D-A -- D A
Loose, footloose
Kick off your Sunday shoes
Please, Louise
Pull me offa my knees
D-A
Jack, get back
D A
C'mon before we crack
D-A
Lose your blues
G D A
Everybody cut footloose
RAINBOW CONNECTION – FOOTLOOSE- IM ALRIGHT
MAMA DON'T DANCE- DANNY'S SONG
K loggins Im Alright
D7sus2 D6sus2 D
XX0530 XX0430 xx0232
G A C
320033 x02220 x32010
(Intro: Repeating D7sus2 / D6sus2 / D)
I'm alright Nobody worry 'bout me
Why you got to gimme a fight? Can't you just let it be?
I'm alright Don't nobody worry 'bout me
You got to gimme a fight Why don't you just let me be
(Verse:)
D Do what you like, G Doing it nat'rally
But if it's too easy
They're gonna disagree
It's your life - And isn't it a mystery
If it's nobody's bus'ness- It's everybody's game
(Bridge:)
A - Gotta catch you later - No, no, cannonball it right away - Some Cinderella kid
C Get it up and get you a job
(Repeating D7sus2 / D6sus2 / D)
I'm alright - Nobody worry 'bout me Why you got to gimme a fight? Can't you just let it be?
I'm alright Don't nobody worry 'bout me
You got to gimme a fight Why don't you just let me be
CALL YOU FRIEND
G D7/F# B7 Em - Dm7 G7 CÄ
Whenever I call you friend,
I begin to think I understand
G/B B7/D# Em A7 - D7 AbÄ
Anywhere we are You and I have always been Ever and ev-er
E F# 7sus/E BÄ/D#
Now I know my life has given me more than memories
C# ^D# ^G#m
Day by day…
C# ^D# ^Fm/Ab
we can see…
(Fm/Ab) Bb7/Ab
G7sus
In every moment there's a reason to carry on…
Chorus
F#6 C#/F G#/D# C#
Sweet love's showin' us a heavenly light (I) Never seen such a beautiful sight(1st time male, 2nd time female)
See love glowin' on us every night I know forever we'll be doin' it doing it repeat 4 times
Intro * /** * * * * ** * * * /** * * * * * * *
C5
*
Revin' up your engine Listen to the howlin' roar
metal under tension Begin you to touch and go
D5 E5
* * /** * * * * ** * *
Highway to the danger zone
D5 E5
* *
Ride in to the danger zone
Headin' into twilight- Spreadin' out hear wings tonight
She's got you jumpin' off the deck
Showin' into overdrive
Highway to the danger zone
I'll take right into the danger zone
D5
*
Never say hello to you
C5
*
Until you've got it on a red line overload
D5
*
Never know what you can do
C5
*
Until you get it up as high as you can go
D5 E5 D5 E5 G5 C5
* /** * * * * ** * * * /** * * * * ** * * *
D5 E5 D5 E5
Intro * /** * * * * ** * * * /** * * * * * * *
Out along the edges Always where I've burned to be
The further on the edge The hotter the intensity
Highway to the danger zone Gonna take you right into the danger zone
Highway to the danger zone Ride into the the danger zone
D C Bm E7 A
G A D Bm
DANNY'S SONG By Henry Rodriguez Words and Music by:
KENNY LOGGINS (1970)
D C Bm E7 - A
PEOPLE SMILE AND TELL ME I'M THE LUCKY ONE, AND WE'VE JUST BEGUN, THINK I'M GONNA HAVE A SON.
HE WILL BE LIKE SHE AND ME, AS FREE AS A DOVE, CONCEIVED IN LOVE, SUN IS GONNA SHINE ABOVE.
CHORUS:
G A D Bm
AND EVEN THOUGH WE AIN'T GOT MONEY, I'M SO IN LOVE WITH YA HONEY,
G A D Bm AND EVERYTHING WILL BRING A CHAIN OF LOVE.
G A D C - Bm E7 A
AND IN THE MORNING WHEN I RISE, YOU BRING A TEAR OF JOY TO MY EYES, AND TELL ME EVERYTHING IS GONNA BE ALRIGHT.
D C Bm E7 A
SEEMS AS THOUGH A MONTH AGO I BETA CHI, NEVER GOT HIGH, A
OH, I WAS A SORRY GUY.
D C Bm
AND NOW A SMILE, A FACE, A GIRL THAT SHARES MY NAME,
E7 A NOW I'M THROUGH WITH THE GAME, THIS BOY WILL NEVER BE THE SAME.
(TO CHORUS:)
PISCES, VIRGO RISING IS A VERY GOOD SIGN, STRONG AND KIND, AND THE LITTLE BOY IS MINE. NOW I SEE A FAMILY WHERE THERE ONCE WAS NONE, NOW WE'VE JUST BEGUN, YEAH, WE'RE GONNA FLY TO THE SUN.
(TO CHORUS:)
D C Bm E7 A
LOVE THE GIRL WHO HOLDS THE WORLD IN A PAPER CUP, DRINK IT UP, LOVE HER AND SHE'LL BRING YOU LUCK.
AND IF YOU FIND SHE HELPS YOUR MIND, BUDDY, TAKE HER HOME, DON'T YOU LIVE ALONE, TRY TO EARN WHAT LOVERS OWN.
(TO CHORUS:)
All the Pretty Little Ponies
Kenny Loggins\
Dm Am C Dm
Hush a bye, don't you cry, Go to sleep my little baby
Dm Am C Dm
When you wake, you shall have, All the pretty little ponies
Dm Am C Dm
In your bed, Momma said, Baby's riding off to dreamland
Dm Am C Dm
One by one, They've begun, dance and prance for little baby
Dm Am C Dm
Blacks and bays, dapples and grays, running in the night
Dm Am C Dm
When you wake, you shall have, All the pretty little ponies
Dm F C Dm
Can you see the little ponies Dance before your eyes
Dm F Dm F
All the pretty little ponies will be there when you arise
Instrumental
Dm, Am, C, Dm
Dm F C Dm
Can you see the little ponies Dance before your eyes
Dm F C Dm F
All the pretty little ponies will be there when you arise
Dm Am C Dm
Hush a bye, Don't you cry, Go to sleep my little baby
Dm Am C Dm
When you wake, you shall have, all the pretty little ponies
C Dm
All the pretty little ponies
h=hammer r=rake( pull-off) /=slide up \=slide down
INTRO:(1st guitar)
---------------------------------------------------------|
---------------------------------------------------------|
--2------------2------------2------------2------------2--|
--2------2-4-2-2------2-4-2-2------2-4-2-2------2-4-2-2--|
--0--3h4-------0--3h4-------0--3h4-------0--3h4-------0--|
---------------------------------------------------------|
INTRO:(2nd guitar)
--5----5--7--5----5--7--5----5--7--5----5--7--5----5--7--|
--5----5--7--5----5--7--5----5--7--5----5--7--5----5--7--|
--5h6--5--7--5h6--5--7--5h6--5--7--5h6--5--7--5h6--5--7--|
---------------------------------------------------------|
---------------------------------------------------------|
---------------------------------------------------------|
CHORUS:
A D A
Your mama don't dance, your daddy don't rock and roll.
( play intro )
D A
Your mama don't dance, your daddy don't rock and roll.
( play intro )
E D
When evenin' comes around and it's time to go to town
A
way to go, you rock and roll.
1st VERSE:
A D A
The old folks say, you gotta end your date by ten.
( play intro )
D A
If you're out on a date and you bring her home late it's a sin.
( play intro )
E D
Just goes to show ya it proves that you know you're gonna lose
A
and never win, I'll say it again. And its all because-
( CHORUS )
Then go to bridge with a walk up :
-------------------1/2--|
-------------------2/3--|
-------------------1/2--|
-------------------0----|
--0--1--2--3--4---------|
------------------------|
BRIDGE:
D
You pull into a drive-way, you find a place to park.
D
You hop into the backseat, where you know it's nice and dark.
D
You're just about to groove and you think it's a breeze,
D
When there's a light in your eye and another guy says:
OUTTA THE CAR LONG - HAIR!!!!
E D A
Louise, you're coming with me, and we'll call the police.
( CHORUS )
______
r/raiders/indian_reservation.crd
INDIAN RESERVATION
written by John D. Loudermilk
performed by Paul Revere and the Raiders
A7 - 2 - / / D / / / 2 / / / 3
G
They took the whole Cherokee nation
D
Put us on this reservation
(for rest of verse, repeat pattern of above 2 lines):
Took away our ways of life
The tomahawk and the Bowie knife
Took away our native tongue
And taught their English to our young
And all the beads we made by hand
Are nowadays made in Japan
CHORUS:
G (break) / D (break) /
Cherokee people, Cherokee tribe
G (break) / A7 D
So proud to live, so proud to die
Verse 2:
They took the whole Indian nation
Locked us on this reservation
Though I wear a shirt and tie
I'm still a red man deep inside
(chorus)
Verse 3:
But maybe someday when they've learned
The Cherokee nation will return
(vocal crescendo):
D
Will return, will return, will return, will return!
INTRO:
(howls)
Who is that i see walking in these woods?
Why it's little red ridding hood
VERSE:
Em G
Hey there little red ridding hood
A
you sure are lookin good
C D Em
your everything a big bad wolf could want
D
listen to me
little red ridding hood
i don't think little big girls should
go walking in these spooky old woods alone
(howls)
CHORUS:
G Em
what big eyes you have
the kind of eyes that drive wolves mad
A so just to see that you don't get chased
D i think i ought to walk with you for a ways
what full lips you have
they sure to lure someone bad
so until you get to grandma's place
i think you ought to walk with me and be safe
VERSE:
i'm gonna keep my sheep suit on
until i'm sure that you;ve been shown
that i can be trusted walking with you alone
(howls)
little red ridding hood
I'd like to hold you if i could
but you might think i'm a big bad wolf so i wont
(howls)
Chorus:
what a big heart i have
the better to love you with
little red ridding hood
even bad wolves can be good
i'll try to keep satisfied
just to walk close by your side
maybe you'll see things my way
before we get to grandma's place
VERSE:
little red ridding hood
you sure are lookin good
you're everything a big bad wolf could want
(howls)
I mean bad
Bad
___\
Not Your Steppin' Stone:Paul Revere And The Raiders.
Album - Midnight Ride - #9 in 1966.
INTRO: E G A C (x2)
CHORUS:
E G A C E G A C
I..I..I..I..I'm not your steppin' stone.
E G A C E G A C
I..I..I..I..I'm not your steppin' stone.
#2.
E G A C
You're trying to make your mark in soci..ety.
E G A C
You're using all the tricks that you used on me.
E G A C
You're reading all those high fashion maga..zines.
E G A C
The clothes you're wearin' girl, are causing public scenes.
I said...
CHORUS:
E G A C E G A C
I..I..I..I..I'm not your steppin' stone.
E G A C E G A C..E G E
I..I..I..I..I'm not your steppin' stone.
G E G E
Not your stepping stone... (x4)
E G A C (x2)
CHORUS:
E G A C E G A C
I..I..I..I..I'm not your steppin' stone.
E G A C E G A C..E G E
I..I..I..I..I'm not your steppin' stone.
__
The Legend Of Paul Revere:Paul Revere And The Raiders.
INTRO: E
#1.
E A E
In a little town in Idaho, way back in '61.
A E F# B
A man was fryin' burgers, gee, it seemed like lots of fun.
E E7 A B
But to his friend the bun-boy, he confessed his miser....y..
A E B E
'I think I'd like to start a group, so, come along with me.'
CHORUS:
A B
And all you...sta..aa..tions, across the na..aa..tion..
F# A E
please, play our records for your congre...gation.
#2.
E A E
The band soon started boomin', they were rakin' in the coins..
A E F# B
they found a few musicians and persuaded them to join.
E E7 A And Paul Revere decided, since they had such new-found
B fa..aa..me..
A E B E
'We need a fancy title,' and the Raiders they became.
CHORUS:
A B
And all you...sta..aa..tions, across the na..aa..tion..
F# A E
please, play our records for your congre...gation.
#3.
E A E
They soon packed up for Hollywood to reap their fortunes there..
A E F# B
streets aren't really paved with gold and you can't live on air.
E E7 A
And then Dick Clark approached them, said, "I know a thing or
B
tw..oo..oo.
A E B E
I'll put you on a TV show and make big stars of you.'
CHORUS:
A B
And all you...sta..aa..tions, across the na..aa..tion..
F# A E
please, play our records for your congre...gation.
#4 E A E
Now things are goin' groovy, and we really can't complain..
A E F#
though the pace of rock and rollin' nearly drives us
B
all insane.
E E7 A B
And everybody's pushin', sayin', 'Give it all you can!'
A E B E Come to think of it, our business manager's our biggest fan.
OUTRO:
A B
And all you...sta..aa..tions, across the na..aa..tion..
F# A E
please, play our records for your congre...gation.
E..(Fade.)
____
Knock on Wood (Eddie Floyd)
E G A B D B
I don't wanna lose
A7 A7 A7 A7[*]
this good thing that I've got. Cause if I do
E7 E7 E7 E7
I will surely surely lose a lot. Cause our love
A7 A7 A7 A7[*]
is better than any love I've known. It's like thunder
E7 A7 E7 A7
lightning, the way you love me is frightening. I better
knock
E G A B D B
on wood baby. I'm not supersti-
A7 A7 A7 A7[*]
tious about you but I can't take no chance.
E7 E7 E7 E7
you got me spinning baby baby I'm in a trance. Cause your love
A7 A7 A7 A7[*]
is better than any love I've known. It's like thunder
E7 A7 E7 A7
lightning, the way you love me is frightening. I better
knock
E G A B D B A G
on wood baby
F# G# A C C B B
It's no secret
A7 A7 A7 A7[*]
but that woman fills my lovin' cup. Cause she sees
E7 E7 E7 E7
to it that I get enough. Just one touch
A7 A7 A7 A7[*]
from her you know you need so much. It's like
thunder
E7 A7 E7 A7
lightning, the way you love me is frightening. I better
knock
E G A B D B A G
on wood baby I better knock (knock knock)
E7 A7 E7 A7
oh yeah, think I better knock (knock knock) on wood
E7 A7
think I better knock (knock knock) on wood
E7 A7
think I better knock (knock knock) on wood
[fade out]
[*]: play a little riff instead of the A7 chord, something like this:
e ----------------------|
b --4/5--5--------------|
g --5/6--6---7--5-------|
d -----------7--5-------|
a ----------------------|
e ----------------------|
LYRICS ONLY:
I don't wanna lose this good thing that I've got.
Cause if I do, I will surely, surely lose a lot.
Cause our love is better than any love I've known.
It's like thunder, lightning, the way you love me is frightening.
I better knock on wood, baby.
I'm not superstitious about you, but I can't take no chance.
you got me spinning baby, baby I'm in a trance.
Cause your love is better than any love I've known.
It's like thunder, lightning, the way you love me is frightening.
I better knock on wood, baby.
It's no secret but that woman fills my lovin' cup.
Cause she sees to it that I get enough.
Just one touch from her, you know you need so much.
It's like thunder, lightning, the way you love me is frightening.
I better knock on wood, baby I better knock (knock knock)
oh yeah, think I better knock (knock knock) on wood
think I better knock (knock knock) on wood
think I better knock (knock knock) on wood
[fade out]
^ZWhen a Man Loves a Woman
Percy Sledge
key of C (probably not the record's key)
intro C G/B Am7 Am/G F G C G6
C G/B Am C7/G
verse1 When a man loves a woman, can't keep his mind on nothing else
F G C G
He'll trade the world for the good thing he's found
C G/B Am C7/G
If she's bad he can't see it she can do no wrong
F G C G
Turn his back on his best friend if he put her down
verse2 When a man loves a woman, spend his very last dime
Tryin' to hold on to what he needs
He'd give up all his comfort, sleep out in the rain
If she said that's the way it ought to be
F G C
chorus Well, this man loves a woman
I gave you everything I had
F G C E7/B Am
Tryin' to hold on to your precious love
D7 F/G G+5
Baby, please don't treat me ba
verse3 When a man loves a woman, down deep in his soul She can bring him such misery
If she plays him for a fool, he's the last one to know
Lovin' eyes don't ever see
chorus
C G/B Am C7/G
outro When a man loves a woman, I know exactly how he feels
F G C G (repeat outro until tired)
Coz baby baby baby you're my world
My Special Prayer: PERCY SLEDGE (1969) 4/4 – 98
|./. |: Repeat the previous Chord and Measure of 4-Counts.
INTRO: |G |./. |./. |./.
VERSE 1:
|G |./. |D |./.
While the choir sings, Ave Ma-ri - a.
(Ave Ma-ri – a)
|./. |./. |G |./.
I was singing with a-ll my hea - rt.
|./. |G7 |C |./.
And I sent a special prayer, up to heaven.
|G |D |G |./.
That you´ll re-turn to me before I fall apart.
VERSE 2:
|G |./. |D |./.
While the choir sings, Hal-le-lu – jah.
(Hal-le-lu – jah)
|./. |./. |G |./.
I was singing with a-ll my hea - rt.
|./. |G7 |C |./.
Darling please, come back and never leave me again.
|G |D |G |./.
And this will be your answer to my prayer.
CHORUS:
|D |./. |G |./.
And I´ll wai-t, he-re for the answ-er.
|D |./. |G |./.
That you´ll come back, come back I pray.
|D |./. |G |./.
For if you stayed, away another hou-r.
|A |A7 |D |D#
I don´t think, I could last an-other day - .
if he put her down
G C G6
I m Into Something Good chords
Herman s Hermits
C F C F C F C
C F C F
Woke up this morning feeling fine
C F C
There's something special on my mind
F C
Last night I met a new girl in the neighborhood, whoa yeah
G F C
Something tells me I'm into something good
(Something tells me I'm into something)
C F C F
She's the kind of girl who's not too shy
C F C
And I can tell I'm her kind of guy
F C
She danced close to me like I hoped she would
I m Henry the VIII, I Am chords
Herman s Hermits *
A
I'm Henry the eighth I am
D A
Henry the eighth I am, I am
A
I got married to the widow next door
B7 E
She's been married seven times before
A E
And every one was an Henry (Henry)
D E
She wouldn't have a Willy or a Sam (no Sam)
A C D Fm
I'm her eighth old man, I'm Henry
B7 E7 A
Henry the eighth I am 3x
(second verse, same as the first..spoken)
A H-E-N-R-Y
A Henry (Henry)
F#m
Henry (Henry)
A E A Fm
Henry the eighth I am, I am
B7 E7 A
Henry the eighth I am
A
Yeah!everything I've been dreaming of
She's everything I've been dreaming of
C F C F
I walked her home and she held my hand
C F C
I knew it couldn't be just a one-night stand
F C
So I asked to see her next week and she told me I could
(I asked to see her and she told me I could)
G F C
Something tells me I'm into something good
(Something tells me I'm into something)
(Something tells me I'm into something, ahhh)
I walked her home and she held my hand
I knew it couldn't be just a one-night stand
So I asked to see her next week and she told me I could
(I asked to see her and she told me I could)
G F C
Something tells me I'm into something good
(something tells me I'm into something)
Something tells me I'm into something good
(something tells me I'm into something)
G F C
To something good, oh yeah, something good
(something tells me I'm into something)
G F To something good, something good . . .
Theres A Kind Of Hush chords
Hermans Hermits
C E7 Am C7
There's a kind of hush all over the world tonight.
F G7 C
All over the world you can hear the sounds of lovers in love,
G7
You know what I mean.
C E7 Am C7
Just the two of us and nobody else in sight.
F G7 C
There's nobody else and I'm feeling good just holding you tight.
F Dm
So listen very carefully.
Am Dm G C
Closer now and you will see what I mean.
G
It isn't a dream.
F Dm
The only sound that you will hear
Am Dm
Is when I whisper in your ear
G G7
I love you, forever and ever.
C E7 Am C7
There's a kind of hush all over the world tonight.
F G7 C
All over the world you can hear the sounds of lovers in love.
C E7
La-la-la-la-la-la-la
Am C7
La-la-la-la-la-la-la-la
F G7
La-la-la-la-la-la-la-la-la-la
C
La-la-la-la-la
F Dm
So listen very carefully.
Am Dm G C
Closer now and you will see what I mean.
G
It isn't a dream.
F Dm
The only sound that you will hear
Am Dm
Is when I whisper in your ear
G G7
I love you, forever and ever.
Wonderful World:Herman's Hermits.
#7 in UK And #4 in USA in 1965.
#1. (Original on 10th fret.
D Bm
Don't know much about history.
G A
Don't know much biology.
D Bm
Don't know much about science books.
G A
Don't know much about the French I took.
D G
But I do know that I love you.
D G
And I know that if you loved me too,
A D
What a wonderful world this would be.
#2.
D Bm
Don't know much about geography.
G A
Don't know much trigonometry.
D Bm
Don't know much about algebra.
G A
Don't know what a slide rule is for.
D G
But I know that one and one is two.
D G
And if this one could be with you,
A D
What a wonderful world this would be.
CHORUS:
A D
Now I don't claim to be an A student.
A D
But I'm tryin' to be.
E
Oh, maybe by being an A student, baby,
E7 A
I can win your love for me.
REPEAT#1.
ADD:
D G
But I do know that I love you.
D G
And I know that if you loved me too,
A D G A D
What a wonderful world this would be.
Mrs. Brown You've Got A Lovely Daughter:Herman's Hermits:
#1 in 1965.
INTRO: C Em Dm G (x2)
#1.
C Em Dm G C
Em Dm G
Mrs Brown you've got a lovely daughter.
C Em Dm G C
Em Dm G
Girls as sharp as her are somethin' rare.
Am C Am C
But it's sad, she doesn't love me now,
Am C G
she's made it clear enough it ain't no good to pine.
#2.
C Em Dm G C
Em Dm G
She wants to return those things I bought her.
C Em Dm G C
Em Dm G
Tell her she can keep them just the same.
Am C Am C
Things have changed, she doesn't love me now,
Am C G Bb
she's made it clear enough it ain't no good to pine.
CHORUS:
Eb Gm Ab Bb
Walkin' about, even in a crowd, well..
Gb Bbm Bb G
you'll pick her out..makes a bloke feel, so proud.
#3.
C Em Dm G C
Em Dm G
If she finds that I've been 'round to see you,
C Em Dm G C
Em Dm G
tell her that I'm well and feelin' fine.
Am C Am C
Don't let on...don't say she's broke my heart.
Am C G Bb
I'd go down on my knees but it's no good to pine.
CHORUS:
Eb Gm Ab Bb
Walkin' about, even in a crowd, well..
Gb Bbm Bb G
you'll pick her out..makes a bloke feel, so proud.
#4.
C Em Dm G C
Em Dm G
If she finds that I've been 'round to see you,
C Em Dm G C
Em Dm G
tell her that I'm well and feelin' fine.
Am C Am C
Don't let on...don't say she's broke my heart.
Am C G G7
I'd go down on my knees but it's no good to pine.
OUTRO:
C Em Dm G C
Em Dm G
Mrs Brown you've got a lovely daughter.(x4)
______
When a Man Loves a Woman
Percy Sledge
key of C (probably not the record's key)
intro C G/B Am7 Am/G F G C G6
C G/B Am C7/G
verse1 When a man loves a woman, can't keep his mind on nothing else
F G C G
He'll trade the world for the good thing he's found
C G/B Am C7/G
If she's bad he can't see it she can do no wrong
F G C G
Turn his back on his best friend if he put her down
verse2 When a man loves a woman, spend his very last dime
Tryin' to hold on to what he needs
He'd give up all his comfort, sleep out in the rain
If she said that's the way it ought to be
F G C
chorus Well, this man loves a woman
F G C
I gave you everything I had
F G C E7/B Am
Tryin' to hold on to your precious love
D7 F/G G+5
Baby, please don't treat me ba
verse3 When a man loves a woman, down deep in his soul She can bring him such misery
If she plays him for a fool, he's the last one to know
Lovin' eyes don't ever see
chorus
C G/B Am C7/G
outro When a man loves a woman, I know exactly how he feels
F G C G (repeat outro until tired)
Coz baby baby baby you're my world
My Special Prayer: PERCY SLEDGE (1969) 4/4 – 98
|./. |: Repeat the previous Chord and Measure of 4-Counts.
INTRO: |G |./. |./. |./.
VERSE 1:
|G |./. |D |./.
While the choir sings, Ave Ma-ri - a.
(Ave Ma-ri – a)
|./. |./. |G |./.
I was singing with a-ll my hea - rt.
|./. |G7 |C |./.
And I sent a special prayer, up to heaven.
|G |D |G |./.
That you´ll re-turn to me before I fall apart.
VERSE 2:
|G |./. |D |./.
While the choir sings, Hal-le-lu – jah.
(Hal-le-lu – jah)
|./. |./. |G |./.
I was singing with a-ll my hea - rt.
|./. |G7 |C |./.
Darling please, come back and never leave me again.
|G |D |G |./.
And this will be your answer to my prayer.
CHORUS:
|D |./. |G |./.
And I´ll wai-t, he-re for the answ-er.
|D |./. |G |./.
That you´ll come back, come back I pray.
|D |./. |G |./.
For if you stayed, away another hou-r.
|A |A7 |D |D#
I don´t think, I could last an-other day - .
if he put her down
G C G6
A SUMMER SONG - Chad and Jeremy
Verse: A C#m D E
Trees swayin' in the summer breeze
Showin' off their silver leaves
As we walked by
Soft kisses on a summer's day
Laughing all our cares away
Just you and I
Sweet sleepy warmth of summer nights
Gazing at the distant lights
In the starry sky
Chorus:
D E A F#m
They say that all good things must end some day
Bm E F#m
Autumn leaves must fall
A C#7
But don't you know that it hurts me so
F#m C#m Bm
To say goodbye to you
F#m E
Wish you didn't have to go
F#m E
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
They say that all good things must end some day
Autumn leaves must fall
But don't you know that it hurts me so
To say goodbye to you
Wish you didn't have to go
No no no no
And when the rain
Beats against my window pane
I'll think of summer days again
And dream of you
And dream of you
|: D D Dsus2 D :|
G A D G
Hey! Mr. Tambourine Man, play a song for me,
D G A Asus4 A
I'm not sleepy and there is no place I'm going to.
G A D G
Hey! Mr. Tambourine Man, play a song for me,
D G A D Dsus4 D Dsus2 D
In the jingle jangle morning I'll come followin' you.
G A D G
Though I know that evenin's empire has returned into sand,
D G
Vanished from my hand,
D G A
Left me blindly here to stand but still not sleeping.
G A D G
My weariness amazes me, I'm branded on my feet,
D G
I have no one to meet
D G A
And the ancient empty street's too dead for dreaming.
Subject: CRD: The Water Is Wide Roger McGuinn Chords/Lyrics
Roger McGuinn The Water Is Wide traditional
G C G
The water is wide I can not cross over
Em D
And neither have I wings to fly
G Bm Em C
But build me a boat that can carry two
Am D G
And both shall roam my love and I
G C G
A ship there is and she sails the sea
Em D
Sailing as deep as deep can be
G Bm Em C
But not so deep as the love I am in
Am D G
I know not how I sink or swim
G C G
I leaned my back against some young oak
Em D
Thinking that he was a trusty tree
G Bm Em C
But first he bent and then he broke
Am D G
And thus did my false love and me
From the "Roger McGuinn" LP Columbia Records 1973
From the "Roger McGuinn" LP Columbia Records 1973_____
Without Your Love chords
Roger McGuinn
Capo II *
C G
Now that you're gone
C
It's no fun without you
F G C
I just think of things we used to do
Am G
Like watching the sunset
F C
Over the sea
Am G
And sailing the is lands
F C - C G
So happy and free
Now that you're gone
C
I have to face living
F G C
Without your eyes to see through
Am G
Shadows are fall ing
F C
Before all my steps
Am G
I can't see the path through
F C
The tears that I've wept
C Dm
Without your love
G C
The days are so long
F G C
And I can't believe you're gone
____\
Devil With The Blue Dress:Mitch Ryder
And The Detroit Wheels.
#4 in 1966.
CHORUS:
G7
Devil with the blue dress, blue dress, blue dress..
F
Devil with the blue dress on.
C F C F
Devil with the blue dress, blue dress, blue dress..
C F C
Devil with the blue dress on.
#1.
C F C
Fee, fee, fi, fi, fo-fo, fum.
Look at Molly now, here she comes.
C
Wearin' her wig hat and shades to match,
she's got high-heel shoes and an alligator hat.
F Wearin' her pearls and her diamond rings,
C
She's got bracelets on her fingers, now, and everything..
CHORUS:
G7Devil with the blue dress, blue dress, blue dress..
F Devil with the blue dress on.
C F C F
Devil with the blue dress, blue dress, blue dress..
C F C
Devil with the blue dress on.
#2.
C F C
Wearin' her perfume, Chanel No. 5. Got to be the finest girl alive.
C
She walks real cool, catches everybody's eye.\
She got such good lovin' they can't say goodbye.
F
Not too skinny, she's not too fat..
C
She's a real humdinger and I like it like that..
CHORUS:
G7
Devil with the blue dress, blue dress, blue dress..
F
Devil with the blue dress on.
C F C F
Devil with the blue dress, blue dress, blue dress..
C F C
Devil with the blue dress on.
#3.
D
Good golly, Miss Molly, you sure like to ball.
G D
Good golly, Miss Molly, you sure like to ball.
A
When you're rockin' and rollin',
D
Can't you hear your Mama call?
#4.
D
From the early, early mornin' 'til the early, early nights,
See Miss Molly rockin' at the House of Blue Lights.
G D
Good golly, Miss Molly, you sure like to ball.
A
While you're rockin' and a-rolling,
D
Can't you hear your Mama call?
#5.
C F C
Fee, fee, fi, fi, fo-fo, fum.
Look at Molly now, here she comes.
CWearin' her wig hat and shades to match, she's got high-heel shoes and an alligator hat.
F Wearin' her pearls and her diamond rings,
C she's got bracelets on her fingers, now, and everything..
#6.
G7 Devil with the blue dress, blue dress, blue dress..
F Devil with the blue dress on.
C F C F
Devil with the blue dress, blue dress, blue dress..
C F C
Devil with the blue dress on. (x2)
__
KEEP NOTE: Make sure you hit the Bsus4 on all the syllables of "yesterday" in the Very crucial. If you've listened to the song, you know what I mean. You could or the Gmaj7 chord for some of the Bm chords in the verses, but everything here should be and correct.
Intro:
Bm C D
/ / / / / / / / / / / / / / / / x2
Bm C D
I don't remember what day it was
Bm C D
I didn't notice what time it was
Bm C D
All I know is that I fell in love with you
Bm Em
And if all my dreams come true
C D
I'll be spending time with you
Bm C D
Every day's a new day in love with you
Bm C D
With each day comes a new way of loving you
Every time I kiss your lips my mind starts to wander
Bm Em
And if all my dreams come true
C D
I'll be spending time with you
Em Am Bsus4 B
Oh, I love you more today than yesterday
Em Am B
But not as much as tomorrow
Em Am Bsus4 B
I love you more today than yesterday
Em A C D
But, darling, not as much as tomorrow
Bm C D
Tomorrow's date means springtime's just a day away
Bm C D
Cupid, we don't need ya now, be on your way
Bm C D
I thank the lord for love like ours that grows ever stronger
Bm Em C D
And I always will be true, I know you feel the same way too
Em Am Bsus4 B
Oh, I love you more today than yesterday
Em Am B
But not as much as tomorrow
Em Am Bsus4 B
I love you more today than yesterday
Em A C D
But, darling, not as much as tomorrow
Bm C
Every day's a new day, every time I love ya
Bm C
Every way's a new way, every time I love ya
Bm C
Every day's a new day, oh, how I love ya
"Crimson And Clover"
(Tommy James/Peter Lucia)
[Notes: 1) This is a deceptively simple song; like Jefferson Airplane's
"Somebody To Love", there are only four chords in it, but no two verses
are identical. 2) Tommy James played all the guitar parts on this, and
he usually played in open E; you might want to try it.]
verse 1:
B F# E
Ah
F# B F# E
Now I don't hardly know her
F# B F# E
But I think I could love her
F# B F# E
Crimson and clover
E F#
/ / / /
verse 2:
Ah
Well if she come walkin' over
Now I been waitin' to show her
Crimson and clover
F# B F# E
Over and over
E F# E
/ / / / / / / /
instrumental break 1 [single version]:
bass alone (2x):
v v v v
|-4-4-4-4-4-4-4-4-2-2-2-----------|
|-----------------------4---4---4-|
|---------------------------------|
|---------------------------------|
bass and guitars (5x):
B A E
/ / / /
F#
/ / / / / r r r
verse 3:
Yeah
My mind's such a sweet thing
I wanna do everything
What a beautiful feeling
Crimson and clover
E F# E
/ / / /
Over and over
instrumental break 2:
repeat bass (2x)
repeat B-A-E (6x this time)
F#
/ / / / / / / /
outro:
C G F G
I Think We re Alone Now chords
Tommy James and The Shondells *
A
A C#m
Children behave
F#m E
That s what they say when were together
A C#m
And watch how you play
F#m E
They don t understand
And so were
C#m A
Running just as fast as we can
C#m A
Holding on to one another s hand
G
Trying to get away into the night
E
And then you put your arms around me
And we tumble to the ground
A
And then you say
A E
I think we re alone now
D A
There doesn t seem to be anyone around
E
I think we re alone now
D A
The beating of our hearts is the only sound
A C#m
Look at the way
F#m E
We gotta hide what were doing
A C#m
cause what would they say
F#m E
If they ever knew
And so we re
C#m A
Running just as fast as we can
C#m A
Holding on to one another s hand
G
Trying to get away into the night
E
And then you put your arms around me
And we tumble to the ground
A
And then you say
-____
Mony, Mony:Tommy James And The Shondells.
#1 in UK, #3 in Canada and #3 in USA in 1968.
(Capo 1st fret.)
#1.
A D A A D A
Here she comes now, say, Mony, Mony.
A D A A D A
Shoot 'em down, turn around, come on, Mony.
A D A A D A
Hey, she give me love and I feel all right now.
A7
You got me tossin' and turnin' in the middle of the night,
D E
and I feel all right. I say Yeah, (Yeah), Yeah (Yeah),
E7
Yeah (Yeah), Yeah (Yeah), Yeah (Yeah), Yeah (Yeah.)...
CHORUS:
E A
You make me feel,(Mony, Mony) so, (Mony, Mony) good!
A7
(Mony, Mony) Yeah! Mony, Mony!..
D
Yeah! Mony, Mony, Yeah! Mony, Mony!
Yeah! Mony, Mony, Yeah! Mony, Mony!
E
Yeah! (Yeah!) Yeah! (Yeah!)
Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah!
#2.
A D A A D A
Wake me, shake me, Mony, Mony.
A D A A D A
Shot gun, get it done, come on, Mony.
A D A
Don't stop cookin', it feels so good, Yeah.
A7 D E
Don't stop now. Hey, come on! Mony. Come on Mony, Yeah!
(Yeah) Yeah! (Yeah) Yeah!
Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah!
CHORUS:
E A
You make me feel,(Mony, Mony) so, (Mony, Mony) good!
A7
(Mony, Mony) Yeah! Mony, Mony!..
D
Yeah! Mony, Mony, Yeah! Mony, Mony!
Yeah! Mony, Mony, Yeah! Mony, Mony!
E
Yeah! (Yeah!) Yeah! (Yeah!)
Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! Yeah!
#3.
A G D A
I love you Mony, Mo, Mo, Mony!
A G D A
I love you Mony, Mo, Mo, Mony!
A G D A
Crystal Blue Persuasion:Tommy James And The Shondells.
#1 in Canada #2 in USA in 1969.
(Capo 2nd fret.)
INTRO: Bm Am(x3) C G
#1.
G Bm Am Bm Am
Look over yonder.....what do you see?
Bm Am Bm Am
The sun is a-risin'....most definitely.
Bm Am Bm Am
A new day is comin'....people are changin'.
Bm Am Bm Am C G
Ain't it beautiful....crystal blue persuasion?
#2.
Bm Am Bm Am
Better get ready.....gonna see the light.
Bm Am Bm Am
Love, love is the answer.....and that's all right.
Bm Am Bm Am
So, don't you give up, now.....so easy to find.
Bm Am Bm Am C G
Just look to your soul.....and open your mind.
F C G(x2) G F Am
CHORUS:
Bm Am Bm Am
Crystal blue persuasion, mm-hmm..it's a new vibration.
Bm Am C G
Crystal blue persuasion, crystal..blue persuasion.
Hanky Panky- Tommy James and the Shondells
Verses: (w/bass line)
N.C. A
My baby does the hanky panky, my baby does the hanky
D A
panky, my baby does the hanky panky, my baby does the
E7 D A E
hanky panky, my baby does the hanky panky.
(repeat)
N.C. A
I saw her walking on down the line, you know I saw for
D
the very first time, a pretty little girl standing
A
all alone, hey pretty baby can I take you home,
E7 D A E
I never saw her, never really saw her.
My baby does...
Solo: have fun with this part!
I saw her walking...
My baby does...
(repeat)
*When done the second time, play an A where there is
no chord.
___
White Rabbit chordsJefferson Airplane *F# G 3xF#One pill makes you largerGAnd one pill makes you smallF#And the ones that mother gives youGDon't do anything at allA CGo ask AliceD AWhen she's ten feet tallF#And if you go chasing rabbitsGAnd you know you're going to fallF#Tell 'em a hookah smoking caterpillarGHas given you the callA CRecall AliceD AWhen she was just smallEWhen men on the chessboardA - EGet up and tell you where to goAnd you've just had some kind of mushroomAAnd your mind is moving lowF#Go ask AliceI think she'll knowWhen logic and proportionGHave fallen sloppy deadF#And the White Knight is talking backwardsGAnd the Red Queen's "off with her head!"A C D ARemember, what the doormouse said:E A - E Akeep your headkeep your head* Alternate:Capo IIG = FF# = EA = GC = BbD = CE = DjANEB5 B5 D5Em G D AE--3--3--3--7--7--7--7--7--7--5--5--5--5--5--5--5-|B--5--5--5--8--8--8--8--8--8--7--7--7--5--5--5--5-|G--4--4--4--7--7--7--7--7--7--7--7--7--6--6--6--6-|D-------------------------------------------------|A-------------------------------------------------|E-------------------------------------------------|Em G D D A A EmD D A AEm G DJane you say it's all overA Em G D DFor you and me girlA A Em G DThere's a time for love and a timeD A A Em G DA AFor letting it be babyEm D/F# G D/F# EmJane you're playing a game calledEm D/F# G D/F# EmCalled hard to get by it's real nameEm D/F# GMakin' believe that you just don't\E/G# A F#/A# B EmD D A A Em G D D AAFeel the same oh JaneEm G DJane you're playing a gameA Em G D DYou never can win girlA A Em G D DYou're stayin' away so I'll ask you\A A Em G D D AAWhere you been babyEm D/F# G D/F# EmLike a cat and a mouseEm D/F# G D/F#From door to door and house to houseEm D/F# GDon't you pretend you don't knowE/G# A F#/A# BWhat I'm talking aboutC#m F#m C#m F#mWere all those nights we spent togetherOnly because you didn't know betterF#m E/G#Oh Jane you're playing a gameA A#7 B B B BYou're playing a game playing a gameEm G D D A A EmD D A A Em G D A AEm G DOh Jane you're playing a gameD A A Em G DA AOf hide and go seekEm G D DJane you're playing for funA A Em G D D AABut I play for keepsEm G D A EmD D A AJane Jane Jane that's a game on meEm G D A EmD D A AJane Jane Jane that's so plain to seeEm G D D A AJane Jane Jane (Repeat and fade)
White rabbitF#m Bm F#m - F#m Bm F#mWhen the truth is found out to be liesAnd all the love within you diesAm Em F#mDon't you want somebody to loveBm Am Em F#mDon't you need somebody to loveWouldn't you love somebody to loveYou better find somebody to love"Somebody To Love" (Darby Slick)Verse 1:F#m B E F#mWhen the truth is found to be liesF#m B E F#mAnd all the joy within you diesChorus:A E F#m BDon't you want somebody to love, don't you...Need somebody to love, wouldn't you...Love somebody to love, you better...A B F#mFind somebody to loveLink:(F#m) B/E F#m E F#m/ / / / / / / / / / / / / / / /V F#m B E F#m B EWhen the garden flowers baby are dead, yes andF#m B E F#m BYour mind, your mind is so full of breadChorus 2:Don't you want somebody to love, don't you...Need somebody to love, wouldn't you...Love somebody to love, you better...A/E B F#mFind somebody to loveVerse 3:[n.c.] F#m BYour eyes, I say your eyes may look like hisF#m B EYeah, but in your head, baby, I'm afraidF#m Byou don't know where it is[repeat chorus 1]Link:(F#m) E B A F#m/ / / / / / / / / / / / / / / /Verse 4:F#m B E F#m B ETears are running down and down and down your breastF#m B E F#m BAnd your friends, baby they treat you like a guestChorus 4 A E BDon't you want somebody to love, don't you... Need somebody to love, wouldn't you... Love somebody to love, you better...A B F#m B F#mFind somebody to loooooooooooooooooooveGuitar solo/coda: F#m B E [3X] F#m/ / / / / / / /A E B [3X] F#m B---
Song: If Ever You're in my Arms Again Artist: Peabo BrysonIntro: C#-Ebm-(2x)Verse 1:C# It all came so easy,all the loving you gave meEbmThe feelings we sharedC#And I still can remember,how you touched me so tenderEbmIt told me you caredRefrain:B EM7sus-EM7We had a once in a lifetimeC#m G#m B F#But I just couldn't see until it was goneB EM7sus-EM7A second once in a lifetimeC#m G#m B F# F#-G#May be too much to ask but i swear from now onChorus:C# Fm F# G# FmIf ever your in my arms againBbm Ebm G#This time I'll love you much betterC# Fm F# G# FmIf ever your in my arms againBbm EbmThis time I'll hold you foreverG#This time we'll never endVerse II:C#I'm seeing clearly,how I still need you near meEbmI still love you soC#There's something between us,that won't ever leave usEbmThere's no letting go(Repeat Refrain)G# Bbm--G#/Bb(2x)...this time we'll never endBridge:F# FmThe best of romances deserve second chancesEbm G# BbI'll get to you somehow 'cos i promise nowChorus 2:Eb Gm G# Bb GmIf ever your in my arms againCm Fm BbThis time I'll love you much betterEb Gm G# Bb GmIf ever your in my arms againCm FmThis time I'll hold you foreverBbThis time we'll never end(Repeat till fade)-------------------------------------7--3-----|B-------------------------------------------5--|G----------------------------------------------|D-----2--------2--------2--------2-------------|A--0--------0--------0--------0----------------|E--------0-----------------0-------------------|E--(3)--7-7---3-3----------------------------3-|B------------------3-3--5-----------------5----|G--------------------------5--4--2--0--2-------|D----------------------------------------------|A----------------------------------------------|E----------------------------------------------|E--7-7-----------------------------------------|B--------3-3-----------------------------------|G--------------3-3---5-------------------------|D------------------------5--4---2---0---2------|A----------------------------------------------|E----------------------------------------------|AmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG FBaby in miracles so would IAmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG F F GBaby in miracles so would IAm G BmI might have to move heaven and earthTo prove it to you babyAm G BmSo we're makin'love and you feel the powerAnd I feel the powerEm FThen there's really nothing that we can't doDm GIf we wanted to babyEm FWe could exist on the starsG EIt'd be so easyF#m GAll we gotta doC AIs get a little faith in youAmOh I've been so many placesG BmI've seen some things yes I haveI know that love is the answer yes it isAm GKeeps holding this world togetherBmAin't nothing better ain't nothing betterEm FAnd all the answers to our prayersDm GHell it's the same everywheres now babyEm FNothing ever breaks up the heartG EOnly tears give you awayF#m GThen you're right where I found yaC AWith my arms around yaAm G BmOh baby baby baby love is a magic word yeahAm G BmFew ever find in a lifetimeEm FBut from that very first look in your eyesDm GI knew you and I had but one heartEm FOnly our bodies were apartG EThat was so easy so easyF#m GI had a taste of the real worldJust a drop of itC AWhen I went down on you girlDon't ever stop itAmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG FBaby in miracles so would IAmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG F F GBaby in miracles so would IAm GI can hear windmills and rainbowsBmWhenever you're talkin'to meAm GI feel like swirling and dancin'BmWhenever you're walking with meEm FYou ripple like a river when I touch you girlDm GWhen I pluck your body like a stringEm FWhen I start dancin' inside yaG EOh baby you make me wanna singF#m G C AYeah baby baby baby oh babyAm GOh yeah all rightBmBaby we're sure doin' it tonightAm GEverytime you come by let me tryBmPretty please with sugar on itThat's how I like it oohEm FI can't even believe it with youDmIt's like having every dreamGI ever wanted come trueEm I picked up your vibesFYou know it opened my eyesG EBut I'm still dreamin' yeahF#m GAnd you're right where I found yaC AWith my arms around yaAmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG FBaby in miracles so would IAmIf only you believe like I believeG FBaby like I believe we'd get byAmIf only you believe in miraclesG BmBaby in miracles so would IEm F Dm GSo would IEm F G E F#m G C ASo would IAm G FIf only you believe like I believeBaby like I believe we'd get byAm - G F F G (Am)If only you believe in miraclesBaby in miracles so would Iank you Jefferson Starship for such a beautiful song- emerald eyes-china perfume)----APrecious love,EI'll give to you,D F#m Bm ---- Eblue as the sky and deep in the eyes of a love so true.ABeautiful face,Eyou make me feel,D F#m Bm ---- Elite on the stairs and lost in the air of a love so realchorusE A D EAnd you can count on me girlyou can count on my love --- baby--E A D Eyou can count on me womanE A D E--HOLD E-------D holdyou can count on my love to see you throughverseAEmerald eyes andEchina perfumeD F#m Bm ---- Ecaught in the wheel and lost in the feel of a love so soonARuby lipsEyou make my songD F#m Bm ---- Einto the night and saved by the lite of a love so strongCHORUS:E A D EAnd you can count on me girlE A D Eyou can count on my love --- baby-E A D Eyou can count on me womanE A D E HOLD E--------D holdyou can count on my love to see you through ooooouuuun/c A D Eyou can count on me girlE A D E----------D hold then go into verse 1you can count on my lo-ooo-ooo-overepeat verse oneSara - Jefferson StarshipIntro (x2):Bb Dm7 D# F Bb Dm7 D# G#Bb Dm7Go now, don't look back, we've drawn the lineBb Dm7Move on, it's no good to go back in timeGm D# Gm D#I'll never find another girl like you, for happy endings it takes twoCm DWe're fire and ice, the dream won't come trueBb Dm7 D# F((Sara, Sara, storms are brewin' in your eyesBb Dm7 D# G# FSara, Sara, no time is a good time for) goodbyes (x2 2nd Chorus))Bb Dm7Danger in the game when the stakes are highBb Dm7Branded, my heart was branded while my senses stood by(Chorus x2)D# F('Cos Sara) Loved me like no one has ever loved me beforeD# F(And Sara) Hurt me, no one could ever hurt me moreD# F(And Sara) Sara!D# F(And Sara) nobody loved me anymoreSolo (Verse):Bb Dm7 Bb Dm7Gm D# Gm D#I'll never find another girl like you, (guitar riff)Cm DWe're fire and ice, the dream won't come trueBb Dm7 D# F(**Harmonica for 'Sara, Sara, storms are brewin in your eyes')Bb Dm7 D# G#___
Ms jonesG7 C7M Dm7/G Em7/C Dm7/GMe and Mrs JonesEm7 D#m7 ? Dm7We got a thing go-in' onDm7 We both know that it's wrongF7M G7/#5But it's much too strongC6(b9) E7To let it go nowAm Am7 Em7 = Dm7 Dm7/G C7M E7/#5We meet every day at the same cafeSix-thirty I knows she'll be thereAm Am7 Em7Holding hands, making all kinds of plansD9 F7M/GWhile the juke box plays our favorite songsN/C/ C7MMe____ and____ Mrs Mrs JonesDm7/G Em7/CMrs ___ Jones, Mrs ___ Jones, Mrs ___ JonesDm7/G Em7 D#m7 Dm7We got a thing___ go-in' onWe both know that it's wrongF7M/G G7(b5)But it's much too strongC6(b9) E7To let it go nowAm Am7 Em7We got-ta be extra care-fulDm7 Dm7/G C7MThat do we don't build our hopes up too highE7/#5 Am Am7 Em7?cause she's got her own ob-li-ga-tionsD9 Dm7/GAnd so, and so, do IN/C/ C7MMe____ and____ Mrs Mrs JonesDm7/G Em7/CMrs ___ Jones, Mrs ___ Jones, Mrs ___ JonesDm7/G Em7 D#m7 Dm7We got a thing___ go-in' onWe both know that it's wrongF7M/G G7(b5)But it's much too strongC6(b9) E7To let it go nowAm Am7 Em7Well, it's time for us to be leavingDm7 Dm7/G C7M E7(b5)It hurts so much, it hurts so much insideAm Am7 Em7Now she'll go her way and I'll go mineD9But,___tomorrow we'll meetDm7/GThe same place, the same timeN/C/ C7MMe____ and____ Mrs Mrs JonesDm7/G Em7/CMrs ___ Jones, Mrs ___ Jones, Mrs ___ JonesDm7/G Em7 D#m7 Dm7We got a thing___ go-in' onWe both know that it's wrongF7M/G G7(b5)But it's much too strongC6(b9) E7To let it go nowN/C/ C7MMe____ and____ Mrs Mrs JonesC7M F7M/G C6(b9) F7M/G repeat and fadeWe want the FunkSpinnersOpsChi LitesThe DellsPeaboShaftAtlantic StarrRichieCherie AmourAl Green/ Marvin Gaye/Barry WhteSoul Train Billy Paul Al Wison EWF_______
This is a tab for Emeli Sande's "Next To Me".Standard TuningIntro: Am G C Am G CAm G CYou won't find him drinkin' at the tablesRolling dice and staying out 'til threeAm G CYou won't ever find him being unfaithfulYou will find him, you'll find him next to meAm G CYou won't find him trying to chase the devilFor money, fame, for power, out of griefAm G CYou won't ever find him where the rest goYou will find him, you'll find him next to meAm G CNext to me ooh, oohNext to me ooh, oohNext to me ooh, oohYou will find him, you'll find him next to meAm G CWhen the money's spent and all my friends have vanishedAnd I can't seem to find no help or love for freeI know there's no need for me to panicCause I'll find him, I'll find him next to meAm G CWhen the skies are grey and all the doors are closingAnd the rising pressure makes it hard to breatheWell, all I need is a hand to stop the tears from fallingI will find him, will find him next to meAm G CNext to me ooh, oohNext to me ooh, oohNext to me ooh, oohI will find him, I'll find him next to meF G AmWhen the end has come and buildings falling down fastF G AmWhen we spoilt the land and dried up all the seaF G AmWhen everyone has lost their heads around usAm G CYou will find him, you'll find him next to meAm G CNext to me ooh, oohNext to me ooh, oohNext to me ooh, oohYou will find him, you'll find him next to meAm G CNext to me ooh, oohNext to me ooh, oohF G AmNext to me ooh, oohYou will find him, you'll find him next to me
Read All About It, Part III - Emeli SandeEm C G D x2Em CYou've got the words to change a nation but you're biting your tongueG DYou've spent a life time stuck in silence afraid you'll say something wrongIf no one ever hears it how we gonna learn your song?So come on come on, come on, come onEm CYou've got a heart as loud as lions, so why let your voice be tamed?G DBaby we're a little different there's no need to be ashamedYou've got the light to fight the shadows so stop hiding it awayCome on, Come onEm C G DI wanna sing, I wanna shout I wanna scream till the words dry outEm C GSo put it in all of the papers, I'm not afraid they can read all about it,Dread all about itEm C G D Em C G Doh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-ohEm CAt night we're waking up the neighbours while we sing away the bluesG DMaking sure that we remember yeah cause we all matter tooIf the truth has been forbidden then we're breaking all the rulesSo come on come on, come on, come onEm CLet's get the tv and the radio to play our tune againG DIts 'bout time we got some airplay of our version of eventsThere's no need to be afraid, I will sing with you my friendCome on, Come onEm C G DI wanna sing, I wanna shout I wanna scream till the words dry outEm C GSo put it in all of the papers, I'm not afraid they can read all about it,Dread all about itEm C G D Em C G Doh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-ohEm C G DYeah we're all wonderful, wonderful people so when did we all get so fearful?Em C G DNow we're finally finding our voices so take a chance, come help me sing thisEm C G DYeah we're all wonderful, wonderful people so when did we all get so fearful?Em C G DNow we're finally finding our voices so take a chance, come help me sing thisEm C G DI wanna sing, I wanna shout I wanna scream till the words dry outEm C G So put it in all of the papers, I'm not afraid they can read all about it, D read all about itEm C G D Em C G Doh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-ohEm C G DI wanna sing, I wanna shout I wanna scream till the words dry outEm C GSo put it in all of the papers, I'm not afraid they can read all about it,D read all about it Em OhhhhTuning: Standard tuning (E A D G B E)Capo : 2nd fret.Chord Sequence:AmFmaj7CGThis may not be perfect, but I haven't been able to find anytabs that do a fingerstyle version of this song, so I made this,feel free to make improvements and play around with thetabs given.The chord sequence can be played like this all the waythrough:E------------------------------------------------------------|a---0-----------0-----------------0----0---------------------|d--------2-----------------2----------------3-----3----------|g-----------2-----------------2----------------2-------------|b---1----------------1-----------------1---------------------|e--------------------------------------------------------0---|E-----------------------------------------------------------|a----------------3------------3--------------3---2----------|d-----------3--------2---------------2---------------0------|g---2--------------------0---------------0------------------|b-------1--------1---------------------------------------3--|e----------------------------------0-------------3----------|E------------------------------|a---2--------------------------|d--------------0-----0---------|g------------------0-----------|b------------------------------|e--------3---------------------|If you don't want to play the above tabs allthe way through, you could play the chordsin the chorus like this:Am. Fmaj7I wanna sing, I wanna shout,C. GI wanna scream till the words dry out,Am. Fmaj7So put it in all of the papers, I'm not afraid,C. GThey can read all about it, read all about it.
Emeli Sande – ClownThis is how my ears hear this song, I think the A minor7 and the Cadd9 both sound correct. The C minor at the end of the verses is correct but to mix it up a bit you could use C minorAdd9 instead. I will be adding this song to our duo set asap as I think it's a fantastic ballad.Am7 D/F# GI guess it's funnier from where you're standingAm7 D/F# G'Cause from over here I've missed the jokeAm7 D/F# EmCleared the way for my crash landingCadd9 Cm(or Cmadd9) GI've done it again, another number for your notesAm7 D/F# GI'd be smiling if I wasn't so desperateAm7 D/F# GI'd be patient if I had the timeAm D/F# EmI could stop and answer all of your questionsCadd9 Cm(or Cmadd9) GAs soon as I find out how I could move from the back of the lineCHORUSGSo I'll be your clownCadd9Behind the glassAm7 CGo 'head and laugh 'cause it's funnyDsus4 DI would too if I saw meGI'll be your clownCadd9On your favorite channelAm7 CMy life's a circus-circus rounding circlesDsus4 DI'm selling out tonightAm7 D/F# GI'd be less angry if it was my decisionAm7 D/F# GAnd the money was just rolling inAm7 D/F# EmIf I had more than my ambitionCadd9I'll have time to pleaseCm(orCmadd9) GI'll have time to thank you as soon as I winChorus 2Cadd9 D/F# GFrom a distance my choice is simpleCadd9 D/F# GFrom a distance I can entertainCadd9 D/F# EmSo you can see me I put makeup on my faceFBut there's no way you can feel itAm (D)From so far away____
Matt and kimDaylighthttp://www.mattandkimmusic.com/DWe cut the legs off of our pantsAThrew our shoes into the oceanF#Sit back and wave through the daylightESit back and wave through the daylightDSlip and slide on subway gratesAThese shoes are poor mans ice skatesF#Fall through like change in the daylightEFall through like change in the daylightI miss yellow lines in my roadsSome color on monochromeMaybe I'll paint them in myselfMaybe I'll paint them in myself+These sidewalks liquid then stoneBuilding walls and an old pay phoneIt rings like all through the daylightIt rings like all through the daylightAnd in the daylight we can hitchhike to MaineI hope that someday I'll see without these framesAnd in the daylight I don't pick up my phone'cause in the daylight anywhere feels like homeI have five clocks in my lifeAnd only one has the time rightI'll just unplug it for todayI'll just unplug it for todayOpen hydrant rolled down windowsThis car might make a good old boatAnd float down grand street in daylightAnd float down grand street in daylightAnd with just half of a sunburnNew yellow lines that I earnedStep back and here comes the night timeStep back and here comes the night timeAnd in the daylight we can hitchhike to MaineI hope that someday I'll see without these framesAnd in the daylight I don't pick up my phone'cause in the daylight anywhere feels like home[--1---1----1--1---1-5-1] repeat several timesb[---3-1--3-1----3-1-----]g[-----------------------] <--- LEADd[-----------------------]a[-----------------------]e[-----------------------]e[-----------------------] repeat several timesb[-----------------------]g[-10-10--7-7--12-12--10-] <--- RHYTHMd[-10-10--7-7--12-12--10-]a[-8--8---5-5--10-10--8--]e[-----------------------]e[--------------------------]b[-3-1----------------------]g[-----2-0--0-2-0---0-2-----]d[---------3------3-----0---]a[------------------------3-]e[--------------------------]e[--------------------------]b[-3-1----------------------]g[-----2-0--0-2-0---0-2-----]d[---------3------3-----3---]a[--------------------------]e[--------------------------]___________________________
We are Young - Capo on 1E- Give me a second II need to get my story straightC#m - My friends are in the bathroomgetting higher than the empire stateA- my lover she's waiting for mejust across the barB - My seats been taken by some sunglassesasking 'bout a scarand I know I gave it to you months agoI know you're trying to forgetbut between the drinks and subtle thingsthe holes in my apologiesyou know I'm trying hard to take it backC#m BSo if by the time the bar closesB E Aand you feel like falling downA B EI'll carry you home tonightTonightWe are youngSo let's set the world on fireWe can burn brighterthan the sunTonight - We are young - So let's set the world on fireWe can burn brighter - than the sunNow I know that I'm notall that you gotI guess that II just thought maybe we could find a ways to fall apartBut are friends in backSo let's raise a cupCause I found someone to carry me homeTonight We are youngSo let's set the world on fireWe can burn brighterthan the sun (2x)E A - Carry me home tonightE B - Just carry me home tonightE A - Carry me home tonightE B - Just carry me home tonightE The moon is on my sideA I have no reason to runE B E - So will someone come and carry me home tonightThe angels never arrivedbut I can hear the choirso will someone come and carry me homeTonight We are youngSo let's set the world on fireWe can burn brighterthan the sunC#m B - B E A - A B ESo if by the time the bar closesand you feel like falling downI'll carry you home tonight|F |C |F |C |F |C |G |G |Some NightsOVER AND OVERF C F C F C GSome nights, I stay up cashing in my bad luck; some nights, I call it a drawF C F CSome nights, I wish that my lips could build a castleF C GSome nights, I wish they'd just fall offBut I still wake up, I still see your ghostOh Lord, I'm still not sure what I stand forWhat do I stand for? What do I stand for?Most nights, I don't know anymore...This is it, boys, this is war - what are we waiting for?Why don't we break the rules already?I was never one to believe the hype - save that for the black and whiteI try twice as hard and I'm half as liked, but here they come again to jack my styleThat's alright (that's alright).I found a martyr in my bed tonight.Stops my bones from wondering just who I, who I, who Iam, oh who am I, m-mm, m-mm.Well, some nights I wish that this song would end.'Cause I could use some friends for a change.And some nights I'm scared you'll forget me again.Some nights I always win (I always win)But I still wake up, I still see your ghostOh Lord, I'm still not sure what I stand forWhat do I stand for? What do I stand for?Most nights, I don't know...So this is it? I sold my soul for this?Washed my hands of that for this?I miss my mom and dad for this?No. When I see stars, when I see stars, that's all they areWhen I hear songs, they sound like a swan, so come onOh, come on. Oh, come on.That is it, guys, that is all - five minutes in and I'm bored againTen years of this, I'm not sure if anybody understandsThis is not one for the folks back home; I'm sorry to leave, mom, I had to goWho the fuck wants to die alone all dried up in the desert sun?My heart is breaking for my sister and the con that she called "love"But when I look into my nephew's eyes...Man, you wouldn't believe the most amazing things that can come from...Some terrible nights.The other night, you wouldn't believe the dream I just had about you and meI called you up, but we'd both agreeIt's for the best you didn't listenIt's for the best we get our distance...
Carry On[INTRO]F Bb F Bb F Bb F Bb[VERSE 1]F BbWell I woke up to the sound of silence and gunsF Bbwere cutting like knives in a fist fightFAnd I found you with a bottle of wineBb F Bbyour head in the curtains and heart like the 4th of JulyFYou swore and said we are notGmwe are not shining starsFThis i knowBbcause i never said we areFThough I've never been through hell like thatBb F BbI've closed enough windows to know you can never look back[CHORUS]F Bb CIf you're lost and alone, or you're sinkin like a stoneF Bb CCarry onF Bb CMay your past be the sound of your feet upon the groundF Bb CCarry onF Bb F BbCarry on carry on[VERSE 2]F BbSo I met up with some friends at the edge of the nightF Bbat a bar off 75F BbAnd we talked and talked about how our parents will dieF BbAll our neighbors and wives[PRE CHORUS]FBut i'd like to thinkGmI can cheat it allF Bbto make up for the times i've been cheated onFAnd it's nice to knowGmwhen i was left for deadFI was found and I know not these streetsBb CI am not the ghost you want to be[CHORUS]F Bb CIf you're lost and alone, or you're sinkin like a stoneF Bb CCarry onF Bb CMay your past be the sound of your feet upon the groundF Bb CCarry onCohhhhhhhhhhhhh[BRIDGE]Bb F CMy head is on fire, but my legs they're fineBb F CCause after all, they are mineBb F CLay your clothes down on the floor, close the door, hold the phoneBb Cshow me how, no one's ever gonna stop us tonightF Gm F BbF Gm F Bb[PRE CHORUS]F GmCause we are, we are shining starsF BbWe are invincible, we are who we areF GmOn our darkest day, when we're miles awayF Bb CSun will come, we will find our way home[CHORUS]F Bb CIf you're lost and alone, or you're sinkin like a stoneF Bb CCarry onF Bb CMay your past be the sound of your feet upon the groundF Bb CCarry on[OUTRO]F BbCarry on carry onF BbCarry on carry on
Why Am I the One? byCHORDS:B - 7 9 9 8 7 7 D#m- 6 6 8 8 7 6G#m- 4 6 6 4 4 4 F# - 2 4 4 3 2 2C# - 9 11 11 10 9(*) - just play the note on the low E stringINTRO (5x)[E]--------------------------------------------|[B]--------------------------------------------|[G]--------------------------------------------|[D]----------8h9p8---------8h9p8-9-11----------|[A]------9-9-------9-8---9---------------------|[E]--------------------7-----------------------|B D#m G#m F#...sleeping on my sideF# I finish kissing my dadB So now I head back up the stepsF# Thinking about where I've beenB I mean it's always never like thisF# I wanna feel with the seasonB I guess it makes senseB D#m G#mThat my life's become as vapid asB D#m G#mA night out in Los AngelesB D#m G#m F#m C#And I just wanna stay in bedB F#I hold you like I used toYou know that I am homeSo darling if you love meG#m D#m B C#Will you let me know?F#Or go on, go on, go onG#m C#If you've been thinking that the worst is yet to comeB F#Why am I the oneB C#Always packing up my stuff?F#For once, for once, for onceG# C#I get the feeling that I'm right where I belongB F#Why am I the oneB C#Always packing up my stuff?F# She's got enough on her mindB That she feels no sorrowF# I let my faith fill the airB Now she's rolling down the windowF# Never been one to hold onB But I need a last breathB D#m G#mSo I ask if she remembers whenB D#m G#mShe used to come and visitB D#m G#m F# C#Man, we were fools to think that nothing could go wrongF#Or go on, go on, go onG#m C#If you've been thinking that the worst is yet to comeB F#Why am I the oneB C#Always packing up my stuff?F#For once, for once, for onceG# C#I get the feeling that I'm right where I belongB F#Why am I the oneB C#Always packing up my stuff?B F#I think I kind of like itG#m C#But I might have had too muchBRIDGE (2.5x)*F# I'll move back down*BTo this western town*G#mWhen they find me out*B *C#Make no mistake about itWhy am I the oneD#m C#Always packing up my stuff?F#Go on, go on, go onG#m C#If you've been thinking that the worst is yet to comeB F#Why am I the oneB C#Always packing up my stuff?F#For once, for once, for onceG#m C#I get the feeling that I'm right where I belongB F#Why am I the oneB C# Always packing up my stuff?B F# I think I kind of like itG#m C#But I might have had too muchI'll move back downINTRO (2x)
CecilaCHORUS:G C GCecilia, you're breaking my heartC G DYou're shaking my confidence dailyC G C GOh Cecilia, I'm down on my kneesC G DI'm begging you please to come homeGCome on homeCHORUSG C GMaking love in the afternoon with CeciliaC D GUp in my bedroomC GI got up to wash my faceCWhen I come back to bedD GSomeone's taken my place ...CHORUSG C G C G DBo po bo bo ...C G C G - C G DJubilation, she loves me again- I fall on the floor and I laughingJubilation, she loves me again - I fall on the floor and I laughingC G C G C G D\Me and Julio Down By the SchoolyardPaul SimonPaul Simon* *Intro: A D A E A D A E* These "A"s are two beats and the others are all oneA - Mama Pajama rolled out of bedDand she ran to the police stationEWhen the papa found out he began to shoutA D Aand that's what started the investigationE ABut it's against the law, it was against the lawWhat the mama saw, was against the lawA Well the mama looks down and she spit on the groundDEvery time my name gets mentionedE And the papa says "Oy, when I get that boyA D A I'm gonna stick him in the house of detention!"D AAnd I'm on my way, I don't know where I'm goingD A B EI'm on my way, takin' my time but I don't know whereD AGoodbye to Rosie, Queen of CoronaA G D E AA ESee you, me, and Julio down by the schoolyardA G D E ASee you, me, and Julio down by the schoolyardbreak: D D A A D D AE D D }Whistling partA A A G D E AA E A G D E A DE }AIn a couple of days they come and take me awayDBut the press let the story leakEAnd when the radical priest come and get me releasedA D AWe's all on the cover of Newsweek.D AAnd I'm on my way, I don't know where I'm goingD A B EI'm on my way, takin' my time but I don't know whereD AGoodbye to Rosie, Queen of CoronaA G D E AA ESee you, me, and Julio down by the schoolyardA G D E ASee you, me, and Julio down by the schoolyard___
Lovers Concerto The Toys Supremes Sarah VaugnThe melody was adapted from "Minuet In G," a composition written by Christian Petzold. "Minuet In G" is often thought to be by Johann Sebastian Bach because it was included in a book of sheet music kept by Bach's wife Anna Magdalena. The song was written by Denny Randell and Sandy Linzer, who wrote all the original songs on the album and went to write some of the biggest hits for The Four Seasons. In our interview with Denny Randell, he explained that he started listening to "Minuet In G" at an early age. "I must have been about 5, 6" said Randell. "I was taking lessons at a very early age, and I loved that piece. It stuck with me. Over the years, I grew up and got more into music from a creative point of view. It's really interesting, throughout all my later teen years and when I first got into the business, I always had it on my mind that it would make a wonderful grounds for a pop song if done in the right way. At some point, finally, I just decided to write the song; it was time to put it together. It's in a different groove and it's a different time signature than the original piece; it was put into a form that could work for a Pop record at that time."The title does not appear in the lyrics. Denny Randell told us how he came up with it: "In those days, I used to see a lot young girls, and they would like to write poetry of sorts. So I wanted this to be basically a romantic poem, and I came up with the title, which also reflected the classical background of 'A Lover's Concerto.' I just felt that it could work, I just had this feeling about it, even though it is not generally the way you write songs and hooks. The title was the combination of the feeling of both the lyric and the music. And it worked."The Toys were Barbara Harris, Barbara Parritt and June Montiero. They met in high school and were signed by Lizer and Randell. This was their first single and biggest hit - the group broke up in 1968.Ralph Casale, who played guitar on this track, tells us that the song's producer
Charlie Calello had the arrangement laid out, and the two guitarists played "chicks." What's a chick? Ralph says: "Musicians used that word because when you pronounce the word 'chick,' with a heavy accent, it describes the sound produced when a guitarist strikes the first three strings of an electric guitar with a plectrum (pick) and the left hand stops the strings from resonating. You can also produce both the 'chicking' sound and a resonating sound at the same time. The rhythm pattern can be quarter notes, eighth notes or any pattern desired. The pattern used often was quarter notes on the second and forth beat of the measure. On 'Lovers Concerto' one guitarist played quarter notes on the second and fourth beat with one sound and the other played on all four beats with another sound."Ralph adds, "On this record Charlie wanted one guitar playing on two and four and the other playing on all four beats. The strings are struck in such a way that a chord sound and a chicking sound is produced. You can hear that effect on 'Lover's Concerto.' Charlie did a great job on that record. For me it was pretty much what we call 'straight ahead.' It was clever of the writers Denny Randell and Sandy Linzer combining their lyrics with a well known classical piece."More The Toys songsMore songs that use parts of Classical compositionsMore songs with titles that are not part of the lyricsA Lover's Concerto by The Toys Samples / Interpolates:Minuet in G Major by Johann Sebastian Bach | details at WhoSampled.comGreat song by The Toys. The Supremes also did a very nice cover.- Gene, San Diego, CAThis made an appearance in the movie "Mr. Holland's Opus". When Mr. Holland is trying to teach his kids about music, he plays this and everyone is all "The Toys" and he's all like "No, it's Bach"- Dusty, St. Louis, MOI took violin lessons from the ages of 6 to 17, and the original piece by Bach was one of the first songs I had to learn to play (I was 7 at the time); I heard this song for the first time on the radio sometime right before or during second grade (I can't remember if I was 7 or 8 at that time). From the first minute I heard this song at age 7/8, I knew the melody was familiar to me in someway or another. As I continued to listen to it, it immediately dawned on me that it was the same melody as Bach's Minuet! I don't remember if I had recommended this song to my violin teacher, but I think that would've been an excellent idea to do so!- Jerro, New Alexandria, PAI had this song stuck in my head for a week and I was ready to strangle somebody!- Dave, Pittsbrugh, PAno one should have covered this song the vocalist sings it so sweetly- michael, burnley, United KingdomI'll have to investigate further, but I think the backing musicians on this were none other than The Funk Brothers, who were the backing musicians for all the Motown acts (Supremes, Four Tops, Temps, Marvin Gaye, etc.). This was during the period where they often 'snuck' around to other recording studios to make extra money, but their unique 'sound' was undeniable.- Brad, Flint, MIIt's wasn't "Mrs. Mills", it was Mrs. Miller. She was a 59-year-old grandmother with a perfectly awful singing voice--off pitch and off tempo--who made the record charts back in '66 with her version of Petula Clark's "Downtown." Her debut album sold 250,000 copies in 3 weeks. You can read about her at www.mrsmillersworld.com.- James, San Diego, CAThe Fleetwoods of "Mr. Blue" fame also did a version of this song.- James, San Diego, CAI remember this song because it alwyas was always playing in my doctor's office. It made my doctor visit less intimidating.- Reginald Lewis, Vallej, ArubaThe last eight measures are the most euphoric, uplifting sounds I know. Someone cued the angels.- Robert, Randolph, NJAngela, The song on the reverse side was "This Night"- Robert, San Diego, CAI'm a bit of a trivia nut. This website is incredible! I too, heard speculation that this song wasn't Bachs, as stated by the editor's comments above, and I remember that on Mr Hollands Opus it was said to be Bach's. The only other reference I've read was a wikipedia entry-if I remember correctly it left it to speculation. DOES ANYONE KNOW FOR SURE?- Rich, El Segundo, CAFor those of you who are looking for a CD that contains the song (this comment is especially addressed to you, Cameron from Sydney, Australia), you'll be delighted to know that a CD reissue of the original LP The Toys Sing 'A Lover's Concerto' and 'Attack!' is available through different retailers, including Amazon, Barnes & Noble, and CDConnection. This is a must for anyone who wants the song without dealing with songs by different artists and who want to find out more about the Toys' career. Buy the album right away!- Jerro, New Alexandria, PAI remember listening to the single when I was 4 years old...maTil The End Of TimebyPerry ComoAlbum: The Very Best Of Perry ComoReleased: 1945Charted:1AlejandrobyLady GagaAlbum: The Fame MonsterReleased: 2009Charted:57This is a track from Lady Gaga's EP, The Fame Monster. In this song Gaga fends off three Mexican lovers. Latin lovers often crop on records - other tracks featuring them include Madonna's "La Isla Bonita" and ABBA's "Fernando."The video courts religious controversy in a Madonna-ish way by showing Gaga dressed in a red latex nun outfit eating a rosary. It also intermingles other Catholic imagery with provocative shots of a same-sex orgy. Not only Catholic groups objected - Katy Perry tweeted: "Using blasphemy as entertainment is as cheap as a comedian telling a fart joke."Klein defended the use of religious imagery and symbolism in an email to MTV News: "The religious symbolism is not meant to denote anything negative, but represents the character's battle between the dark forces of this world and the spiritual salvation of the Soul," he wrote. "Thus at the end of the film, she chooses to be a nun, and the reason her mouth and eyes disappear is because she is withdrawing her senses from the world of evil and going inward towards prayer and contemplation."He added that the scene in which Gaga eats the rosary beads is meant to represent "the desire to take in the holy."Every track on The Fame Monster represents a "fear" of some "monster." GaGa has said this song was influenced by her "fear of sex" monster.The song's music video was directed by the photographer Steven Klein. Gaga discussed with The London Times May 22, 2010 it's concept. She explained it is about the "purity of my friendships with my gay friends, and how I've been unable to find that with a straight man in my life. It's a celebration and an admiration of gay love - it confesses my envy of the courage and bravery they require to be together. In the video I'm pining for the love of my gay friends - but they just don't want me."The song opens with a weeping violin, which incorporates the melody from "Csárdás" by Italian composer Vittorio Monti (1868-1922). "Csárdás" was composed in 1904 and Monti based the violin show-piece on a Hungarian folk dance.Gaga has cited in interviews Abba's 1976 song "Fernando" as an influence on this tune.Director Steven Klein said of his collaboration with Gaga on the music video to Rolling Stone: "She likes epics. It fits her personality. We combined dance, narrative and attributes of surrealism. The process was to express Lady Gaga's desire to reveal her heart and bear her soul."Klein had never directed a proper music video before. However, after seeing Gaga perform live, he felt inspired. "I went to see her show in NYC, and it felt like performance art in the '90s. And I had not seen anything like that in a while," Klein told MTV News. "Lady Gaga approached me about doing this particular song, and in the past, I have passed on such offers, but this time I felt [a] narrative drive you could make interesting, and we both aligned on the vision for the film."He added: "I had a vision and story for the film, she reacted to it, then we both collaborated ... We shot in Los Angeles on April 30, 2010. My schedule and hers are both complicated, so it took a lot to get the days that we both could work together."Klein went on to explain the clip: "I was not thinking in terms [of influences.] I saw it more as a combination of cinema and theater," he said. "[It is] about a woman's desire to resurrect a dead love and who can not face the brutality of her present situation. The pain of living without your true love."All By MyselfbyEric CarmenAlbum: Eric CarmenReleased: 1975Charted:212Carmen: "The song started with the solo. It started 4 bars at a time. Eventually, over a period of 2 months, that entire interlude had been written. Then my quest was to put this in the middle of an actual song. Then it was a matter of trying to figure out what kind of song and how could I do it. I was listening to Rachmaninoff's 2nd piano concerto (written in 1901) and I heard the melody which I used for the verse. Then I needed a chorus. I went back and listened to a song that I had written in 1973 called 'Let's Pretend' for the Raspberries. I just took those notes and took it from there. I thought, ''Let's Pretend' was a nice melody.' The song didn't go quite as far as I thought it should have. I'll go back and steal from myself for this."Carmen used the same notes from "Let's Pretend" to open his song "The Way We Used To Be."Carmen: "There's not nearly as much fuel in being happy as there is in being miserable. Being miserable is a great catalyst for songwriting, for me anyway. I'm constantly amazed at the amount of wonderful work that Mozart did during periods when he was fairly happy. His music during those periods reflects the happiness. On the other hand, I can't imagine that Rachmaninoff was happy when he was writing the 2nd symphony and 2nd piano concerto. I don't think the anguish and angst of those melodies comes out of being peachy keen."When he wrote this, Carmen thought the Rachmaninoff music was in the public domain, meaning he could use it free of charge. After this song came out, he found out it wasn't and agreed to a settlement with the Rachmaninoff estate.Carmen: "If you walked in a record store and saw "All By Myself" on the record label, you'd know what the song was about, and it's an emotion that everyone has felt at some point in their life. Therefore, it's a song that goes immediately to your heart. The lyrics are as simple as I could possibly make them. Sometimes my melodies are so dramatic that if the lyric is that dramatic, it's overkill."Carmen: "The edited version was still about 4:22 so I know the song probably had to be edited. The only problem was that there really was no place to edit because it changed keys 4 different times within that piano interlude. Jimmy Ienner, the producer, and I had struggled trying to figure out how we could possibly do an edit. (thanks to Bernie and the folks at EricCarmen.com for all above)Celine Dion covered this in 1996. Her version hit #4 in the US and #6 in the UK.This has been used in the movies Clueless, Dawn of the Dead (2004 version), and Shrek 2. It was also used in Bridget Jones's Diary when Bridget (Rene Zellwager)is alone and drunk on New Year's. The song was performed by Charice in the April 19, 2011 episode of Glee. The actress and singer has an occasional part as talented rival glee club member, Sunshine Corazon. The comment was made that it was a tad inappropriate to hear the teenager singing the song's opening lines, "When I was young/ I never needed anyone / And making love was just for fun / Those days are gone"?More songs that use parts of Classical compositionsI loved Lets Pretend from the moment my sister got the 45 inch single in 1973. I used it in my Wedding song list. In 75 All by myself was all over the radio. For some reason I did not put the two together until this post at the top. Eric has a great voice. His lyrics are good but not great. Dylan was great. He tends to rip off everyone from the Beatles to the Who to the above mentioned Rachmaninoff' on the melodies. But as Steve Jones from the Sex Pistols would say on Indie 103.1 in LA, "Eric Carmen is a nicker (thief), but a good one at that". Later the electronic duo Thievery Corp. made no bones about their larceny. I am not sure if this is legend or fact but I heard Rachmaninoff ripped off the melody used in All by Myself from a Venice street vendor. When I saw the Rasberries in a reunion show in Nov 2007 in Anaheim, CA, Eric went on an extended piano jam in the middle of the song I presume playing Rachmininoff note for note. He also said he would have released the song with the Rasberries had they not broke up.- Mark Hardt, St. Petersburg, FLThis was a great song from the mid 70's and I remember when I took a classical music class in '79 that I heard the same music in Carmen's song. I thought of it as compliment Carmen was giving to the composer. I don't think it would have gotten near the attention otherwise. Yes it sounds a little depressing but if you follow it up with R.E.M.'s "Everybody Hurts" its like the otherside of the same record.- Michael Scott, Punta Gorda, FLTod, with all due respect, Rachmaninov was one of the greatest pianists and composers of the 20th Century. (And the late 19th as well.) Comparing Carmen and Rachmaninov might be one of the absolutely dumbest things I have ever heard in my life, and I'm an old fart. Get a grip on reality.. you probably believe Global Warming is a "hoax."- John, Margaretville, NYWith all due respect to Rachmaninoff, Eric Carmen is three times the creative talent as his classical counterpart. His estate beneficiaries should thank their lucky stars that someone as brilliant as Carmen brought Rachmaninoff's work alive. Sure, Carmen sampled the melody for the verse, but it was Carmen lyrics and voice that made that verse immortal and commercially valuable.- tod, las vegas, NVOkay...I've just signed up so I could make a comment here, like two other people have already noted and therefore spoilt my thunder, I have just watched "Brief Encounter" on our FOX Classics Channel, introduced by Bill Collins I was immediately sucked in to watching all 86 minutes of it, by about halfway through the film I picked up on the music score and sounded very much like a song I hear played on our local easy music station 3MP all the time, which has finally led me to SongFacts, I'm not sure what "John" of the UK was getting to exactly but it is clear that Noel Coward had used Rachmaninoff 2nd Piano Concerto as the main theme throughout the film, nothing unusual here, definitely a beautiful piece though, oh and one small observation, Bill had indicated that this was his favorite film, I guess there might be some truth in that judging by the teary look in his eyes once the film had finished tonight, you gotta love'm...18/4/09- Clint, Melbourne, AustraliaCarmen had another hit on his next album that is a happy follow-up or an answer to "All By Myself." It is called, "She Did It" from 1977, and it is posted on You Tube.- Les, Joplin, MO and it was also in the movie "clueless" when she realizes that she likes her step-brother. ewwww.All You Need Is LovebyThe BeatlesAlbum: Yellow SubmarineReleased: 1967Charted:11The Beatles played this for the first time on the "Our World" project, the first worldwide TV special. Broadcast in 24 countries on June 25, 1967, the show was 6 hours long and featured music from 6 continents, with The Beatles representing Britain. The Beatles were supposedly recording this live during the show, but they used a prerecorded backing track and John Lennon's vocal was redone a few hours later. Eric Clapton mimed guitar on this during the special.The concept of the song was born out of a request to bring a song that was going to be understood by people of all nations. The writing began in late May of 1967, with John and Paul working on separate songs. It was decided that John's "All You Need Is Love" was the better choice because of its easy to understand message of love and peace. The song was easy to play, the words easy to remember and it encompassed the feeling of the world's youth during that period."All You Need Is Love" was a popular saying in the '60s anti-war movement. The song was released in the middle of the Summer of Love (1967). It was a big part of the vibe.John Lennon wrote this as a continuation of the idea he was trying to express in his 1965 song "The Word." John was fascinated by how slogans effect the masses and was trying to capture the same essence as songs like "We Shall Overcome." He once stated, "I like slogans. I like advertising. I love the telly." In a 1971 interview about his song "Power To The People," he was asked if that song was propaganda. He said, "Sure. So was 'All You Need Is Love.' I'm a revolutionary artist. My art is dedicated to change."Musically, this song is very unusual. The chorus is only one note, and the song is in a rare 7/4 tempo. (thanks to Dwight Rounds, author of The Year The Music Died, 1964-1972)It was not until 1983 and the publication of the in the book John Lennon: In My Life by Pete Shotton and Nicholas Schaffner that it was revealed that John Lennon was the primary composer of the song. It is typical of Lennon: Three long notes ("love -love -love") and the rise of excitement with at first speaking, then recital, then singing, then the climax and finally the redemption. This as opposed to McCartney's conventional verse, verse, middle part, verse or A,A,B,A. Lennon felt that a good song must have a rise of excitement, climax and redeeming. (thanks to Johan Cavalli, who is a music historian in Stockholm)Ringo's second son, Jason, was born the day this hit #1 in the US. Jason is also a drummer.n the orchestral ending, you can hear pieces of both "Greensleeves," a Bach two-part invention (by George Martin) and Glen Miller's "In The Mood." Royalties were paid to Miller for his contribution.McCartney sang the chorus to The Beatles 1963 hit, "She Loves You" at the end: "She loves you yeah yeah yeah... She loves you yeah yeah yeah"John Lennon's hand-written lyrics for this song sold for 1 Million pounds in the summer of 2005. Lennon left them in the BBC studios after The Beatles' last live TV appearance, and they were salvaged by an employee. (thanks, Ryan - Kansas City, MO)This begins with a clip from the French national anthem, "La Marseillaise," written and composed by Claude Joseph Rouget de Lisle in Strasbourg on April 25, 1792. Its original name was "Chant de guerre de l'Armee du Rhin" ("Marching Song of the Rhine Army") and it was dedicated to Marshal Nicolas Luckner, a Bavarian-born French officer from Cham. It became the rallying call of the French Revolution and got its name because it was first sung on the streets by troops from Marseille upon their arrival in Paris. Now the national anthem of France, the song was also once the anthem of the international revolutionary movement, contrasting with the theme of The Beatles song. In the late 1970s, Serge Gainsbourg recorded a Reggae version "Aux Armes et cetera," with Robbie Shakespeare, Sly Dunbar and Rita Marley in the choir in Jamaica, which resulted in him getting death threats from veterans of the Algerian War of Independence. (thanks, Bertrand - Paris, France)Al and Tipper Gore had this song played at their wedding. They married in 1970 and separated in 2010.George Harrison mentioned this in his 1981 song "All Those Years Ago" with the line, "But you point the way to the truth when you say 'All you need is love.'" Harrison's song is a tribute to John Lennon, who was killed in 1980.This was used in the climactic final episode of the UK sci-fi series The Prisoner, and was the entrance music for Queen Elizabeth II during the UK Millennial celebrations of 1999. It was also sung by choirs across the kingdom in 2002 during the Queen's Golden Jubilee celebration. (thanks, Bertrand - Paris, France)In 2007, this was used in an advertising campaign for Luv's diapers with the lyrics changed to "All You Need Is Luv's." While Beatles songs have been used in commercials before, notably "Revolution" in spots for Nike and "Hello Goodbye" for Target, this peace anthem shilling for diapers didn't go over well with fans who thought it sullied The Beatles legacy. The publishing rights to "All You Need Is Love" and most other Beatles songs are controlled by the Sony corporation and Michael Jackson, which means The Beatles cannot prevent a company from re-recording the song and using it in a commercial.When asked what his favorite lyric is during an interview with NME, John Lennon's son Sean replied: "My list of favorite things changes from day to day. I like when my dad said: 'There's nothing you can know that isn't known/ Nothing you can see that isn't shown/ Nowhere you can go that isn't where you're meant to be.' It seems to be a good representation of the sort of enlightenment that came out of the '60s."More songs that use parts of Classical compositionsMore songs with titles that are also a figure of speechAll You Need Is Love by The Beatles is Sampled Interpolated in:All You Need Is Love by The Justified Ancients of Mu Mu | details at WhoSampled.comThe Cliff That Time Forgot by Hirokazu Tanaka | details at WhoSampled.com =Keep It Warm by Flo & Eddie |Why Don't You Eat Carrots by Faust | Elephant Love Medley by Ewan McGregor | details at WhoSampled.comPush It Along by A Tribe Called Quest | details at WhoSampled.comHeadcleaner by Einstürzende Neubauten |Haven't Met You Yet by Michael Bublé | details at WhoSampled.comStrings of Love by Phenomania | details at WhoSampled.comThe Beatles' Movie Medley by The Beatles | details at WhoSampled.comGlass Onion (2006) by The Beatles | details at WhoSampled.comLove Life by The Rutles | details at WhoSampled.comShe Loves You by The Beatles | details at WhoSampled.comRain by The Beatles | details at WhoSampled.comSgt. Pepper's Lonely Hearts Club Band by The Beatles | details at WhoSampled.comLa Marseillaise by Claude Joseph Rouget De Lisle | details at WhoSampled.comIn the Mood by Glenn Miller | details at WhoSampled.comTwo-Part Invention #8 in F by Johann Sebastian Bach | details at WhoSampled.comGreensleeves by Traditional Folk Good Night by The BeatlesComments (106):Here is some additional detail on Keith Moon's presence in the studio and on the video:http://keithmoonmovie.com/keith-moon-records-with-the-beatles Keith Moon, Haskell, NJMike: actually, the song alternates between 7/4 and 8/4 time almost throughout. If you count 1-2-3-4-1-2-3 1-2-3-4-1-2-3 over the first two lines of each verse "There's nothing you can do that can't be done" and "There's nothing you can sing that can't be sung," it fits. The third line of each verse "Nothing you can say but you can learn how to play the game" has you counting 1-2-3-4 1-2-3-4. The chorus stays safely in 8/4 time. Seven time is usually VERY difficult to pull off, and is extremely rare in a song about love. More evidence of the Beatles' incredible talent and accomplishment.The three long wunderful sacral notes "Love love love" have some simlarities with "Vissi d´arte" in Tosca by Puccini, and both pieces are followed by short notes. That indicates that long notes call for attention, and the short notes are describing something. But I am sure, Lennon never listened on Tosca.When Lennon the first time presented the song, George Martin -- who mostly prefered McCartney´s more conventional songs -- leaned to McCartney and muttered: "Well, it´s certainly repetitive" ( "The Beatles"by Bob Spitz, 2005, page 700). Martin didn´t understand that the refrain must be seeminglymonotonous even to the end of the refrain, in order to make the final little step up, more clear and emotional.Johan Cavalli- Johan, Stockholm, SwedenIn the STUDIO version, it is clearly PAUL singing "She loves you, yeah, yeah, yeah" at the end. In the video done for the BBC's "Our World" live telecast , John appears to also sing the famous line.- Tommy G, Scottsdale, AZGlen Miller's estate had to sue the Beatles over the use of "In the Mood", for backdated royalties. The song had not been cleared and properly credited. The Beatles blamed producer George Martin for the error.- P, Lakewood, OHACTUALLY, its both Paul AND John singing the "she loves you" at the end. My proof is if you look closely at the performance on Youtube, you can see both Paul and johns mouth singing.(and no its not them chewing the gum) its both of them singing it but you can hear johns voice more than Paul's.People have called me a hippie for listening to this song, and I look NOTHING like one. This song is 100% hippie, so why was it used in the Moulin Rouge movie which happened between 1899 and 1900. Fourty years before John Lennon was born, or evev Rock, not even Rock's mother was born.(aka Jazz)- Cristian, San Jose, CAMick Jagger was one that sang the chorus.BecausebyThe BeatlesAlbum: Abbey RoadReleased: 1969John Lennon got the idea for this when he heard Yoko to playing Beethoven's "Moonlight Sonata" on the piano. He asked her to play it backwards, and came up with this based on what he heard. John said, "I was lying on the sofa in our house, listening to Yoko play Beethoven's 'Moonlight Sonata' on the piano. Suddenly, I said 'Can you play those chords backward?' She did, and I wrote 'Because' around them. The song sounds like 'Moonlight Sonata,' too. The lyrics are clear, no bulls--t, no imagery, no obscure references."The vocals are a 3 part harmony by Lennon, Paul McCartney, and George Harrison that was overdubbed twice, creating a 9 part harmony. This is the only Beatles song with 3 singers throughout. (thanks to Dwight Rounds, author of The Year The Music Died, 1964-1972)Lennon said the arrangement was terrible, but McCartney and Harrison felt this was the best track on Abbey Road.This was the first use of a Moog synthesizer on any recording. Harrison had the instrument specially made, and did his best to figure it out.The 2006 Love album, which is a soundtrack to the Beatles Cirque du Soleil show of the same name, features an a capella version of this song. The album contains 26 tracks which are made up of 130 separate recordings - some are just a chord or two, and some tracks are superimposed on other tracks. (thanks, Bertrand - Paris, France)More songs that use parts of Classical compositionsBecause by The Beatles is Sampled / Interpolated in:The Alchemist by Goldie Lookin ChainBecause by Evidence | details at WhoSampled.comFool on the Hill (2006) by The Beatles | details at WhoSampled.comChild of the Jago by Lukid | details at WhoSampled.comOld Is New by Negativland | details at WhoSampled.comComments (81):in October 2012 a book with Lennon's letters - "John Lennon Letters" - was released. And there Lennon "smacks the producer George Martin for giving McCartney too much credit for some of the songwriting".Two years after the split, 1971, McCartney said about the music, that "it was all mine" (!!) despite the fact that in the total Beatles production, Lennon - according to Ian MacDonald - composed some songs more than McCartney! All those points is an interesting thing for media scholars.- Johan, Stockholm, SwedenThe last time the four Beatles were together in the studio, was when they made "Because", August 1969. Some weaks after that, Lennon left the Beatles. He could no longer bear that McCartney got the credit of all what he composed. See the long interview with Lennon from 8th of December 1970. And the end of the Chapter "Paul Grinds Pepper" about the impression McCartney wanted to give, and the Chapter "The Beatles Go Broke" about most people thoughtit was all Paul, in Albert Goldman´s book about Lennon.See even Article by Ned Rorem in "New York Review of Books" January 1968,"Readers Digest" about the Beatles 1968, and "The Penguin Stereo Record Guide"first edition. In all these, McCartney is appointed the only composer in the Beatles- Johan, Stockholm, SwedenLennons composition "Because" is really a masterpiece. This harmony singing song has some similarities with the madrigal "Il bianco e dolce cigno" by Jacob Arcadelt from the mid-1530 s. But I am sure, Lennon has never listened to it. Johan, Stockholm, SwedenExcuse me but the monkees are spelled with two e's. Not a y!- Olivia, Philadelphia, PAthat's funny, i always read that george harrison's "wonderwall music" album was the first pop record to have a moog on it. which, peter tork of the monkeys plays banjo on. i assume this is where the monkey's got the idea to use a moog on their "Pisces Aquarius Capricorn Jones Ltd." album.- ron, santa barbara, CAThis song helps to prove why side 2 of Abbey Road is the best rock music ever made!the harmonies on this song is the best i have heard everYes - I see the immediate connection between the Bach piece you mentioned and 'Because.' Even more of a connection than "Moonlight Sonata backwards" that gets thrown about sometimes. The timing of the Bach piece is more similar too - notes in groups of 4 rather than in groups of 3 like Moonlight. Great connection Rueben of Amsterdam. The thread of Love that the Beatles so "effortlessly" wove from Day 1 until Day done is an undeniably wonderfulbody of work - and I'm so glad that George, Paul and Ringo saw fit to make sure the Anthology and remasterings etc. have responsibly gone on. Any money this stuff has generated for the remaining Beatles is Love money. No where near Wallstreet, War, or any other form of blood money. The more Beatle noises out there - the better psychological condition the human race will find itself in, in 300-400 years. Right alongside, Bach, Haydn, Mozart, Schubert, Brahms, Beethoven ... this is miracle medicine at its best.I also love the song. It sounds a lot like Bach's guitar piece 'Prelude in C major'. Check it out.I learned the entire guitar chord arpeggios throughout (George's guitar part in C#m) - and one notices Georges incredible pinky finger reaching ability - something he also used for the F# major clustered 2nd chord in "With a Little Help from my Friends" up the neck. Because reminds me of deep Summer... 3 Beatles singing 3 times each is bound to spell-bind. Listen to George's chordal hints in "It Won't be Long" bridge ... just a great sense of harmony without giving away too much, ever - just hints and allegations of the infinite... never in your face.- Jack, Ames, IAJonathan, Jonathan, Jonathan...from PA-----Please, do me a favor....smoke a big fat one, wait 20 minutes, then play the song again...now there, isn't it a beautiful song?- Given, Los Angeles, CAThis is my favorite song from Abbey Road and I think it is the best example of harmonies The Beatles ever offered to the world!- Christy, Morristown, TNIf you listen to 'I'm Mandy Fly Me' by 10CC (the bit when they say 'the world is spinning like a ball, & then it wasn't there at all'), you can hear the influence of 'Because'. - Howard, Wakefield, United KingdomAlso, some people tend to get part of the lyrics wrong. It says 'Love is old, love is new' and then 'Love is all, love is you'. For some reason, a lot of people get that part mixed up. If you pay enough attention in the song, it's evident. c:And, has anyone actually researched it and found out if it actually is the chord progression backwards? In order to clear up the 'pun' thing...Because the world is round, it turns me on:All right, the world spins around on the axis, right? It turns.Because the sky is blue, it makes me cry:The sky is blue. Blue can also mean sad. What do people do when they're sad? They cry (not everyone, but it's just a point).Because the wind is high, it blows my mind:People often say the wind is blowing hard outside. That's where they get the word 'blow' from.I'm not sure exactly what is meant in the lyrics, but those are the so-called 'puns' in them.- Roxu, Washington D.C., DCFrom what I have read, this song is not Moonlight Sonata 'backwards' but the chord progression in reverse.British Singer-Songwriter, Lynsey de Paul, did a great cover of this song on the soundtrack to the film "All This and World War II". She was Ringo's girlfriend around the time and also a good friend of George Harrison.Check out the version from Pedro Aznar, an argentinian musician.I thought it was McCartney who asked Yoko to play the Sonata backwards...Hello Muddah, Hello FaddahbyAllan ShermanAlbum: My Son The NutReleased: 1963Charted:214Send "Hello Muddah, Hello Faddah" Ringtone to your CellThe music is based on the 1876 Ponchielli opera "Dance Of The Hours."Sherman wrote the lyrics, which are a comical letter from a boy at camp.Sherman was a writer on The Steve Allen Show and created the game show I've Got a Secret. He went on to record comedy albums. (thanks, Edward Pearce - Ashford, Kent, England)This was used in commercials for Downy fabric softener. The letter from camp explained how he missed home because the pillow cases weren't washed in Downy.This played at the end of the 1993 movie Indian Summer while Stick Coder (Sam Raimi) sat looking at the camera and the credits ran. The movie is about adults returning to a camp "Tamakwa" they attended as kids. The movie stars Matt Craven, who also played a camp counselor in training (CIT) in the 1979 movie Meatballs, which is also about camp. (thanks, Mike - Mountlake Terrace, Washington)Send "Hello Muddah, Hello Faddah"More Allan Sherman songs More novelty songsComments (11): When I first heard the group Lynyrd Skynyrd I thought it was Leonard Skinner and that maybe they got their name from the line in this song "You remember Leonard Skinner". I later learned that it was the name of a high school teacher they knew. Randy, Houghton Lake, MI This music was also used in 1962 on a Maureen Evans song,"Like I Do". Nice song. I don't think Ms Evans ever scored again. Only thing is I think of Allen Sherman everytime I hear it!Allan Sherman was the voice of the Cat in the Hat (Cartoon based on Dr. Seus books).Although I never went to camp as a kid (that was way back in the early 1950s), I have been told about how bad it was. It's probably much nicer now because they probably don't have ex-drill sergeants running the place with warmed-up moist dog food as "chow" in the "mess hall".- Darrell, EugeneThis was also parodied in a commercial for Advantage flea control products in which a young puppy sings thanking mom for sending some Advantage in her last care package to puppy camp.Hello Mudduh, Hello Fadduh is a true comedy classic. It's the song that put Allan Sherman on the map after his successful album My Son the Folksinger.you cant forget that Sam Raimi directed Evil Dead, Evil Dead 2 and ArmyColour My WorldbyChicagoAlbum: Chicago IIReleased: 1970Charted:7This was written by Chicago's trombone player, Jimmy Pankow, and sung by Terry Kath. After Kath's death in 1978, the band did not play this song for several years. It became a concert favorite once again, with Bill Champlin singing it when they started playing it again. Robert Lamm sings it now. (thanks, Dave - Pomeroy, OH)On The Chris Isaak Hour, Pankow explained: "It's a small segment of a multi-movement piece on our second album which is basically a tribute to my first love. I had been listening to Bach - the Brandenburg Concertos, and they had all those arpeggiated melodies. I sat at a piano and started messing around with these arpeggios. That cycle of arpeggios became the foundation of the song.Frank Sinatra called our publicist and said, 'Ask that kid to write another verse for that song.' I thought about it, I called him back and said I can't do it - it's like sewing another arm on your kid, I can't do it."Walter Parazaider, who was primarily a sax player in the band, played the flute on this track.Send "Colour My World" Ringtone to your CellChicago ArtistfactsMore Chicago songsMore songs that use parts of Classical compositionsMore songs featuring flutesComments (34):I have to make an observation about the late Terry Kath's singing, and I'm honestly not trying to stereotype here.I had heard their music for years, long before I ever saw any footage of them performing, and I really believed that the guy with the magnificent gruff bass voice singing on the likes of "Make Me Smile" and "Colour My World" was a black guy.Imagine my surprise when I discovered that Terry Kath was a white guy.I've heard it elsewhere that Terry was affectionally called the "White Ray Charles," which nicely supports this personal story.The man sure had it going on...excellent guitarist, and he could sing his a$$ off.So sad that we lost him so young, and Chicago -- while still good -- never was the same after his loss.- oldpink, Farmland, INMy heart just melted when it was played on Parenthood. Terry Kath has such an incredible voice. He WAS NOT playing russian roulette. His face wasn't injured, his body of work is incredible, and after all this time he is still deeply missed. His daughter Michelle, is doing a movie about him. I look forward to it. He took his sandals off during a recording session so he wouldn't make any noise because he walked around so much while he played.The difference of time, time passages as how we visualize are escape. as dreams happen, hope is realized thru speech, art, gratitude and emotions- Kimberly, Landing, NJBeautiful song sung by the late terry kath. Chicago was never the same after his accidental death in 1978. RIP terry. 9/14/10 - James, yucaipa, CAJohn, just did listen to them together, and they have similar style, BUT, they both are "Cycles of Arpeggios", which Jimmy Pankow freely admits to borrowing from Bach and the Brandenburg Concertos. I believe Bach preceded both Pankow and McCall.- Ryons, Melbourne, FLI am not doubting that they may have wrote the lyrics but if you listen to the music the song was actually taken from Toussaint McCall's song Nothing Takes The Place Of You. Listen to the piano and drums in the background and then play it side by side with chicago. Only thing is the tempo is different.- John, Houston, TXI see one of the earlier posters here, Tammy, used this in her own wedding. Well, I'm a guy, and I always loved this song, and I intend to see if I can get it in my own wedding somewhere, too.- oldpink, New Castle, INWhen choosing a singer for "Colour my World" none of the guys wanted to sing it so they drew straws and Terry got the short one, the rest is lovely history. No other voice, face or total talent could've done this song justice. Chicago needs to release videos of all Kath years concerts and jam sessions. The new Chicago is a shell without Terry Kath- penny, fort wayne, INMy bridesmaids walked in to Colour My World when I got married for the first time in 1976,wearing pastel dresses in different colors, it was the most beautiful part of the wedding, I've always loved the song even though the marriage didn't work.-Tammy, Dallas, Or.- Tammy, Dallas, ORWalt Parazaider and his flute on this is some of the best for rock and roll pop. Walt has been married to his wife since the beginning and still is....Good for you Parazaider!Peter Cetera may have had the best vocals in the band, but im my opinion, Jimmy Pankow was the best songwriter!- Spence, Brooklyn, NYyou don't play Russian Roulette with a 9mm semi-auto. He was apparently goofing around with a .38 pulling the trigger like he was playing RR. Then picked up a 9mm ... Showed his friends the empty clip but didn't check the chamber for a live round.One of the band members walked in and said quit playing with that gun and he said it's not loaded see!!! and put it to his head and it went off. There was a bullet still left in the chamber. It was an accidentDid you ever notice that the drummer missed a beat at 1:09? There is no snare-drum beat during the vocal part, "just what you mean to me". I wonder what happened.Yes, it's very short, simple, and sentimental.And, yet, it is also beautiful.Kath's mellow baritone vocals are wonderful, and a nice contrast to the overblown falsetto that was almost a requirement for a rock singer at that time.Then, that nice flute piece, just MAKES the song.I also know a woman who can play that on her own flute, and she says it is not an easy piece, since it is on the lower end of the scale, requiring considerably more breath to pull off onn an instrument that already requires quite a lot of lung power.Wonderful work.A Groovy Kind Of LovebyThe Mindbenders Album: A Groovy Kind Of LoveReleased: 1966Charted:22The music is based on the Rondo from "Sonatina in G Major" by Muzio Clementi.This was written by New York songwriters Carole Bayer Sager and Toni Wine. Sager was 22 when they wrote it, and Wine was 17. They wrote the song for Screen Gems publishing, and Jack McGraw, who worked at Screen Gems' London office, thought the song would be perfect for the British group The Mindbenders. The song became a huge hit in England, and was released in America a year later, where it was also very successful.Sager was still teaching high school when she wrote this, and Wine was still in high school. Both went on to very successful careers in the music industry, with Sager writing popular songs for stage productions and movies (including "Arthur's Theme (Best That You Can Do)"), while Wine wrote the hit "Candida" and sang on many famous songs, including Willie Nelson's version of "Always On My Mind" and "Sugar, Sugar" by The Archies. They wrote this in Sager's apartment.In our interview with Toni Wine, she explained: "We were talking about 'Groovy' being the new word. The only song we knew of was 59th Street Bridge Song, Paul Simon and Art Garfunkel. You know, 'Feelin' groovy.' And we knew we wanted to write a song with that word in it. Because we knew it was the happening word, and we wanted to jump on that. Carole came up with 'Groovy kinda... groovy kinda... groovy...' and we're all just saying, 'Kinda groovy, kinda groovy, kinda...' I don't exactly know who came up with 'Love,' but it was 'Groovy kind of love.' And we did it. We wrote it in 20 minutes. It was amazing. Just flew out of our mouths, and at the piano, it was a real quick and easy song to write. Those are incredible things when those songs can get written. Like some you can just be hung on for so long, and then others just happen very quickly. And that was one of them. And it's been so good to us."In 1966, this was also recorded by Patti LaBelle And The Bluebelles, but the version recorded by The Mindbenders, who released it as their first single without lead singer Wayne Fontana, became the hit.Wayne Fontana left the Mindbenders after numerous singles failed to chart after their hit "Game of Love." To quote an angry Eric Stewart after Wayne just walked off the stage while they were playing: "All we lost was our tambourine player. Wayne had been threatening to leave the band for some time and drummer Ric Rothwell had reached the end of patience with his groaning an moaning. Ric was urging him to take his ego trip and p--s off." (thanks to Shiloh Noone, author of Seekers Guide To The Rhythm Of Yesteryear)This was a #1 UK and US hit for Phil Collins in 1988. His version was used in the movie Buster, where Collins plays the title role of Buster Edwards. Collins put together the soundtrack using various '60s songs. A child actor, Collins was wary about taking a movie role after becoming famous as a musician, and he made sure the song didn't appear until the end of the film so musical perceptions wouldn't taint his performance.____
ate: Thu, 14 Nov 1996 14:48:16 -0500From: Andrew RogersSubject: ./b/bennett_tony/shadow_of_your_smile.crd"The Shadow Of Your Smile"(Johnny Mandel - P.F. Webster)Intro:Gadd2 Gsus4add2 [kbd r.h. voicings: A-B-D-G, A-C-D-G]Gadd2 Gsus4addAOne day we walked along the sandGadd2 Gadd#4 Gsus4add2 [Gadd#4: G-B-C#-D]One day in early SpringC#m7 F#m7 Bm9You held a piper in your handBm9 E7 Asus4 Aadd2 [Bm9: F#-A-C#-D; Aadd2: B-C#-E]To mend it's broken wingGm A7+5 Dm7 Dm7/CNow I'll remember many a dayBm7-5 E7-9-5 Am9And many a lonely mileAm7 Cm6 Bm7 Em7 [r.h: F#-B-D]The echo of a piper's songAm9 D9 Gsus4 Bsus4The shadow of your smileVerse 1:F#m7The shadow of your smileB13 B7-9+5 Em9 A13When you are goneAm7Will follow all my dreamsD13 D7-9+5 Gmaj9 C6/9And light the dawnF#m7-5 B7-9-5 B7-9 Em7 Em9/DLook into my eyes my love and seeC#m7-5 F#13 F#7-9+5 F#m7 B13All the lovely things you are to meVerse 2:Em7 F#m7Our wistful little starB13 B7-9+5 Em9 A13#11Went far too highAm7 D9 D7-9/C Bm7-5A teardrop kissed your lips and so did IE7-9-5 E7-9 Am7 Cm7Now when I remember SpringF9 Bm7 F9All the joys that love can bringE13 E7-9+5 A9 Eb9-5I will be rememberingAm11/D Am7-5/D [G]The shadow of your smileCoda:[string tag which I haven't transcribed yet][final chord sounds like a polychord: G major in the left hand,A major in the right, with vibes adding a high G# on top]The Candy Man Chords by Sammy Davis JrArtist: Sammy Davis JrSong: The Candy ManCandy Man-Sammy Davis Jr.Tabbed By: Andy Anderson(Put that good ol' capo on the 1st)EWho can take a sun riseBSprinkle it with dooA ECover it in chocolate and a miracle or twoAThe Candy ManEThe Candy Man canB AThe Candy man can because he mixes it with love and makes theEworld taste goodEWho can take a rainbowBWarp it in a sighA ESoak it in the sun and make a strawberry pieAThe Candy ManEThe Candy Man canB AThe Candy man can because he mixes it with love and makes theEworld taste goodA EThe candy man makes everything he bakesC#m ESatisfying and deliciousA ENow you talk about good childhood wishesA BYou can even eat the dishesEWho can take tomorrowBDip it in a dreamA ESeparate the sower and collect all the crameAThe Candy ManEThe Candy Man canB AThe Candy man can because he mixes it with love and makes theEworld taste goodA EThe candy man makes everything he bakesC#m ESatisfying and deliciousA ETalk about your childhood wishesA BYou can even eat the dishesEWho can take tomorrowBDip it in a dreamA ESeparate the sower and collect all the crameAThe Candy ManEThe Candy Man canB AThe Candy man can because he mixes it with love and makes theEworld taste goodB AThe Candy man can because he mixes it with love and makes theEworld taste goodSammy Davis Jr. was a member of the Rat Pack with Frankie
Ella Fitzgerald — Love Is Here To Stay Tab by GershwenIt's pretty straight forward I hope.Bb7 F9It's very clearF-7 Bb7 Eb F-7our love is here to stay.Bb7 F7Not for a year,F-7 Bb7 Db9 C9 F7but ever and a day.Bb7 C7 F-7The radio and the telephoneBb7 Ebmaj7 Ab F-6And the movies that we knowG7 Cm F7 F-7 Bb7May just be passing fancies and in time may go.F9But, oh my dear,F-7 Bb7 Eb F-7Our love is here to stay.Bb7 F7Together wereF-7 Bb7 Db9 C9 F7going a long, long way.Bb7 C7In time the rockies may crumble,F-7 Bb7 Db9Gibraltar may tumble,C7 Abthey're only made of clay.1. 2.Cdim Eb F-7 Bb9 [Eb6 Bb7] [Eb7]But our love is here to stay.Bing Crosby — Its Been A Long Long Time TabC C/B Am7 Am7/GKiss me once and kiss me twice and kiss me once againG C Edim G7It's been a long, long time.Dm Dm+7 Dm7 Dm6Haven't felt like this, my dear, since can't remember whenDm7 G9 CIt's been a long, long time.G Em7 Em7-5 A7sus4 A7You'll never know how many dreams I've dreamed about you,Dm7 Dm7-5 G7sus4 G7Or just how empty they all seemed without you,C C/B Bm7-5 A7So kiss me once and kiss me twice and kiss me once againDm7 Fdim Em7-5 A7 It's been a long, long time Dm7 Fdim C It's been a long, long time,____
RTIST: 10 CC TITLE: The Things We Do for LoveLyrics and ChordsToo many broken hearts have fallen in the riverToo many lonely souls have drifted out to seaYou lay your bets and then you pay the priceThe things we do for love, the things we do for love/ Bm - G - / D - E - / G - F#sus4 / GA D G D /Communication is the problem to the answerYou've got her number and your hand is on the phoneThe weather's turned and all the lines are downThe things we do for love, the things we do for loveLike walking in the rain and the snow when there's nowhere to goWhen you're feeling like a part of you is dyingAnd you're looking for the answer in her eyesYou think you're gonna break upThen she says she wants to make up/ D - - - / Em - A - / Bm - G E / A F#m Bm Gm /Ooh you made me love youOoh you've got a wayOoh you had me crawling on the floor/ Ebsus4 Eb / / Ebsus4 Eb Db9 - /A compromise would surely help the situationAgree to disagree but disagree to partWhen after all it's just a compromiseOf the things we do for love, the things we do for loveThe things we do for loveSitting on the Dock of the Bay Otis Reddingintro G G G GG BSitting in the morning sunC AI'll be sitting when the evening comesG BWatching the ships roll inC AAnd I watch 'em roll away a gainRefrainG E7 - G E7Sitting on the dock of the bayWatching the tide roll a wayG A7I'm just sitting on the dock of the bayG E7Wasting timeG B - C AI left my home in Georgia Headed for the 'Frisco bayG E - C A'Cause I had nothin to live forAnd look like nothing's gonna come my waySo I'm just... RefrainG D C7Look like nothing's gonna changeG D C7Every thing still remains the sameG D C7 GI can't do what ten people tell me to doF DSo I guess I'll re main the same__D Dmaj7And now, the end is near,D7 B7And so I face the final curtain,Em7 Em7/DMy friend. I'll say it clear,Em7/Db A7 DI'll stay my case of which I'm certain.D D7I've lived a live that's full.G GmI traveled each and every highway,D A Asus4 D#maj7/D DAnd more, much more than this, I did it m…………….y way.D Dmaj7 - D7 B7Regrets, I've had a,But then again, too few to mention.Em7 Em7/DI did what I had to do,Em7/Db A7 DAnd saw it thru without exemption.D D7 - G GmI planned each charted course,Each careful step along the byway,D A Asus4 D#maj7/D DAnd more, much more than this, I did it m___...y way.D D7Yes there were times, I'm sure you knew,G Gsus4 GWhen I bit off more than I could chew,Em A7But thru it all, when there was doubt,F# Bm7I ate it up, and spit it out.Em AI faced it all, and I stood tall,Asus4 D#maj7/D DAnd did it m___...y way.I've loved, I've laughed and cried.I've had my fill; my share of losing.And now, as tears subside, I find it all so amusing.To think I did all that; And may I say - not in a shy way,"No, oh no not me, I did it m___y way".For what is a man, what has he got?If not himself, then he has naught.To say the things he truly feels;And not the words of one who kneels.The record shows I took the blows -And did it m___y way!Try To Remember- Harvey Schmidt (lyrics by Tom Jones from the 1960 musical Fantasticks, Jerry Orbach singing version original off Broadway production of The Fantasticks 1962)G Am 2xG Em Am D7Try to remember, the kind of September,G Em Am D7when life was slow and oh, so mellow.G Em Am D7Try to remember, the kind of September,G Em Am D7when grass was green and grain was yellow.Bm Em Am D7Try to remember, the kind of September,G Em Am D7when you were a tender and callow fellow.G Em Am D7Try to remember, and if you remember,G then follow.G Em Am D7Try to remember, when life was so tender,that no one wept, except the willow.Try to remember, when life was so tender,that dreams were kept, beside your pillow.Bm Em Am D7Try to remember, when life was so tender,G Em Am D7that love was an ember, about to billow.G Em Am D7Try to remember, and if you remember,G then follow.G Em Am D7Deep in December, it's nice to remember,although you know, the snow will follow.Deep in December, it's nice to remember,without a hurt, the heart is hollow.Bm Em Am D7Deep in December, it's nice to remember,G Em Am D7the fire of September, that made us mellow.G Em Am D7Deep in December, our hearts should remember,G Em G Em Gand follow, follow, follow, follow, follow . . .___The Way U Look ToniteThe Way You Look Tonight - Words/Music- Dorothy Fields & Jerome Kern (1936)Recorded by The Lettermen (1961)Transcribed on Jan 11, 2004 by Ian C.T. vom SaalQuestions or Comments . . . ianvomsaal@yahoo.com-----------------------------------------------------The Way You Look TonightCHORDS:C - 032010 C7 - 032310 Gdim - xx2323Am7 - 002010 F6 - xx3231 Fm7 - 131111Dm7 - x00211 *Cdim - 004545 F7 - 131211Dm#7 - x00221 Dm - x00231 Bm7b5 - 023230G7 - 320001 Gsus4 - 330013 E7 - 020130C/B - 020010 Fdim - xx0101Am7/G - 302010 CM7 - 332000-------------------------------------------------------C Am7 Dm7 Dm#7 G7Some-day, when I'm awfully low,C C/B Am7 Am7/GWhen the world is coldDm7 G7 C C7I will feel a glow just thinking of youF6 G7 C Am7 Dm7 G7And the way you look tonight.*Cdim C Am7 Dm Dm7 G7You're love-ly, with your smile so warmC C/B Am Am7/GAnd your cheek so soft;Dm Dm#7 Dm7 Gsus4 C C7There is nothing for me but to love youF6 G7 C Fdim CJust the way you look tonight.-----------------------------------------BRIDGE:CM7 Gdim Fm7 Bbadd9With each word your tenderness grows,CM7 Am7 F7 GTearing my fear apart;CM7 A7 Fm7 Bbadd9And that laugh that wrinkles your noseC Bm7b5 E7 G7Touches my foolish heart.----------------------------------------------*Cdim C Am7 Dm Dm7 G7You're love-ly...never, never change,C C/B Am7 Am7/GKeep that breathless charm;Dm Dm#7 Dm7 G7 C C7Won't you please arrange it 'cause I love youF6 G7 C Am7 F6 G7Just the way you look tonight,--------------------------------------------------CODA:F6 G7 C Fdim CJust the way you look tonight.___
Easy ListenIT'S IMPOSSIBLE:Elvis Presley. 1970.#1.
G G6 GM7 G6
It's impossible, tell the sun to leave the sky,
F#m7-5 B7
It's just impossible.
B7 Em Dm7 G7
It's impossible, ask a baby not to cry,
Bm7-5 E7
It's just impossible.
E7 Am7 Cm7 F9
Can I hold you closer to me,
G D7b9
And not feel you going through me,
Am7 A7
split the second that I never think of you?
Am7 D7 Am7 D7
Oh, how impossible.
#2.
D7 G G6 GM7 G6
Can the ocean keep from rushing to the shore?
F#m7-5 B7
It's just impossible.
B7 Em Dm7 G7
If I had you could I ever ask for more?
Bm7-5 E9
It's just impossible.
Am7 Cm7 F9
And tomorrow, should you ask me for the world,
G D7b9
Somehow I'd get it, I would sell my very soul,
Am7 C7b9
And not regret it for to live without your love
G6 G
Is just impossible.
REPEAT #2.
ADD:
G6 Em7 Am7 C7b9 G6 C9 GM9
It's impossible, impossible, mmmm.......impossible.
#1.
F F6 FM7 F6It's impossible, tell the sun to leave the sky,
Em7-5 A7It's just impossible.
A7 Dm Cm7 F7It's impossible, ask a baby not to cry,
Am7-5 D7It's just impossible.
D7 Gm7 Bbm7 Eb9Can I hold you closer to me,
F D7b9And not feel you going through me,
Gm7 G7split the second that I never think of you?
Gm7 C7 Gm7 C7Oh, how impossible.
#2.
C7 F F6 FM7 F6Can the ocean keep from rushing to the shore?
Em7-5 A7It's just impossible.
A7 Dm Cm7 F7If I had you could I ever ask for more?
Am7-5 D9It's just impossible.
Gm7 Bbm7 Eb9And tomorrow, should you ask me for the world,
F D7b9Somehow I'd get it, I would sell my very soul,
Gm7 C7b9And not regret it for to live without your love
F6 FIs just impossible.
REPEAT #2.
ADD:
F6 Dm7 Gm7 C7b9 F6 Bb9 FM9It's impossible, impossible, mmmm.......impossible.
Gm7 Bbm7 Eb9And tomorrow, should you ask me for the world,F D7b9Somehow I'd get it, I would sell my very soul,Gm7 C7b9And not regret it for to live without your loveF6 FIs just impossible.REPEAT #2.ADD:F6 Dm7 Gm7 C7b9 F6 Bb9 FM9It's impossible, impossible, mmmm.......impossible.The Shadow Of Your Smile:Andy Williams.Album - The Shadow Of Your Smile - #27 in UK and #6in USA in 1966.#1.Gm Am D7 GmThe shadow of your smile when you are gone,Cm F A# Gwill color all my dreams and light the dawn.Cm D7 GmLook into my eyes, my love, and see..A Am D7all the lovely things you are, to me.#2.D7 Am D7 GmOur wistful little star....was far too high,Cm F Fm Ga teardrop kissed your lips, and so did I.CHORUS:Cm F A# GNow when I remember spring..all the joy that love can bring,Cm F F7 A#I will be remembering....the shadow of your smile.#3.D7 Am D7 GmOur wistful little star....was far too high,Cm F Fm Ga teardrop kissed your lips, and so did I.CHORUS:Cm F A# GNow when I remember spring, all the joy that love can bring,Cm F F7 A#I will be remembering....the shadow of your smile.Love Is Blue:Andy Williams. Topped the charts in '68.INTRO: Dm G (x4)#1.Dm G C FBlue, blue, my world is blue,Dm Bb C FBlue is my world now I'm without you.Dm G C FGray, gray, my life is gray,Dm Bb A Dm (Dm G x2)Cold is my heart since you went away.#2.Dm G C FRed, red, my eyes are red,Dm Bb C FCrying for you alone in my bed.Dm G C FGreen, green, my jealous heart,Dm Bb A Dm (Dm G x2)I doubted you and now we're apart.CHORUS:D G D G DWhen we met how the bright sun shone.Bm Em A D (Dm G x2)Then love died, now the rainbow is gone.#3.Dm G C FBlack, black, the nights I've known,Dm Bb C FLonging for you so lost and alone.Dm G C FGone, gone the love we knew,Dm Bb A Dm (Dm G x2)Blue is my world now I'm without you.CHORUS:REPEAT#1.Notes: Original key sounds like Bbm but it's easier for guitar fingering to play in Am. Of course you can use capo on 1st fret if you want to play in Bbm.If you are not experienced with "complex" chords don't worry - they are not always more difficult to play just because they have long names. Don't skip over them -they are what makes the song sound so good! Below are the chord positions I use. The hardest finger stretch is on Bbm7/Ab (Bbm7 with Ab in the bass)Use little finger for the Ab bass.X = MUTEAm Bdim Am7/G F E7 A A7e|-----0------1------0--------1-------0------0------0---------------|B|-----1------0------1--------1-------0------2------2---------------|G|-----2------1------0--------2-------1------2------0---------------|D|-----2------0------2--------3-------0------2------2---------------|A|-----0------X------X--------3-------2------0------0---------------|E|-----X------X------3--------1-------0------X------X---------------|Dm7 G7 Cmaj7 Fmaj7 B7 Bbm Ebdim Bbm7/Ab F7e|-----1------1------0-------0--------2----1-----2-----1---------1-----B|-----1------0------0-------1--------0----2-----1-----2---------1-----G|-----2------0------0-------2--------2----3-----2-----1---------2----D|-----0------0------2-------3--------1----3-----1-----3---------1----A|-----X------2------3-------X--------2----1-----X-----X---------3----E|-----X------3------X-------X--------X----X-----X-----4---------1-----Am BdimWhere do I begin, to tell the story of how great a love can beAm Am7/GThe sweet love story that is older than the seaF E7The simple truth about the love she brings to meAmWhere do i start.Am BdimWith her first hello she gave a meaning to this empty world of mineAm Am7/GThere'd never be another love another timeF E7She came into my life and made the living fineE7 A A7She fills my heart . . .A7 Dm7 G7 Cmaj7She fills my heart with very special things, with angel songsFmaj7 E7 AmWith wild imaginings, she fills my soul with so much loveAm Dm7 G7 Cmaj7 Fmaj7That anywhere I go Im never lonely with her along who could be lonelyB7 E7 . . .I reach for her hand it's always thereAm BdimHow long does it last, can love be measured by the hours in a dayAm Am7/GI have no answers now but this much I can sayF E7 AmI know I'll need her till the stars all burn away and she'll be there.(Now there is a key change - everything goes up one fret. Brilliant!)Bbm EbdimHow long does it last, can love be measured by the hours in a dayBm Bbm7/AbI have no answers now but this much I can sayF# F7 BmI know ill need her till the stars all burn away and she'll be there ENDIntro:C Cmaj7Verse 1:CYou're just too good to be trueCmaj7Can't take my eyes off youC7You feel like Heaven to touchFI wanna hold you so muchFmAt long last love has arrivedCAnd I thank God I'm aliveD7/C Dm7b5/CYou're just too good to be trueCCan't take my eyes off youVerse 2:CPardon the way that I stareCmaj7There's nothing else to compareC7The sight of you makes me weakFThere are no words left to speakFmBut if you feel like I feelCPlease let me know that it's realD7/C Dm7b5/CYou're just too good to be trueCCan't take my eyes off youTransition: Dm7 G C Dm7 G C A7Chorus:Dm7I love you, babyGAnd if it's quite alrightCmaj7I need you, babyA7To warm the lonely nightsDmI love you, babyG C A7Trust in me when I say:Dm7Oh, pretty babyGDon't bring me down, I prayCmaj7Oh, pretty baby,A7now that I found you, stayDm7And let me love you, babyGLet me love youVerse 3 (Same as Verse 1):CYou're just too good to be trueCmaj7Can't take my eyes off youC7You'd be like Heaven to touchFI wanna hold you so muchFmAt long last love has arrivedCAnd I thank God I'm aliveD7/C Dm7b5/CYou're just too good to be trueCCan't take my eyes off youTransition: Dm7 G C A7Chorus:Dm7I love you, babyGAnd if it's quite alrightCmaj7I need you, babyA7To warm the lonely nightsDm7I love you, babyG C A7Trust in me when I say:Dm7Oh, pretty babyGDon't bring me down, I prayCmaj7Oh, pretty baby,A7now that I found you, stayDm7Oh pretty babyG C (To Fade) A7Trust in me when I say_My Funny Valentine:Andy Williams. Recorded in 1966.(Someone requested this one for Valentine's Day.)#1.C#m G# C#m G#My funny Valentine, sweet, comic Valentine,A C#m A F#m G#you make me smile with my heart.C#m G# C#m F#Your looks are laughable, unphotographable,A F#m G#m Ayet you're my favorite work of art.CHORUS:E F#m E F#mIs your figure less than Greek?E F#m E F#mIs your mouth a little weak?G#m C#m A F#m G#When you open it to speak, are you smart?#2.C#m G# C#m F#But don't change a hair for me, not if you care for me,A F#m G# C#m E7Stay, little Valentine, stay..A B E F#m E F#mEach day is Valentine's day.(ORCHESTRAL INTERLUDE:)CHORUS:E F#m E F#mIs your figure less than Greek?E F#m E F#mIs your mouth a little weak?G#m C#m A F#m G#When you open it to speak, are you smart?#3.C#m G# C#m F#But don't change a hair for me, not if you care for me,A F#m G# C#m E7Stay, little Valentine, stay..A B E F#m EEach day is Valentine's day.___
Jason Mraz — Details In The Fabric TabHey guys, this is my first submission. I'm a big fan of Jason Mraz and i play thisof his live versions. If there's anything wrong then please let me know. Just mailme @: muso_a@live.comSo here goesCapo 5th fretIntroC Em7CCalm downEm7Deep breathsC Em7And get yourself dressed insteadCOf running aroundAnd pulling on your threadsGAnd breaking yourself upCIf it's a broken part, replace itEm7If it's a broken arm, then brace itAmIf it's a broken heart, then face itCAnd hold your ownEm7Know your nameAmAnd go your own wayCAnd hold your ownEm7Know your nameAmAnd go your own wayEm7 F GAnd everything will be fineCHang onEm7Help is on the wayCAnd stay strongEm7I'm doing everythingCAnd hold your ownEm7Know your nameAmAnd go your own wayCAnd hold your ownEm7Know your nameAmAnd go your own wayEm7 F G FAnd everything, everything will be fineGEverythingCAre the details in the fabricEm7Are the things that make you panicAmAre your thoughts results of static cling?CAre the things that make you blowEm7Hell, no reason, go on and screamAmIf you're shocked it's just the faultAmOf faulty manufacturing.G FEverything will be fineG FEverything in no time at allEm7EverythingCAnd hold your ownEm7Know your nameAmAnd go your own wayCAre the details in the fabricEm7Are the things that make you panicAmAre your thoughts results of static cling?CAre the details in the fabricEm7Are the things that make you panicAmIs it Mother Nature's sewing machine?CAre the things that make you blow (Hold your own, know your name)Em7Hell no reason go on and screamAmIf you're shocked it's just the fault (Go your own way)AmOf faulty manufacturingG FEverything will be fineG FEverything in no time at allGHearts will holdDetails In The Fabric- Jason Mraz (We sing, we dance, we steal things/ Jason Mraz / / The Remedy (I Won't Worry) //________________________________/
Chords:
intro/chorus/bridge verse final pre‐chorus
Gm Eb Bb F Dm G C F Bb Bb Eb Ab C#
e:‐‐‐3‐‐‐‐‐‐‐‐‐6‐‐‐‐‐‐‐‐‐‐5‐‐‐ ‐‐‐3‐‐‐‐‐‐‐‐‐1‐‐‐‐‐‐‐‐ ‐‐‐6‐‐‐‐‐‐‐‐‐4‐‐‐‐‐‐‐‐‐:
B:‐‐‐3‐‐‐‐8‐‐‐‐6‐‐‐‐10‐‐‐‐6‐‐‐ ‐‐‐3‐‐‐‐5‐‐‐‐1‐‐‐‐3‐‐‐ ‐‐‐6‐‐‐‐8‐‐‐‐4‐‐‐‐6‐‐‐‐:
G:‐‐‐3‐‐‐‐8‐‐‐‐7‐‐‐‐10‐‐‐‐7‐‐‐ ‐‐‐4‐‐‐‐5‐‐‐‐2‐‐‐‐3‐‐‐ ‐‐‐7‐‐‐‐8‐‐‐‐5‐‐‐‐6‐‐‐‐:
D:‐‐‐5‐‐‐‐8‐‐‐‐8‐‐‐‐10‐‐‐‐7‐‐‐ ‐‐‐5‐‐‐‐5‐‐‐‐3‐‐‐‐3‐‐‐ ‐‐‐8‐‐‐‐8‐‐‐‐6‐‐‐‐6‐‐‐‐:
A:‐‐‐5‐‐‐‐6‐‐‐‐8‐‐‐‐‐8‐‐‐‐5‐‐‐ ‐‐‐5‐‐‐‐3‐‐‐‐3‐‐‐‐1‐‐‐ ‐‐‐8‐‐‐‐6‐‐‐‐6‐‐‐‐4‐‐‐‐:
E:‐‐‐3‐‐‐‐‐‐‐‐‐6‐‐‐‐‐‐‐‐‐‐‐‐‐‐ ‐‐‐3‐‐‐‐‐‐‐‐‐1‐‐‐‐‐‐‐‐ ‐‐‐6‐‐‐‐‐‐‐‐‐4‐‐‐‐‐‐‐‐‐:
Intro:
||: Gm Eb | Bb F | Dm Eb | Bb F :||
(the band plays in the second time,
break on the last F before the verse)
Verse:
||: G C | F Bb :|| 4x (break on the last F)
Pre‐Chorus:
similar to Verse
Chorus:
||: Bb Eb | Fsus4 | Gm Dm | Eb F :||
Interlude:
similar to ½ Intro
Verse
Pre‐Chorus
Chorus
Bridge:
||: Gm | Eb | Bb | F :||
Final Pre‐Chorus:
||: Bb Eb | Ab C# :|| 4x, (break on Ab the last time)
2x Chorus, then fade out during one Chorus
__
2. I'm Yours
A E F#m D ‐ up 2 frets
G D Em C ‐ up 4 frets
B F# G# E
B F# Abm E Em A
e|‐‐‐7‐‐‐‐‐2‐‐‐‐‐4‐‐‐‐‐0‐‐‐‐‐0‐‐‐‐‐5‐‐‐|
B|‐‐‐7‐‐‐‐‐2‐‐‐‐‐4‐‐‐‐‐0‐‐‐‐‐0‐‐‐‐‐5‐‐‐|
G|‐‐‐9‐‐‐‐‐3‐‐‐‐‐4‐‐‐‐‐1‐‐‐‐‐0‐‐‐‐‐6‐‐‐|
D|‐‐‐9‐‐‐‐‐4‐‐‐‐‐6‐‐‐‐‐2‐‐‐‐‐2‐‐‐‐‐7‐‐‐|
A|‐‐‐8‐‐‐‐‐4‐‐‐‐‐6‐‐‐‐‐2‐‐‐‐‐2‐‐‐‐‐7‐‐‐|
E|‐‐‐7‐‐‐‐‐2‐‐‐‐‐4‐‐‐‐‐0‐‐‐‐‐0‐‐‐‐‐5‐‐‐|
B
Well you done done me and you bet I felt it
F#
I tried to be chill but you're so hot that I melted
Abm E
I fell right through the cracks, now I'm trying to get back
B
Before the cool done run out I'll be giving it my best test
F#m
And nothing's going to stop me but divine intervention
Abm E
I reckon it's again my turn to win some or learn some
B F# Abm
But I won't hesitate no more, no more
E
It cannot wait, I'm yours
B F#
Well open up your mind and see like me
Abm
Open up your plans and then you're free
E
Look into your heart and you'll find love, love, love, love
B F#
Listen to the music of the moment people, dance and sing
Abm
We're just one big family
E (Em)
And it's our God‐forsaken right to be loved, loved, loved, loved, loved
B F# Abm E
So I won't hesitate no more, no more_It cannot wait, I'm sure
B F# Abm E
There's no need to complicate, our time is short‐This is our fate, I'm yours
B F#
D‐D‐do do you, but do you, D‐D‐do
Abm
But do you want to come on
E
Scooch on over closer dear
(A)
And I will nibble your ear
I've been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and I laughed
I guess what I be saying is there ain't no better reason
To rid yourself of vanities and just go with the seasons
It's what we aim to do, our name is our virtue
Ukelele
G C E A-440
Guitar
E A D G B E
Guitar- Altern D
D A D G A D
Guitar – Altern Open – E maj
E B E G# B E
Guitar – Altern Open – E min
E B E G B E
Guitar – Altern Open – Funky 1 (Mid East)
X x E G A E
Guitar – Altern Open – Ukelele Like
X x G C A E
Or
G C E C A E
Ukelele
G C E A-440
Guitar
E A D G B E
C | C+ | D | D+/E- | F | F+ | G | G+ | A | A+ |
| | | | | | | | | |
| | | | | | | | | |
| | | | | | | | | |
G
Guitar – Altern Open – G maj
G C E G E G
Guitar – Altern Open –G min
G C E G E G
A
Guitar – Altern Open – A maj
A D F# A F# A
Guitar – Altern Open –A min
A D F# A F# A
B
Guitar – Altern Open – B maj
b e g# B g# b
Guitar – Altern Open –B min
b e g# B g# b
C
Guitar – Altern Open – C maj
C F A C A C
Guitar – Altern Open –C min
C F A C A C
E
Guitar – Altern Open – E maj
E A E A A E
Guitar – Altern Open –E min
E A E A A E
Jason Mraz — Details In The Fabric Tab
Hey guys, this is my first submission. I'm a big fan of Jason Mraz and i play this
of his live versions. If there's anything wrong then please let me know. Just mail
me @: muso_a@live.com
So here goes
Capo 5th fret
Intro
C Em7
C
Calm down
Em7
Deep breaths
C Em7
And get yourself dressed instead
C
Of running around
And pulling on your threads
G
And breaking yourself up
C
If it's a broken part, replace it
Em7
If it's a broken arm, then brace it
Am
If it's a broken heart, then face it
C
And hold your own
Em7
Know your name
Am
And go your own way
C
And hold your own
Em7
Know your name
Am
And go your own way
Em7 F G
And everything will be fine
C
Hang on
Em7
Help is on the way
C
And stay strong
Em7
I'm doing everything
C
And hold your own
Em7
Know your name
Am
And go your own way
C
And hold your own
Em7
Know your name
Am
And go your own way
Em7 F G F
And everything, everything will be fine
G
Everything
C
Are the details in the fabric
Em7
Are the things that make you panic
Am
Are your thoughts results of static cling?
C
Are the things that make you blow
Em7
Hell, no reason, go on and scream
Am
If you're shocked it's just the fault
Am
Of faulty manufacturing.
G F
Everything will be fine
G F
Everything in no time at all
Em7
Everything
C
And hold your own
Em7
Know your name
Am
And go your own way
C
Are the details in the fabric
Em7
Are the things that make you panic
Am
Are your thoughts results of static cling?
C
Are the details in the fabric
Em7
Are the things that make you panic
Am
Is it Mother Nature's sewing machine?
C
Are the things that make you blow (Hold your own, know your name)
Em7
Hell no reason go on and scream
Am
If you're shocked it's just the fault (Go your own way)
Am
Of faulty manufacturing
G F
Everything will be fine
G F
Everything in no time at all
G
Hearts will hold
Details In The Fabric- Jason Mraz (We sing, we dance, we steal things
Jason Mraz — Blitzkrieg Bop Tab
-------------------------------------------------------------------------------
Blitzkrieg Bop - Jason Mraz
-------------------------------------------------------------------------------
Song: Blitzkrieg Bop
Artist: Jason Mraz
Tabbed By: Aaron Andrzejak
I know you always seem to read this, but this is my first tab, feedback at
would be awesome.
This tab is a cover by Jason Mraz of the Romones song Blitzkrieg Bop that you can find
youtube. Its a lot slower and and all around different sound from the original, so it
helps to hear the song, but its really cool sounding and fun to play. There is some
that he does through out the song, but you can just as easily strum the chords and it
still sound great.
CHORDS
A 5-7-7-6-5-5-----|
D 5-5-7-7-7-5-----|
E 7-7-9-9-9-7-----|
D 0-0-0-2-3-2-----|
D* 0-0-0-2-3-4----|
D** 0-0-0-2-3-5---|
A 0-0-2-2-2-0-----|
Dm 0-0-0-2-3-1----|
Bm 2-2-5-5-4-2----|
E 0-2-2-1-0-0-----|
Dm* X-X-0-6-7-5---|
Dm** X-X-0-6-7-7--|
Dm*** X-X-0-6-7-9-|
(Sorry, but I'm not sure on the actual chord names of the ones that have a * by it, and
end where I have put the Dm*, Dm**, and Dm*** i'm still not sure on, but it sounds ok)
Intro: (Play the A, D, and E chords as barre chords to get the correct sound)
A, D, E x3
A, D, A
A D E
They're forming in a straight line
A D E
They're going through a tight wind
A D E
And the kids are losing their minds
E A D A
The Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
And pulsating to the back beat
E A D A
Of the Blitzkrieg Bop
(At this point you will want to stop playing the A, D, and E as barre chords)
D D* D**
Hey let's go
A D E
Shoot'em in the back now
D D* D** Dm
What they want, I don't know
Bm E
all reved up
Bm E
and ready to go
A D E
They're forming in straight line
A D E
And they're going through a tight wind
A D E
And the kids are losing their minds
E A D A
To the Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
Pulsating to the back beat
A D A
Of the Blitzkrieg Bop
D D* D**
Hey let's go
A D E
Shoot'em in the back now
D D* D** Dm
And what they want, I don't know oh
Bm E
Oh Oh all reved up
Bm E Bm E Bm
and ready to go
E
yea ready to go
(Now you will want to go back to playing the A, D, and E as barre chords)
A D E
They're forming in straight line
A D E
And going through a tight wind
A D E
And the kids are losing their minds
A D A
The Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
And pulsating to the back beat
A D A
Of the Blitzkrieg Bop
Dm* Dm** Dm*** Dm** Dm*
Hey lets go
*silent*
A D
The Blitzkrieg Bop
E A D
The Blitzkrieg Bop
E A
The Blitzkrieg Bop
-------------------------------------------------------------------------------
Blitzkrieg Bop - Jason Mraz
-------------------------------------------------------------------------------
Song: Blitzkrieg Bop
Artist: Jason Mraz
Tabbed By: Aaron Andrzejak
I know you always seem to read this, but this is my first tab, feedback at
would be awesome.
This tab is a cover by Jason Mraz of the Romones song Blitzkrieg Bop that you can find
youtube. Its a lot slower and and all around different sound from the original, so it
helps to hear the song, but its really cool sounding and fun to play. There is some
that he does through out the song, but you can just as easily strum the chords and it
still sound great.
CHORDS
A 5-7-7-6-5-5-----|
D 5-5-7-7-7-5-----|
E 7-7-9-9-9-7-----|
D 0-0-0-2-3-2-----|
D* 0-0-0-2-3-4----|
D** 0-0-0-2-3-5---|
A 0-0-2-2-2-0-----|
Dm 0-0-0-2-3-1----|
Bm 2-2-5-5-4-2----|
E 0-2-2-1-0-0-----|
Dm* X-X-0-6-7-5---|
Dm** X-X-0-6-7-7--|
Dm*** X-X-0-6-7-9-|
(Sorry, but I'm not sure on the actual chord names of the ones that have a * by it, and
end where I have put the Dm*, Dm**, and Dm*** i'm still not sure on, but it sounds ok)
Intro: (Play the A, D, and E chords as barre chords to get the correct sound)
A, D, E x3
A, D, A
A D E
They're forming in a straight line
A D E
They're going through a tight wind
A D E
And the kids are losing their minds
E A D A
The Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
And pulsating to the back beat
E A D A
Of the Blitzkrieg Bop
(At this point you will want to stop playing the A, D, and E as barre chords)
D D* D**
Hey let's go
A D E
Shoot'em in the back now
D D* D** Dm
What they want, I don't know
Bm E
all reved up
Bm E
and ready to go
A D E
They're forming in straight line
A D E
And they're going through a tight wind
A D E
And the kids are losing their minds
E A D A
To the Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
Pulsating to the back beat
A D A
Of the Blitzkrieg Bop
D D* D**
Hey let's go
A D E
Shoot'em in the back now
D D* D** Dm
And what they want, I don't know oh
Bm E
Oh Oh all reved up
Bm E Bm E Bm
and ready to go
E
yea ready to go
(Now you will want to go back to playing the A, D, and E as barre chords)
A D E
They're forming in straight line
A D E
And going through a tight wind
A D E
And the kids are losing their minds
A D A
The Blitzkrieg Bop
A D E
They're piling in the back seat
A D E
They're generating steam heat
A D E
And pulsating to the back beat
A D A
Of the Blitzkrieg Bop
Dm* Dm** Dm*** Dm** Dm*
Hey lets go
*silent*
A D
The Blitzkrieg Bop
E A D
The Blitzkrieg Bop
E A
The Blitzkrieg Bop
8/30/12 You Really Got A Hold On Me Chords by Smokey Robinson tabs @ Ultimate Guitar Archive
www.ultimate-guitar.com/print.php/id82079/?transpose=0 1/3
You Really Got A Hold On Me Chords by Smokey Robinson
+ --------------------------------------------------------------------- +
| Ultimate Guitar Tabs Archive - your #1 source for tabs! |
| http://www.ultimate-guitar.com/ |
| |
| Over 300,000 guitar, guitar pro and bass tabs! Also lessons, news, |
| columns and guitar forums! |
+ --------------------------------------------------------------------- +
Artist: Smokey Robinson
Song: You Really Got A Hold On Me
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#
YOU REALLY GOT A HOLD ON ME
Performed by Smokey Robinson and the Miracles
Written by Smokey Robinson
(C)1963 Jobete Music (ASCAP)
C Am
/ / / / / / / /
C Am
/ / / / / / / /
CI
don't like you, but I love you
Am
Seems that I'm always thinkin' of you
C F
Tho' oh oh you treat me badly
Dm
I love you madly
G7 C
You really got a hold on me
(You really got a hold on me)
Am
You really got a hold on me
(You really got a hold on me)
Baby
CI
don't want you, but I need you
Am
Don't wanna kiss you, but I need to
C F
Tho' oh oh you do me wrong now
Dm
My love is strong now
G7 C
You really got a hold on me
(You really got a hold on me)
Am
You really got a hold on me
(You really got a hold on me)
C7
Baby, I love you
F
8/30/12 You Really Got A Hold On Me Chords by Smokey Robinson tabs @ Ultimate Guitar Archive
www.ultimate-guitar.com/print.php/id82079/?transpose=0 2/3
C7 G7 Dm
And all I want you to do is just
C G7
Hold me, hold me, hold me (hold me)
C Am
/ / / / / / / tighter
C Am
C / / / / / / tighter
CI
wanna leave you, don't wanna stay here
Am
Don't wanna spend another day here
C F
Tho' oh oh I wanna split now
Dm
I can't quit now
G7 C
You really got a hold on me
(You really got a hold on me)
Am
You really got a hold on me
(You really got a hold on me)
C7
Baby, I love you
F
And all I want you to do is just
C G7
(Hold) please, (hold) squeeze, hold me (hold me)
C
You really got a hold on me
(You really got a hold)
Am
I said, you really got a hold on me
(You really got a hold)
C
You know, you really got a hold on me
...and fade
END
+--------------------------------------------------------------------------+
| This file is the author's own work and represents their interpretation |
| of the song. You may only use this file for private study, scholarship, |
| or research. |
+--------------------------------------------------------------------------+
___
8/30/12 Ben Chords (ver 2) by Michael Jackson tabs @ Ultimate Guitar Archive
www.ultimate-guitar.com/print.php/id841771/?transpose=0 2/3
Gm
E |---|---|-4-|---|---| o
B |---|---|-3-|---|---| o
G |---|---|---|---|---| o
D |---|---|---|---|---| o
A |-1-|---|---|---|---| o
E |---|---|-2-|---|---| o
Bb
E |-1-|---|---|---|---| o
B |-1-|---|-4-|---|---| o
G |-1-|---|-3-|---|---| o
D |-1-|---|-2-|---|---| o
A |-1-|---|---|---|---| o
E |---|---|---|---|---| x
1 fr.
C#7
E |-1-|---|---|---|---| o
B |-1-|---|-4-|---|---| o
G |-1-|---|---|---|---| o
D |-1-|---|-3-|---|---| o
A |-1-|---|---|---|---| o
E |---|---|---|---|---| x
4 fr.
D7
E |---|-3-|---|---|---| o
B |-1-|---|---|---|---| o
G |---|-2-|---|---|---| o
D |---|---|---|---|---| o
A |---|---|---|---|---| x
Eb7
E |---|---|-4-|---|---| o
B |---|-2-|---|---|---| o
G |---|---|-3-|---|---| o
D |-1-|---|---|---|---| o
A |---|---|---|---|---| x
A/C#
E |---|---|---|---|---| o
B |---|-3-|---|---|---| o
G |---|-2-|---|---|---| o
D |---|-1-|---|---|---| o
A |---|---|---|---|---| o
Gm Fmaj7
I used to say, I and me
Gm Fmaj7
Now it's us, now it's we
Gm Fmaj7
I used to say, I and me
Gm Fmaj7
Now it's us, now it's we
F C7
Ben, most people would turn you away
F C7
I don't listen to a word they say
Fmaj7 Esus4
They don't see you as I do
A/C# Eb7
I wish they would try to
D7 C#7
I'm sure they'd think again
C7 F Bb F Bb
If they had a friend like Ben (a friend)
F Bb F Bb
Like Ben (Like Ben)
F
Like Ben
END
+--------------------------------------------------------------------------+
| This file is the author's own work and represents their interpretation |
| of the song. You may only use this file for private study, scholarship, |
| or research. |
+--------------------------------------------------------------------------+
Ultimate-Guitar.Com © 2012
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